3D Electromagnetic Field Topology for Sound Manipulation
Moya Serra, F. 2026. 3D Electromagnetic Field Topology for Sound Manipulation. Innovation in Music 26. Aalborg University, Denmark 12 - 14 Jun 2026 Taylor & Francis.
Moya Serra, F. 2026. 3D Electromagnetic Field Topology for Sound Manipulation. Innovation in Music 26. Aalborg University, Denmark 12 - 14 Jun 2026 Taylor & Francis.
| Title | 3D Electromagnetic Field Topology for Sound Manipulation |
|---|---|
| Authors | Moya Serra, F. |
| Type | Conference paper |
| Abstract | This chapter discusses the design of an audio instrument in which sound is transformed via an electromagnetic field. The instrument treats the electromagnetic field as an active performative medium rather than a neutral carrier, where distance, velocity, and orientation replace static controls such as knobs and faders. Audio is fed into a modified induction loop, converted into an electromagnetic field, and captured into the audio domain using a pickup. Small changes in the pickup's position and orientation produce significant transformations, including tremolo, filtering, dropouts, saturation, harmonics, and wavefolding like artefacts. These nonlinear, amplitude and frequency dependent behaviours are unpredictable, creating a responsive yet unstable system. The instrument supports signal driven configurations and no input feedback, with custom software providing dynamics control and a hands-free interface. The pickup functions as a field reading device, letting the performer navigate zones of varying strength, nulls, and directional sensitivity in three dimensions. The work situates electromagnetic field exploration as a sound shaping process and immersive performance paradigm. Mapping field-derived dynamics into spatial rendering via Higher Order Ambisonics proposes a spatial music practice grounded in embodied navigation of an invisible physical medium. |
| Keywords | Instrument Design |
| Sound art | |
| Experimental music | |
| Electromagnetic musical instrument | |
| Magnetic field interaction | |
| Experimental instrument design | |
| Embodied sound interaction | |
| Spatial music | |
| Immersive Audio | |
| Spatial Audio | |
| Interactive music | |
| Ambisonics | |
| Nonlinear audio processing | |
| Audio feedback | |
| Induction loop | |
| Higher Order Ambisonics | |
| Immersive audio performance | |
| Digital arts | |
| Creative practice | |
| Music technology | |
| Sound design | |
| Audio technology | |
| Immersive media | |
| Performance technology | |
| Media arts | |
| Sonic interaction | |
| Practice research | |
| Year | 2026 |
| Conference | Innovation in Music 26 |
| Publisher | Taylor & Francis |
| Book editor | Aalborg University |
| Web address (URL) of conference proceedings | https://www.inmusicconference.com |
| Web address (URL) | https://www.inmusicconference.com/_files/ugd/7b7db3_ac33e1abd423465ba8852b520cf27e37.pdf |