Speed Limits: Accelerationism, Popular Futurism and the Decline of Jungle Drum and Bass

Christodoulou, C. 2023. Speed Limits: Accelerationism, Popular Futurism and the Decline of Jungle Drum and Bass. DC23. University of Huddersfield 19 - 20 Oct 2023 Dancecult Research Network.

TitleSpeed Limits: Accelerationism, Popular Futurism and the Decline of Jungle Drum and Bass
AuthorsChristodoulou, C.
TypeConference paper
Abstract

The parallel development in the 1990s of jungle drum and bass as one of the most recognisable electronic dance music (EDM) genres to emphasise speed as a core experience, and the accelerationist movement, whose exponents, such as the Cybernetic Culture Research Unit (CCRU), promoted the social, economic, and libidinal forces that constitute the process of acceleration, suggests a coterminous acknowledgment of the desirability and inevitability of speed as a popular technocultural discourse. Indeed, the CCRU claimed in 1996 that jungle was ‘not just music’ but ‘the abstract diagram of planetary inhuman becoming’. While the genre’s time-stretched breakbeats, powerful bass riffs, and accompanying sonic, visual, and lexical references to both speed and a pervasive ‘dark’ thematization, suggesting the potential of acceleration to unleash future states of dehumanisation, the radical futurism of jungle drum and bass has since dissipated, paradoxically revealing that the techno-capitalist driving force behind accelerated culture has succumbed to stasis and inertia.

This paper examines the diminished cultural profile of jungle drum and bass – a genre that had previously been considered at the vanguard of sonic futurism based on its articulations of post-human speed – ironically, at a time of intensified cultural acceleration and interest in post-human subjective states. It will address tensions and contractions in accelerationist debates about the future – now signified as a settled set of concepts, affects, and associations that had largely entered the cultural consciousness through film, video games, and other image-based media, rather than specifically through EDM – to suggest that the speeding-up of culture by techno-capitalism is accompanied by a schizophrenic temporality that eliminates the possibility of transcending the past and the human, and, consequently, short-circuiting the ability to forge new futures.

KeywordsKeywords: accelerationism; breakbeat; futurism; jungle drum and bass; speed
Year2023
ConferenceDC23
PublisherDancecult Research Network
Accepted author manuscript
File Access Level
Open (open metadata and files)
Web address (URL)https://cream.ac.uk/events/dc23-conference/

Related outputs

Bridging Gaps in Black Music Research: A Conversation on Experimental Sound by the BMRU
Boon, H., Christodoulou, C., Toppin, J. and Riley, M. 2025. Bridging Gaps in Black Music Research: A Conversation on Experimental Sound by the BMRU. Organised Sound. https://doi.org/10.1017/S1355771825000032

Liquid Funk: Acceleration, late capitalism and the signification of nature in jungle drum and bass music
Christodoulou, C. 2023. Liquid Funk: Acceleration, late capitalism and the signification of nature in jungle drum and bass music. (1), p. 2 2.

The Impact and Significance of Brian Belle-Fortune’s ‘All Crew Muss Big Up’
Christodoulou, C. 2021. The Impact and Significance of Brian Belle-Fortune’s ‘All Crew Muss Big Up’. Dancecult.

Bring the Break-beat Back! Authenticity and the politics of rhythm in drum & bass
Christodoulou, C. 2020. Bring the Break-beat Back! Authenticity and the politics of rhythm in drum & bass. Dancecult: journal of electronic dance music culture. 12 (1), pp. 3-21. https://doi.org/10.12801/1947-5403.2020.12.01.08

Hauntological Nostalgia: the lost futures of the BBC Radiophonic Workshop
Christodoulou, C. Forthcoming. Hauntological Nostalgia: the lost futures of the BBC Radiophonic Workshop.

Sounding Dark ICA Panel discussion – 9 September, 2016
Christodoulou, C. Forthcoming. Sounding Dark ICA Panel discussion – 9 September, 2016.

Bring the Break-Beat Back! Authenticity and the Politics of Rhythm in Jungle/Drum ‘n’ Bass
Christodoulou, C. 2019. Bring the Break-Beat Back! Authenticity and the Politics of Rhythm in Jungle/Drum ‘n’ Bass.

Sweet Harmony: Rave|Today (Exhibition Review)
Christodoulou, C. 2019. Sweet Harmony: Rave|Today (Exhibition Review). Dancecult: Journal of Electronic Dance Music Culture. 11 (1), pp. 101-102. https://doi.org/10.12801/1947-5403.2019.11.01.07

Haunted Science: The BBC Radiophonic Workshop and the lost futures of hauntological music
Christodoulou, C. 2018. Haunted Science: The BBC Radiophonic Workshop and the lost futures of hauntological music. Scene. 6 (2), pp. 107-120. https://doi.org/10.1386/scene_00012_1

Darkcore: Dub’s Dark Legacy in Drum ‘n’ Bass Culture
Christodoulou, C. 2015. Darkcore: Dub’s Dark Legacy in Drum ‘n’ Bass Culture. Dancecult: Journal of Electronic Dance Music Culture. 7 (2). https://doi.org/10.12801/1947-5403.2015.07.02.12

DJs and the aesthetic of acceleration in drum 'n' bass
Christodoulou, C. 2013. DJs and the aesthetic of acceleration in drum 'n' bass. in: Attias, B.A., Gavanas, A. and Rietveld, H.C. (ed.) DJ culture in the mix: power, technology, and social change in electronic dance music London Bloomsbury Academic. pp. 195-218

Rumble in the jungle: city, place, and uncanny bass
Christodoulou, C. 2011. Rumble in the jungle: city, place, and uncanny bass. Dancecult: Journal of Electronic Dance Music Culture. 3 (1), pp. 44-63.

Permalink - https://westminsterresearch.westminster.ac.uk/item/wz0zw/speed-limits-accelerationism-popular-futurism-and-the-decline-of-jungle-drum-and-bass


Share this

Usage statistics

2 total views
2 total downloads
These values cover views and downloads from WestminsterResearch and are for the period from September 2nd 2018, when this repository was created.