Liquid Funk: Acceleration, late capitalism and the signification of nature in jungle drum and bass music

Christodoulou, C. 2023. Liquid Funk: Acceleration, late capitalism and the signification of nature in jungle drum and bass music. (1), p. 2 2.

TitleLiquid Funk: Acceleration, late capitalism and the signification of nature in jungle drum and bass music
TypeJournal article
AuthorsChristodoulou, C.
Abstract

Since the 1980s, the growth and popularity of electronic dance music (EDM) has challenged the Western cultural binary between nature and technology. In particular, the facilitation of all-night dancing at nightclubs, festivals, and other social dance venues via music made predominantly using electronic instruments disturbs the corporeal and semiotic boundaries of the human body which is presumed to be situated in nature. Thereby, EDM is an example of what Charity Marsh and Melissa West describe as the cultural “appropriation of nature … through technology, a concept that moves beyond physical objects or machines to a system of relationships and exchanges between the machine, its designer(s), and its users” (2013: 184). If, as Andrew Goodwin has stated, “pop musicians and audiences have grown increasingly accustomed to making an association between synthetic/automated music and the communal (dance floor) connection to nature (via the body)” (1990: 263), EDM increasingly functions as an porous interface through which technology signifies ‘nature’. Using the liquid funk sub-genre of jungle drum and bass music as a main case study, this article will examine how EDM reconfigures the relationship between nature and technology in what Thomas Elmqvist, Erik Andersson, and Timon McPhearson, et al, refer to as “global urbanization’s … decoupling from ecological processes” (2021: 1). In liquid funk, this decoupling is articulated via the flowing sounds of animal life and matter in ethereal jungle landscapes, framed by the rapid breakbeats and heavy basslines with which the jungle drum and bass genre’s evocation of excessive and accelerated urbanisation is more generally associated. Thereby, the socio-economic conditions out of which jungle drum and bass emerged permeates liquid funk’s otherworldly depiction of nature as an alienated response to the failure of terrestrial futurism, deviating from other EDM styles’ representations of exotic yet earthly and familiar natural settings, such as in tropical house.

KeywordsEDM+jungle+drum and bass+nature+speed
Article number2
Journal citation(1), p. 2
Year2023
PublisherShared Campus
Web address (URL)https://www.journalofglobalpopcultures.com/issues/the-natures-of-pop/liquid-funk-acceleration-late-capitalism-and-the-signification-of-nature-in-jungle-drum-and-bass-music
Publication dates
Published21 Aug 2023

Related outputs

The Impact and Significance of Brian Belle-Fortune’s ‘All Crew Muss Big Up’
Christodoulou, C. 2021. The Impact and Significance of Brian Belle-Fortune’s ‘All Crew Muss Big Up’. Dancecult.

Bring the Break-beat Back! Authenticity and the politics of rhythm in drum & bass
Christodoulou, C. 2020. Bring the Break-beat Back! Authenticity and the politics of rhythm in drum & bass. Dancecult: journal of electronic dance music culture. 12 (1), pp. 3-21. https://doi.org/10.12801/1947-5403.2020.12.01.08

Hauntological Nostalgia: the lost futures of the BBC Radiophonic Workshop
Christodoulou, C. Forthcoming. Hauntological Nostalgia: the lost futures of the BBC Radiophonic Workshop.

Sounding Dark ICA Panel discussion – 9 September, 2016
Christodoulou, C. Forthcoming. Sounding Dark ICA Panel discussion – 9 September, 2016.

Bring the Break-Beat Back! Authenticity and the Politics of Rhythm in Jungle/Drum ‘n’ Bass
Christodoulou, C. 2019. Bring the Break-Beat Back! Authenticity and the Politics of Rhythm in Jungle/Drum ‘n’ Bass.

Sweet Harmony: Rave|Today (Exhibition Review)
Christodoulou, C. 2019. Sweet Harmony: Rave|Today (Exhibition Review). Dancecult: Journal of Electronic Dance Music Culture. 11 (1), pp. 101-102. https://doi.org/10.12801/1947-5403.2019.11.01.07

Haunted Science: The BBC Radiophonic Workshop and the lost futures of hauntological music
Christodoulou, C. 2018. Haunted Science: The BBC Radiophonic Workshop and the lost futures of hauntological music. Scene. 6 (2), pp. 107-120. https://doi.org/10.1386/scene_00012_1

Haunted Science: The BBC Radiophonic Workshop and the lost futures of hauntological music
Christodoulou, C. 2018. Haunted Science: The BBC Radiophonic Workshop and the lost futures of hauntological music. Scene. 6 (2), pp. 107-120. https://doi.org/10.1386/scene_00012_1

Darkcore: Dub’s Dark Legacy in Drum ‘n’ Bass Culture
Christodoulou, C. 2015. Darkcore: Dub’s Dark Legacy in Drum ‘n’ Bass Culture. Dancecult: Journal of Electronic Dance Music Culture. 7 (2). https://doi.org/10.12801/1947-5403.2015.07.02.12

DJs and the aesthetic of acceleration in drum 'n' bass
Christodoulou, C. 2013. DJs and the aesthetic of acceleration in drum 'n' bass. in: Attias, B.A., Gavanas, A. and Rietveld, H.C. (ed.) DJ culture in the mix: power, technology, and social change in electronic dance music London Bloomsbury Academic. pp. 195-218

Rumble in the jungle: city, place, and uncanny bass
Christodoulou, C. 2011. Rumble in the jungle: city, place, and uncanny bass. Dancecult: Journal of Electronic Dance Music Culture. 3 (1), pp. 44-63.

Permalink - https://westminsterresearch.westminster.ac.uk/item/w5y0q/liquid-funk-acceleration-late-capitalism-and-the-signification-of-nature-in-jungle-drum-and-bass-music


Share this

Usage statistics

76 total views
0 total downloads
These values cover views and downloads from WestminsterResearch and are for the period from September 2nd 2018, when this repository was created.