论“百节之乡”的空间生产——以列斐伏尔空间理论分析一座中国小城 (On the Spatial Production of the “Homeland of 100 Festivals”: Using Lefebvrian Spatial Theory to Analyse a Small Chinese City)

Kendall, P. 2024. 论“百节之乡”的空间生产——以列斐伏尔空间理论分析一座中国小城 (On the Spatial Production of the “Homeland of 100 Festivals”: Using Lefebvrian Spatial Theory to Analyse a Small Chinese City). 人类学研究 (Anthropological Research).

Title论“百节之乡”的空间生产——以列斐伏尔空间理论分析一座中国小城 (On the Spatial Production of the “Homeland of 100 Festivals”: Using Lefebvrian Spatial Theory to Analyse a Small Chinese City)
TypeJournal article
AuthorsKendall, P.
Abstract

This article explores the extent to which Henri Lefebvre’s theories of social space can be applied to the realities of a small Chinese city in the 2010s. It firstly introduces Lefebvre’s theory of social space, especially his spatial triad of the perceived, the conceived and the lived, and how this theory has been used by foreign scholars doing research on contemporary China. Secondly, it applies this triad to the social space of Kaili in Guizhou, paying particular attention to the relationship between city brand, built environment and everyday life. Finally, based on the author’s fieldwork findings from Kaili, it suggests some modifications of Lefebvre’s spatial triad.

KeywordsHenri Lefebvre
social space
city branding
authenticity
Chinese studies
Journal人类学研究 (Anthropological Research)
Year2024
Publication dates
PublishedOct 2024

Related outputs

Third Front as Method: Mao, Market and the Present in CCTV Documentaries
Kendall, P. 2024. Third Front as Method: Mao, Market and the Present in CCTV Documentaries. The China Quarterly.

The City as Marginalized Space: A History of the Urban in Chinese Socialist Animation (1950s-80s)
Kendall, P. 2024. The City as Marginalized Space: A History of the Urban in Chinese Socialist Animation (1950s-80s). in: Feng, Lin (ed.) Film History and Screen Culture in and beyond Greater China London Routledge.

Orientalist Afterlives: Theorizing Discourse about Peppa Pig and China
Kendall, P. 2023. Orientalist Afterlives: Theorizing Discourse about Peppa Pig and China. East Asian Journal of Popular Culture. 9 (2), pp. 191-207. https://doi.org/10.1386/eapc_00107_1

‘For Us Foreigners, Licking Your Fingers Clean is a Good Habit’: On Learning Chinese and Learning About Discourse from Chinese-language Textbooks.
Kehoe, S., Kendall, P. and Wielander, G. 2023. ‘For Us Foreigners, Licking Your Fingers Clean is a Good Habit’: On Learning Chinese and Learning About Discourse from Chinese-language Textbooks. in: Hird, D. (ed.) Critical Pedagogies for Modern Languages Education Bloomsbury. pp. 183-199

‘For Us Foreigners, Licking Your Fingers Clean is a Good Habit’: On Learning Chinese and Learning About Discourse from Chinese-language Textbooks.
Kehoe, S., Kendall, P. and Wielander, G. 2022. ‘For Us Foreigners, Licking Your Fingers Clean is a Good Habit’: On Learning Chinese and Learning About Discourse from Chinese-language Textbooks. Critical Pedagogy for Modern Languages Education Workshop. Lancaster 04 - 05 Feb 2022

Translating Wang Xiaoshuai: From Third Front to Cultural Revolution
Kendall, P. 2022. Translating Wang Xiaoshuai: From Third Front to Cultural Revolution . British Journal of Chinese Studies. 12 (1), pp. 40-59. https://doi.org/10.51661/bjocs.v12i1.133

Music, Identity, and Community
Kendall, P., Zou, Sheng, Chu, Yiu-Wai, Morcom, Anna and Harris, Rachel 2021. Music, Identity, and Community. in: Kehoe, S. and Wielander, G. (ed.) Cultural China 2020: The Contemporary China Centre Review London University of Westminster Press. pp. 45-63

Heritage and Memory
Verdini, G., Evans, H., Demgenski, P., Kendall, P. and Zhang, L. 2021. Heritage and Memory. in: Kehoe, S. and Wielander, G. (ed.) Cultural China 2020: The Contemporary China Centre Review London University of Westminster Press. pp. 85-102

Ruins on Ruins: Forgetting, Commemorating and Re-Forgetting the Third Front
Kendall, P. 2020. Ruins on Ruins: Forgetting, Commemorating and Re-Forgetting the Third Front.

The Sounds of Social Space: Branding, Built Environment, and Leisure in Urban China
Kendall, P. 2019. The Sounds of Social Space: Branding, Built Environment, and Leisure in Urban China. Honolulu, Hawaii University of Hawaii Press.

The Location of Cultural Authenticity: Identifying the Real and the Fake in Urban Guizhou
Kendall, P. 2017. The Location of Cultural Authenticity: Identifying the Real and the Fake in Urban Guizhou. The China Journal. 77, pp. 93-109. https://doi.org/10.1086/688851

Small-City Music, China
Kendall, P. 2016. Small-City Music, China. in: Murray, Jeremy A. and Nadeau, Kathleen M. (ed.) Pop Culture in Asia and Oceania Santa Barbara, California ABC-CLIO. pp. 61-63

Ethnic Music, China
Kendall, P. 2016. Ethnic Music, China. in: Murray, Jeremy A. and Nadeau, Kathleen M. (ed.) Pop Culture in Asia and Oceania Santa Barbara, California ABC-CLIO. pp. 12-15

The Oriental and the Music Hall: Sound and Space in Thomas Burke’s Limehouse Chinatown
Kendall, P. 2015. The Oriental and the Music Hall: Sound and Space in Thomas Burke’s Limehouse Chinatown. in: Witchard, A. (ed.) British Modernism and Chinoiserie Edinburgh Edinburgh University Press. pp. 156-176

Between Big City and Authentic Village: Branding the Small Chinese City
Kendall, P. 2015. Between Big City and Authentic Village: Branding the Small Chinese City. CITY. 19 (5), pp. 665-680. https://doi.org/10.1080/13604813.2015.1071116

Permalink - https://westminsterresearch.westminster.ac.uk/item/wq197/-on-the-spatial-production-of-the-homeland-of-100-festivals-using-lefebvrian-spatial-theory-to-analyse-a-small-chinese-city


Share this

Usage statistics

7 total views
2 total downloads
These values cover views and downloads from WestminsterResearch and are for the period from September 2nd 2018, when this repository was created.