3D Electromagnetic Field Topology for Sound Manipulation

Moya Serra, F. 2026. 3D Electromagnetic Field Topology for Sound Manipulation. Innovation in Music 26. Aalborg University, Denmark 12 - 14 Jun 2026 Taylor & Francis.

Title3D Electromagnetic Field Topology for Sound Manipulation
AuthorsMoya Serra, F.
TypeConference paper
Abstract

This chapter discusses the design of an audio instrument in which sound is transformed via an electromagnetic field. The instrument treats the electromagnetic field as an active performative medium rather than a neutral carrier, where distance, velocity, and orientation replace static controls such as knobs and faders.

Audio is fed into a modified induction loop, converted into an electromagnetic field, and captured into the audio domain using a pickup. Small changes in the pickup's position and orientation produce significant transformations, including tremolo, filtering, dropouts, saturation, harmonics, and wavefolding like artefacts. These nonlinear, amplitude and frequency dependent behaviours are unpredictable, creating a responsive yet unstable system.

The instrument supports signal driven configurations and no input feedback, with custom software providing dynamics control and a hands-free interface. The pickup functions as a field reading device, letting the performer navigate zones of varying strength, nulls, and directional sensitivity in three dimensions.

The work situates electromagnetic field exploration as a sound shaping process and immersive performance paradigm. Mapping field-derived dynamics into spatial rendering via Higher Order Ambisonics proposes a spatial music practice grounded in embodied navigation of an invisible physical medium.

KeywordsInstrument Design
Sound art
Experimental music
Electromagnetic musical instrument
Magnetic field interaction
Experimental instrument design
Embodied sound interaction
Spatial music
Immersive Audio
Spatial Audio
Interactive music
Ambisonics
Nonlinear audio processing
Audio feedback
Induction loop
Higher Order Ambisonics
Immersive audio performance
Digital arts
Creative practice
Music technology
Sound design
Audio technology
Immersive media
Performance technology
Media arts
Sonic interaction
Practice research
Year2026
ConferenceInnovation in Music 26
PublisherTaylor & Francis
Book editorAalborg University
Web address (URL) of conference proceedingshttps://www.inmusicconference.com
Web address (URL)https://www.inmusicconference.com/_files/ugd/7b7db3_ac33e1abd423465ba8852b520cf27e37.pdf

Related outputs

From Timbre to Trajectory: An Integrated Instrument for 3D Sound Design
Moya Serra, F. 2025. From Timbre to Trajectory: An Integrated Instrument for 3D Sound Design. Innovation in Music 25. Bath Spa University 20 - 22 Jun 2025

Generative Music in Max MSP
Moya Serra, F. 2021. Generative Music in Max MSP. Routledge. https://doi.org/10.4324/9780367340759

Cycles
Moya Serra, F. 2020. Cycles.

Texture and Shape
Moya Serra, F. 2014. Texture and Shape.

https://francescmoya.com
Moya Serra, F. 2005. https://francescmoya.com.

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