Natureza, paisagem e afeto em post tenebras lux de Carlos Reygadas

Cunha, M. 2018. Natureza, paisagem e afeto em post tenebras lux de Carlos Reygadas. Revista FAMECOS. 26 (1) E-30207. https://doi.org/10.15448/1980-3729.2019.1.30207

TitleNatureza, paisagem e afeto em post tenebras lux de Carlos Reygadas
TypeJournal article
AuthorsCunha, M.
Abstract

This article examines the relationship between nature and affect in Post Tenebras Lux (Carlos Reygadas, 2012). It aims to understand the effects of the cons-truction of cinematographic and affective landscapes from the analysis of the framing strategies used to depict natural spaces and human and non-human bodies. The analysis suggests that the interspersing of a series of sequences that are independent from the main narrative, the spaces become disconnected and autonomous, and disorganize narrative continuity while emphasizing the frame as the place for the materialization of affect. Hence, the article contends that the filmic space and the framing strategies emphasize the materiality of cinema and of the world, and connect nature, humans and animals, evoking multiple subjectivities, while also revealing the film’s concern with the immanent character of cinema.

Article numberE-30207
JournalRevista FAMECOS
Journal citation26 (1)
ISSN1980-3729
1415-0549
Year2018
PublisherEditora da Pontifícia Universidade Católica do Rio Grande do Sul - EDIPUCRS
Publisher's version
License
CC BY 4.0
File Access Level
Open (open metadata and files)
Digital Object Identifier (DOI)https://doi.org/10.15448/1980-3729.2019.1.30207
Web address (URL)https://doi.org/10.15448/1980-3729.2019.1.30207
Publication dates
Published19 Nov 2018

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