Encountering the Impossible: The Fantastic in Hollywood Fantasy Cinema

Sergeant, A. 2021. Encountering the Impossible: The Fantastic in Hollywood Fantasy Cinema. State University of New York Press.

TitleEncountering the Impossible: The Fantastic in Hollywood Fantasy Cinema
AuthorsSergeant, A.
Abstract

The first academic explanation for how spectators use their imaginations as part of the experience and appreciation of popular fantasy filmmaking.<br/><br/>Hollywood fantasy cinema is responsible for some of the most lucrative franchises produced over the past two decades, yet it remains difficult to find popular or critical consensus on what the experience of watching fantasy cinema actually entails. What makes something a fantasy film, and what unique pleasures does the genre offer? In <i>Encountering the Impossible</i>, Alexander Sergeant solves the riddle of the fantasy film by theorizing the underlying experience of imagination alluded to in scholarly discussions of the genre. Drawing principally on the psychoanalysis of Melanie Klein and D.W. Winnicott, Sergeant considers the way in which fantasy cinema rejects Hollywood’s typically naturalistic mode of address to generate an alternative experience that Sergeant refers to as the fantastic, a way of approaching cinema that embraces the illusory nature of the medium as part of the pleasure of the experience. Analyzing such canonical Hollywood fantasy films as <i>The Wizard of Oz</i>, <i>It’s a Wonderful Life</i>, <i>Mary Poppins</i>, <i>Conan the Barbarian</i>, and T<i>he Lord of the Rings</i> movies, Sergeant theorizes how fantasy cinema provides a unique film experience throughout its ubiquitous presence in the history of Hollywood film production.

Year2021
PublisherState University of New York Press
Publication dates
Published01 Aug 2021
ISBN9781438484594
Web address (URL)https://researchportal.port.ac.uk/en/publications/da0fdb38-2e11-4f62-b700-2093cc73a043
JournalHorizons of Cinema

Related outputs

Review: The Spanish Dancer (Blu-Ray)
Sergeant, A. 2024. Review: The Spanish Dancer (Blu-Ray). Journal of Film Preservation. 110, pp. 170-172.

Rediscovering War Brides: Retracing Herbert Brenon's Lost Warrtime Masterpiece
Sergeant, A. 2023. Rediscovering War Brides: Retracing Herbert Brenon's Lost Warrtime Masterpiece.

Fantasy/Animation @ AniFest
Sergeant, A. 2021. Fantasy/Animation @ AniFest. Canterbury, United Kingdom 25 Feb 2021

Across the narrow screen: televisual world-building in Game of Thrones
Sergeant, A. 2021. Across the narrow screen: televisual world-building in Game of Thrones. Screen. 62 (2), pp. 193-213. https://doi.org/10.1093/screen/hjab020

Hobbits on the wall
Sergeant, A. 2020. Hobbits on the wall. Free Associations. (78), pp. 103-118. https://doi.org/10.1234/fa.v0i78.331

Wallace and Gromit and the British fantasy tradition
Alexander Sergeant 2020. Wallace and Gromit and the British fantasy tradition. in: Annabelle Honess Roe (ed.) Aardman Animations: Beyond Stop-Motion Bloomsbury.

The' good' and 'bad' forests of modern fantasy cinema
Sergeant, A. 2019. The' good' and 'bad' forests of modern fantasy cinema. in: Jon Hackett and Seán Harrington (ed.) Beasts of the Forest: Denizens of the Dark Woods John Libbey.

High fantasy Disney: recontextualising The Black Cauldron
Sergeant, A. 2019. High fantasy Disney: recontextualising The Black Cauldron. in: Amy M. Davis (ed.) Discussing Disney John Libbey.

Crafted wonder: the puppet’s place within popular special effects reception
Sergeant, A. 2019. Crafted wonder: the puppet’s place within popular special effects reception. in: The Crafty Animator: Handmade, Craft-based Animation and Cultural Value Palgrave Macmillan. pp. 181-201

Coming back to the water: hydrofeminist animation in Disney's Moana (2016)
Sergeant, A. 2019. Coming back to the water: hydrofeminist animation in Disney's Moana (2016). SCMS 2019: Society of Cinema and Media Studies Annual Conference. Seattle, United States 13 Mar 2019

All Adventurous Women Sing: Articulating the Feminine Through the Music of Girls
Alexander Sergeant 2017. All Adventurous Women Sing: Articulating the Feminine Through the Music of Girls. in: Meredith Nash and Imelda Whelehan (ed.) Reading Lena Dunham’s Girls Springer Nature. pp. 135-147

Making fantasy matter: The Lord of the Rings and the legitimisation of fantasy cinema
Alexander Sergeant 2016. Making fantasy matter: The Lord of the Rings and the legitimisation of fantasy cinema. in: Lorna Piatti-Farnell (ed.) Fan Phenomena: The Lord of the Rings Intellect.

Bond is not enough: Elektra King and the desiring Bond girl
Alexander Sergeant 2015. Bond is not enough: Elektra King and the desiring Bond girl. in: Lisa Funnell (ed.) For His Eyes Only: the Women of James Bond Wallflower Press.

Zack Snyder’s Impossible Gaze: The Fantasy of “Looked-at-ness” Manifested in Sucker Punch (2011)
Alexander Sergeant 2014. Zack Snyder’s Impossible Gaze: The Fantasy of “Looked-at-ness” Manifested in Sucker Punch (2011). in: Gilad Padva and Nurit Buchweitz (ed.) Sensational Pleasures in Cinema, Literature and Visual Culture Palgrave Macmillan.

Scrutinising the Rainbow: Fantastic Space in The Wizard of Oz
Alexander Sergeant 2012. Scrutinising the Rainbow: Fantastic Space in The Wizard of Oz. Alphaville: Journal of Film and Screen Media. https://doi.org/10.33178/alpha.2.01

Permalink - https://westminsterresearch.westminster.ac.uk/item/ww6w5/encountering-the-impossible-the-fantastic-in-hollywood-fantasy-cinema


Share this

Usage statistics

5 total views
0 total downloads
These values cover views and downloads from WestminsterResearch and are for the period from September 2nd 2018, when this repository was created.