We live like trees inside the footsteps of our ancestors

Devolver a História, Materializar o Trauma: Observações sobre os corpos migrantes em Cavalo Dinheiro (2014) e Vitalina Varela (2019) de Pedro Costa
Cunha, M. and Andrade, C. 2021. Devolver a História, Materializar o Trauma: Observações sobre os corpos migrantes em Cavalo Dinheiro (2014) e Vitalina Varela (2019) de Pedro Costa. Aniki: Portuguese Journal of the Moving Image . 8 (2), pp. 112-135. https://doi.org/10.14591/aniki.v8n2.769

Minimal gestures: Displacement, affect and urban experience in A hora da estrela/The Hour of the Star (Amaral, 1985)
Cunha, M. 2019. Minimal gestures: Displacement, affect and urban experience in A hora da estrela/The Hour of the Star (Amaral, 1985). Studies in Spanish and Latin American Cinemas. 16 (2), pp. 177-193. https://doi.org/10.1386/slac.16.2.177_1

Natureza, paisagem e afeto em post tenebras lux de Carlos Reygadas
Cunha, M. 2018. Natureza, paisagem e afeto em post tenebras lux de Carlos Reygadas. Revista FAMECOS. 26 (1) E-30207. https://doi.org/10.15448/1980-3729.2019.1.30207

The Right to Nature: Contested Landscapes and Indigenous Territoriality in Martírio (2016)
Cunha, M. 2018. The Right to Nature: Contested Landscapes and Indigenous Territoriality in Martírio (2016). in: Cunha, M. and da Silva, A.M. (ed.) Human Rights, Social Movements and Activism in Contemporary Latin American Cinema Springer. pp. 113-131

As formas da materialidade: quadro, escala e afeto no cinema de Ramsay
Cunha, M. 2018. As formas da materialidade: quadro, escala e afeto no cinema de Ramsay. Significação: Revista de Cultura Audiovisual. 45 (49), pp. 96-112. https://doi.org/10.11606/issn.2316-7114.sig.2018.137394

Bodies in Landscape: The Scientist’s Presence in Viajo Porque Preciso, Volto Porque Te Amo and Ventos De Agosto
Cunha, M. 2017. Bodies in Landscape: The Scientist’s Presence in Viajo Porque Preciso, Volto Porque Te Amo and Ventos De Agosto. in: da Silva, A. and Cunha, M. (ed.) Space and Subjectivity in Contemporary Brazilian Cinema Springer. pp. 77-95

Introduction
da Silva, A.M. and Cunha, M. 2017. Introduction. in: da Silva, A.M. and Cunha, M. (ed.) Space and Subjectivity in Contemporary Brazilian Cinema Springer.

Framing Landscapes: The Return Journey in Suely in the Sky
Cunha, M. 2013. Framing Landscapes: The Return Journey in Suely in the Sky. in: Brandellero, S. (ed.) The Brazilian Road Movie. Journeys of (Self) Discovery University of Wales Press.

Between Image and Word: Minority Discourses and Community Construction in Eduardo Coutinho’s Documentaries
Cunha, M.A.C.D. 2009. Between Image and Word: Minority Discourses and Community Construction in Eduardo Coutinho’s Documentaries. in: Haddu, M. and Page, J. (ed.) Visual Synergies in Fiction and Documentary Film from Latin America Palgrave Macmillan. pp. 133-150

Two Narratives, Multiple Spaces: the Literature of Ismail Kadare and the Cinema of Walter Salles
Cunha, M. 2006. Two Narratives, Multiple Spaces: the Literature of Ismail Kadare and the Cinema of Walter Salles. Polifonia. 11, pp. 109-132.

Exodus, or an imagined political community: the landless workers movement and internal migration in the work of Sebastião Salgado
Cunha, M. 2004. Exodus, or an imagined political community: the landless workers movement and internal migration in the work of Sebastião Salgado. Intexto. 11, pp. 48-62.