Listening Louder with Clay: Conversation as a Clay Tool

Peters, T., Twomey, C. and Brown, C. 2024. Listening Louder with Clay: Conversation as a Clay Tool. NCECA 58th Annual Conference: Coalescence. Greater Richmond Convention Center, Richmond, Virginia, USA 20 - 23 Mar 2024

TitleListening Louder with Clay: Conversation as a Clay Tool
AuthorsPeters, T., Twomey, C. and Brown, C.
TypeConference paper
Abstract

The NCECA panel, Listening Louder with Clay: Conversation as a Clay Tool, presented the themes of seminars, webinars and workshops that have taken place since 2020 involving the Ceramics Research Centre-UK from the University of Westminster.

The project began with online forums involving academics and artists, curators and critics from the fields of contemporary clay in South Korea, Japan, Ghana, India, Indonesia, Canada, the USA, the UK and across Europe. In 2022 an exploratory series of webinars were held online, convened by members of the Ceramics Research Centre-UK at the University of Westminster, London, and Linda Sormin of NYU. Contributors to these were: curators Susan Cross of MASS MoCA; Sequoia Miller of the Gardiner Museum, Toronto; Dr Jareh Das, an Independent Curator who works between, the UK and West Africa, and UK-based theorist Catherine Roche. Contributing artists were: US-based Rose B. Simpson, Ramekon O’Arwisters, Kahlil Irving and Cassils, Samuel Nortey from Ghana, Neha Kudchadkar from India, Nia Gautama from Indonesia, and Matt Smith who works between Ireland and the UK. Recent workshops and seminars have been convened by the CRC-UK with New York University (NYU), the Indian Ceramics Triennial (ICT) and Kwame Nkrumah University of Science & Technology (KNUST), Ghana.

The panel members were: Tessa Peters (Moderator), Prof. Clare Twomey, Prof. Christie Brown (CRC-UK); Dr Samuel Nortey (KNUST, Ghana); Linda Sormin (NYU); and Madhvi Subrahmanian (ICT)

The themes discussed by the 2024 NCECA panel included:
• How and why do we think clay connects us?
• What ideas and perspectives have been uncovered by recent conversations?
• Which findings can take us forward in our research?

The value of the project has been a direct exchange of ideas between people who don’t get the chance to meet and talk as a matter of course. It has proved an excellent way of helping us all question and extend our knowledge and understanding of clay.

KeywordsClay
Ceramics
Year2024
ConferenceNCECA 58th Annual Conference: Coalescence
Accepted author manuscript
File Access Level
Open (open metadata and files)

Related outputs

Song of the Wind
Peters, T. 2024. Song of the Wind.

Leaving a mark: gesture and performance in clay
Peters, T. 2024. Leaving a mark: gesture and performance in clay. The Performing Object: Ceramics and Performance . Department of Drama, Theatre & Dance, Royal Holloway, University of London. 24 Apr 2024

Listening Louder with Clay: Conversation as a Clay Tool
Peters, T., Brown, C., Cummings, P. and Twomey, C. 2024. Listening Louder with Clay: Conversation as a Clay Tool. NCECA Journal. 44, pp. 122-125.

From Shore to Dinner Table: Finding and eating seaweed in Ireland and the British Isles
Peters, T. 2023. From Shore to Dinner Table: Finding and eating seaweed in Ireland and the British Isles. in: Pung-Mi: Exquisite Taste of Seaweed Recipes for Collaborative Artists South Korea Project 7 1/2. pp. 93-113

Challenging the Rules of the Game
Peters, T. 2023. Challenging the Rules of the Game. Stadtmuseum Siegburg.

Reframing the Past
Peters, T. 2023. Reframing the Past. in: Meekyoung Shin, Time/Material: Performing Museology Seoul, South Korea Coreana Museum of Art, Seoul, South Korea. pp. 202 - 205

Look Who's Talking
Peters, T. 2022. Look Who's Talking.

Valuable Space: Nicole Polonsky Profile
Peters, T. 2021. Valuable Space: Nicole Polonsky Profile. Printmaking Today. 30 (120), pp. 10-13.

White Gold
Peters, T. 2021. White Gold. in: Oh, Sunyoung (ed.) Critical Reading: Functional Dissonance Korea Project 7 1/2. pp. 47-54

Tacit Knowledge and Creative Possibility
Peters, T. 2020. Tacit Knowledge and Creative Possibility. in: Cho Jang-hyun: Bak-Go-Ji-Geum, Southward-bound Buncheong Bandung, Indonesia Institut Teknologi Bandung.

Cultural Icons: Remaking a Popular Pottery Tradition
Peters, T. 2019. Cultural Icons: Remaking a Popular Pottery Tradition. The Potteries Museum & Art Gallery, Stoke-on-Trent 21 - 22 Sep 2019

Monument - The golden thread 2019
Twomey, C. 2019. Monument - The golden thread 2019. Zuiderzee Museum Enkhuisen Holland 08 - 14 Apr 2019

Review of The Ceramics Reader, Andrew Livingstone and Kevin Petrie (eds). London & New York: Bloomsbury, 2017
Peters, T. 2019. Review of The Ceramics Reader, Andrew Livingstone and Kevin Petrie (eds). London & New York: Bloomsbury, 2017. Journal of Modern Craft. 12 (2), pp. 197-199. https://doi.org/10.1080/17496772.2019.1620444

100 Medals For The Future
Twomey, C. 2018. 100 Medals For The Future. The National Memorial Arboretum 11 Dec 2018 - 31 Mar 2019

Wuthering Heights - A Manuscript
Twomey, C. 2018. Wuthering Heights - A Manuscript. Bronte Parsonage Museum 08 2017 - 08 Apr 2020

Vase Silkborg
Twomey, C. 2018. Vase Silkborg . Asger Jorn Museum, Denmark 10 Feb - 10 Jun 2018

Humanism, Existentialism and Art
Peters, T. 2018. Humanism, Existentialism and Art. in: Humanism - Poem of Earth for Human South Korea Clayarch Gimhae Museum. pp. 166-173

The history and development of the Ceramic Research Centre-UK
Peters, T. 2018. The history and development of the Ceramic Research Centre-UK. Humanism - Poem of Earth for Human symposium. Clayarch Gimhae Museum 05 Apr 2018

Factory: the seen and the unseen
Twomey, C. 2017. Factory: the seen and the unseen. Tate Modern 28 Sep - 08 Oct 2017

Participatory Art: Ceramic and social praxis
Peters, T. 2017. Participatory Art: Ceramic and social praxis. Clay Matters: Thinking and exhibiting matter in recent art. Hasselt, Belgium 17 - 18 Nov 2017

Narrative Strategies, Christie Brown
Peters, T. 2017. Narrative Strategies, Christie Brown. New Ceramics: the European Ceramics Magazine. 1 (2017), pp. 8-13.

Time Present and Time Past
Twomey, C. 2016. Time Present and Time Past. The William Morris Gallery, London 18 Jun - 18 Sep 2016

Humanity Is In Our Hands
Twomey, C. 2016. Humanity Is In Our Hands. Westminster Bridge, London 27 2015 - 27 Jan 2016

Text for Christie Brown: Rara Avis exhibition leaflet
Peters, T. 2016. Text for Christie Brown: Rara Avis exhibition leaflet.

Guest curator of Anthony Shaw Collection
Peters, T. 2016. Guest curator of Anthony Shaw Collection. York Art Gallery 18 Nov 2016 - 31 Oct 2017

Ceramic Art in Social Contexts
Peters, T. 2016. Ceramic Art in Social Contexts. in: Brown, C., Stair, J. and Twomey, C. (ed.) Contemporary Clay & Museum Culture London and New York Routledge. pp. 97-104

Book review: Seeing Things: Collected Writing on Art, Craft and Design, Alison Britton
Peters, T. 2015. Book review: Seeing Things: Collected Writing on Art, Craft and Design, Alison Britton. Journal of Modern Craft. 8 (1), pp. 101-103. https://doi.org/10.2752/174967715X14213400210159

Laura Potter: Fictional Final Goal
Peters, T. 2015. Laura Potter: Fictional Final Goal. Marsden Woo Gallery, 23 Charlotte Road, London EC2A 3PB 14 Jan - 14 Feb 2015

Working and dreaming, paper given at Earth, Energy, the 47th Annual National Council on Education for the Ceramic Arts conference 2013
Brown, C. 2013. Working and dreaming, paper given at Earth, Energy, the 47th Annual National Council on Education for the Ceramic Arts conference 2013. NCECA Journal. 34.

Sculptural ceramics
Brown, C. 2013. Sculptural ceramics.

Marking the line: ceramics and architecture
Brown, C. 2013. Marking the line: ceramics and architecture.

Award
Brown, C. 2013. Award. The Potteries Museum and Art gallery and the Spode factory, Stoke-on-Trent 28th September 2013 to 10th November 2013

Tradition and innovation: five decades of Harrow ceramics
Brown, C. 2012. Tradition and innovation: five decades of Harrow ceramics.

DreamWork
Brown, C. 2012. DreamWork.

Anxiety of endeavour: personal recollections of Harrow
Brown, C. 2012. Anxiety of endeavour: personal recollections of Harrow. in: Tradition and innovation: five decades of Harrow ceramics (exhibition catalogue) Ceramics Research Group.

Another room
Brown, C. 2012. Another room.

Made in China
Twomey, C. 2011. Made in China. Westnorway Museum of Decorative Art 17 Sep 2011 - 08 Jan 2012

Collecting the edges
Twomey, C. 2011. Collecting the edges. Denver Art Museum 11 Jun - 18 Sep 2011

Lost and found
Brown, C. 2011. Lost and found. Pangolin Gallery, London 19 May - 18 Jun 2011

A dark day in paradise
Twomey, C. 2010. A dark day in paradise.

Clare Twomey: forever
Twomey, C. 2010. Clare Twomey: forever.

The human animal hybrid
Brown, C. 2010. The human animal hybrid. Perimeter Gallery, Chicago, USA 5 Nov - 30 Dec 2010

The Taiwan Ceramic Biennale 2010
Brown, C. 2010. The Taiwan Ceramic Biennale 2010. Taipei, Taiwan

In the playroom: a work in progress
Brown, C. 2010. In the playroom: a work in progress. The Go-Between Conference. University of Glamorgan and National Museum of Wales, Cardiff

Hybrid toys
Brown, C. 2010. Hybrid toys.

Hermaphrodites
Brown, C. 2010. Hermaphrodites. Wexler Gallery, Philadelphia, USA

Crucible
Brown, C. 2010. Crucible. Gloucester Cathedral with Gallery Pangolin

Specimen
Twomey, C. 2009. Specimen. The Royal Academy of Arts, London 3 Dec 2009 - 31 Jan 2010

Reflection in action: practice-based research in the UK
Brown, C. 2009. Reflection in action: practice-based research in the UK. 43rd Annual Conference of the National Council on Education for the Ceramic Arts. Phoenix, Arizona 08 - 11 Apr 2009

Fire and Brimstone
Brown, C. 2009. Fire and Brimstone. Gallery Pangolin, Stroud

Ceramics from Great Britain
Brown, C. 2009. Ceramics from Great Britain. Galerie fur Angewandte Kunst, Munich

Monument
Twomey, C. 2008. Monument. MIMA 22 May - 16 Aug 2009

Sterling Stuff 2
Brown, C. 2008. Sterling Stuff 2. Pangolin London, King's Place, London

Myths and Legends
Brown, C. 2008. Myths and Legends. Contemporary Applied Arts, London

Think tank trophy
Twomey, C. 2007. Think tank trophy. Contemporary Applied Arts London Jan 2007

Contemporary clay
Twomey, C. 2007. Contemporary clay. in: Hanaor, C. (ed.) Breaking the mould: new approaches to ceramics London Black Dog.

Blossom
Twomey, C. 2007. Blossom.

After life
Brown, C. 2007. After life.

Foundation deposits
Brown, C. 2006. Foundation deposits.

Trophy
Twomey, C. 2006. Trophy.

Temporary
Twomey, C. 2006. Temporary. Northern Clay Centre, Minneapolis, USA 14 Jul - 27 Aug 2006

Embodying transformation
Brown, C. 2006. Embodying transformation. Interpreting Ceramics. 8.

Collective traces
Brown, C. 2006. Collective traces. Ceramics Technical. 23.

Collective traces
Brown, C. 2006. Collective traces. University College London 22 Mar - 05 May 2006

The Fragmented Figure
Brown, C. 2005. The Fragmented Figure. UWIC, Cardiff 29 Jun - 08 Jul 2005

Body Language
Brown, C. 2005. Body Language. Gallery Pangolin, Stroud

Heirloom
Twomey, C. 2004. Heirloom.

Consciousness/concience
Twomey, C. and Groom, S. 2004. Consciousness/concience. Tate Liverpool 25 May - 30 Aug 2004

Consciousness/concience
Twomey, C. 2004. Consciousness/concience. in: Groom, S. (ed.) A secret history of clay: from Gauguin to Gormley Liverpool, UK Tate Liverpool in association with Tate Publishing.

Christie Brown, Heidi Morstang
Brown, C. 2004. Christie Brown, Heidi Morstang. London Gallery West, University of Westminster, Harrow

Sterling stuff
Brown, C. 2003. Sterling stuff. Museum Sigismond Olafsson, Reykjavic, Iceland and Friends Room, Royal Academy, London

Between the dog and the wolf
Brown, C. 2003. Between the dog and the wolf. Kingsgate Gallery, London 2003

Child of glass
Brown, C. 2002. Child of glass. Gallery Pangolin, Stroud, Gloucester 02 Nov - 20 Dec 2002

Red Olympia, Portrait Bust, The Glyptotek
Brown, C. 2001. Red Olympia, Portrait Bust, The Glyptotek. V&A Museum, London 20 Sep - 04 Nov 2001

Red Galateea, Galatea's Helper
Brown, C. 2001. Red Galateea, Galatea's Helper. Bluecoat Display Centre, Liverpool 01 - 27 Oct 2001

Portrait of the Golem, Portrait of Prometheus, The Glypotek
Brown, C. 2001. Portrait of the Golem, Portrait of Prometheus, The Glypotek. WDO Gallery, Charlotte USA 11 May - 23 Jun 2001

Portrait of Pygmalion, Portrait of Galatea, the Glyptotek
Brown, C. 2001. Portrait of Pygmalion, Portrait of Galatea, the Glyptotek. Philadelphia Clay Studio, USA 01 - 24 Jun 2001

Family portraits
Brown, C. 2001. Family portraits. Craftspace Touring at the Midlands Art Centre, Birmingham 17 Mar 2001 - 29 Apr 2001

Christie Brown - recent sculpture
Brown, C. 2001. Christie Brown - recent sculpture. New York 07 Sep 2001 - 13 Oct 2001

Child of Glass Head
Brown, C. 2001. Child of Glass Head. Quenington Sculpture Trust, Gloucestershire 15 Jun - 7 Jul 2001

Permalink - https://westminsterresearch.westminster.ac.uk/item/w9w94/listening-louder-with-clay-conversation-as-a-clay-tool


Share this

Usage statistics

19 total views
0 total downloads
These values cover views and downloads from WestminsterResearch and are for the period from September 2nd 2018, when this repository was created.