Across the narrow screen: televisual world-building in Game of Thrones

Lights, Camera, Action! Fantasy
Sergeant, A. 2025. Lights, Camera, Action! Fantasy.

St. Augustine's Batman: Hope, Gotham and the City of God
Sergeant, A. 2024. St. Augustine's Batman: Hope, Gotham and the City of God. Journal of Popular Culture.

Review: The Spanish Dancer (Blu-Ray)
Sergeant, A. 2024. Review: The Spanish Dancer (Blu-Ray). Journal of Film Preservation. 110, pp. 170-172.

Rediscovering War Brides: Retracing Herbert Brenon's Lost Warrtime Masterpiece
Sergeant, A. 2023. Rediscovering War Brides: Retracing Herbert Brenon's Lost Warrtime Masterpiece.

Pop Matters: Episode 1, "Disney's Marvel Series and the MCU"
Evan Carl Pugh, Lincoln Geraghty, David Garland, Van Norris and Alexander John Sergeant 2022. Pop Matters: Episode 1, "Disney's Marvel Series and the MCU".

Fantasy/Animation @ AniFest
Sergeant, A. 2021. Fantasy/Animation @ AniFest. Canterbury, United Kingdom 25 Feb 2021

Encountering the Impossible: The Fantastic in Hollywood Fantasy Cinema
Sergeant, A. 2021. Encountering the Impossible: The Fantastic in Hollywood Fantasy Cinema. State University of New York Press.

Hobbits on the wall
Sergeant, A. 2020. Hobbits on the wall. Free Associations. (78), pp. 103-118. https://doi.org/10.1234/fa.v0i78.331

Wallace and Gromit and the British fantasy tradition
Alexander Sergeant 2020. Wallace and Gromit and the British fantasy tradition. in: Annabelle Honess Roe (ed.) Aardman Animations: Beyond Stop-Motion Bloomsbury.

The' good' and 'bad' forests of modern fantasy cinema
Sergeant, A. 2019. The' good' and 'bad' forests of modern fantasy cinema. in: Jon Hackett and Seán Harrington (ed.) Beasts of the Forest: Denizens of the Dark Woods John Libbey.

High fantasy Disney: recontextualising The Black Cauldron
Sergeant, A. 2019. High fantasy Disney: recontextualising The Black Cauldron. in: Amy M. Davis (ed.) Discussing Disney John Libbey.

Crafted wonder: the puppet’s place within popular special effects reception
Sergeant, A. 2019. Crafted wonder: the puppet’s place within popular special effects reception. in: The Crafty Animator: Handmade, Craft-based Animation and Cultural Value Palgrave Macmillan. pp. 181-201

Coming back to the water: hydrofeminist animation in Disney's Moana (2016)
Sergeant, A. 2019. Coming back to the water: hydrofeminist animation in Disney's Moana (2016). SCMS 2019: Society of Cinema and Media Studies Annual Conference. Seattle, United States 13 Mar 2019

All Adventurous Women Sing: Articulating the Feminine Through the Music of Girls
Alexander Sergeant 2017. All Adventurous Women Sing: Articulating the Feminine Through the Music of Girls. in: Meredith Nash and Imelda Whelehan (ed.) Reading Lena Dunham’s Girls Springer Nature. pp. 135-147

Making fantasy matter: The Lord of the Rings and the legitimisation of fantasy cinema
Alexander Sergeant 2016. Making fantasy matter: The Lord of the Rings and the legitimisation of fantasy cinema. in: Lorna Piatti-Farnell (ed.) Fan Phenomena: The Lord of the Rings Intellect.

Bond is not enough: Elektra King and the desiring Bond girl
Alexander Sergeant 2015. Bond is not enough: Elektra King and the desiring Bond girl. in: Lisa Funnell (ed.) For His Eyes Only: the Women of James Bond Wallflower Press.

Zack Snyder’s Impossible Gaze: The Fantasy of “Looked-at-ness” Manifested in Sucker Punch (2011)
Alexander Sergeant 2014. Zack Snyder’s Impossible Gaze: The Fantasy of “Looked-at-ness” Manifested in Sucker Punch (2011). in: Gilad Padva and Nurit Buchweitz (ed.) Sensational Pleasures in Cinema, Literature and Visual Culture Palgrave Macmillan.

Scrutinising the Rainbow: Fantastic Space in The Wizard of Oz
Alexander Sergeant 2012. Scrutinising the Rainbow: Fantastic Space in The Wizard of Oz. Alphaville: Journal of Film and Screen Media. https://doi.org/10.33178/alpha.2.01