Project narrative

The Hybrid Bodies project brought together cardiologist Dr Heather Ross, philosopher Prof Margrit Shildrick, transplant psychiatrist Dr Susan Abbey, social scientist Patricia McKeever, specialist nurse Enza de Luca and sociologist Dr Jennifer Poole and four artists. Alexa Wright (GB) Catherine Richards (CA) Ingrid Bachmann (CA) and Andrew Carnie (GB). We created works in a variety of media, including video, sound, interactive installation, drawing and photography, to explore the personal experiences of heart recipients and of donor families. Two more Canadian artists, Emily Jan and Dana Dal Bo, joined the team at a later stage, along with art historian Tammer El-Sheikh and curator Hannah Redler Hawes. 

The original project was initiated in Toronto by Ross, Shildrick and McKeever, when Ross observed that her patients were not responding well emotionally and psychologically to transplanted organs, even though the organs were performing well physically. In 2006, along with Andrew Carnie, I was invited to participate in the project for knowledge translation purposes, and I invited Canadian artist Ingrid Bachmann to join. Over the next four years our role became more significant as we gained the trust of the rest of the team. Drawing on my previous experience of working with scientists, I was able to bring the group closer together by initiating a series of in-progress exhibitions. While each artist worked independently, making our own works from the same research material, there was frequent dialogue. My role also involved fundraising, overall development of the creative aspect of the project, organising opportunities for dissemination and promotion of the project, and production of works in a range of media, including interactive audio installation, video, photography and robotics (the latter is still in progress). 

In the cardiac unit at Toronto General Hospital, an international, interdisciplinary team of medical practitioners, social scientists, artists and a philosopher set out to investigate the phenomenological impact of heart transplant for recipients and donor families. Based on hundreds of hours of video interviews, our project explored the disruption to organ recipients’ sense of self as a result of their bodily transformations, and the trauma induced by enforced anonymity between recipients and donor families. 

To give a voice and emotional register to the beneficiaries or subjects, I developed artworks across a range of media, including photography and sound. Early works, such as Heart of the Matter (2014), an interactive audio installation first exhibited at the Phi Centre, Montreal, interweave narratives of physical and emotional heartbreak. Still Live (2019) – first shown at Concordia University, Montreal, in 2019 – is a later series of photographs that draws on imagery from 16thand 17th-century Dutch vanitas paintings to explore complex themes such as living and dying, proximity and distance, loss and rejuvenation. Cut (2018 –19), first exhibited at Winchester Gallery in 2018, is a series of seven photographs and Not Gone, Not Forgotten (2019), a two-screen video piece, in which fragments of one family are literally collided with another. 

The ongoing artistic dissemination of the team’s findings enhanced public and professional understanding of the issues involved in organ donation. For example, following a workshop I organised in Winchester in 2018, Katie Morley, transplant coordinator at Royal Papworth Hospital, Cambridge commented: “I now plan to extend our educational programme to include elements of the issues/work/ideas discussed during this artist-led workshop. I will take away ideas to be used with staff and patients to try to encourage others to think and express themselves in a non-medical fashion. From a personal perspective I think there are elements of the art displayed that would help recipients of transplant to cope/understand the impact transplant has had on their lives.” 

The method of coordination of a range of activities, exhibitions, workshops and discussion led to meaningful exchanges that were then reconciled into the subsequent iterations of the work. These methods, which are sometimes familiar within health-community art commissions, were sustained by this long-term engagement. 

The AHRC Research Network Award took up the discussion that had been taking place within the group. UK artists were asked to participate in the team’s network activities, which created new international links between researchers working across a range of disciplines. The resulting process of work-in-progress exhibitions and events acted as catalysts to facilitate knowledge exchange at the highest level internationally, enabling the team to share and examine their working practices with other artists, curators and museum and gallery professionals, enhancing the understanding of interdisciplinary practice in the arts and building new and ongoing interdisciplinary relationships. These events fostered working relationships between existing members of the team and new UK collaborators and have led to invitations to present at future interdisciplinary events.

Realisation of the work involved:

  • Production of artworks in a variety of media including photography, video installation, interactive audio installation.
  • Long-term, international collaboration between artists and scientists to exchange expertise via programmed workshops, seminars and work-in-progress exhibitions.  
  • Data-gathering in the form of video interviews with organ recipients and with donor families and visual analysis of this data. 
  • Exhibitions, symposia, interdisciplinary workshops, articles and books.

Production narrative

The project was carried out in two phases, The Process of Incorporating a Transplanted Heart (2007–14), which looked at the experience of heart recipients, and Gifting Life: Embodiment, Affect, Anonymity and Kinship (2014-20), a study of donor family experience. In both phases the primary data consisted of video footage of private, semi-structured, open-ended interviews. Nearly 100 hours of footage was analysed in detail by the whole team to try to understand the discrepancy between each interviewee’s verbal responses and their body language. Due to ethical constraints the material could only be viewed in a highly controlled setting at Toronto General Hospital. So we made annual or bi-annual visits to Toronto throughout the project to study this data and meet face to face with the scientists. 

Our initial methodology included reviewing the data, discussions with the medical team and developing and prototyping artworks based on research material. A number of work-in-progress exhibitions enabled us to evaluate the potential impact of the works and to gauge audience response to the issues addressed by the project and the use of visual art to communicate organ donor families’ experiences. 

During the first phase of the project, in response to the recipient interviews I created Heart of the Matter (2014) and Cadenza (2014), the two submitted pieces that were first exhibited in 2014. Heart of the Matter explores the intimacy of the transplant process and the blurring of boundaries between self and other that occurs as a consequence of integrating the transplanted organ, particularly the heart with all its cultural symbolism. Using edited sections of interviews, alongside transcriptions of my own interviews with heart recipients and with people who experienced an emotional exchange of hearts in intimate relationships, I created scripts that were then voiced by actors. In the Heart of the Matter installation, the voices emerge from a series of felt jackets, activated as visitors approach. I worked with Michael Mersereau, a programmer, to facilitate the interactivity. Heart of the Matter was first shown as a finished work at the Phi Centre in Montreal. However, the installation was modified in 2016 for an exhibition at KKW in Leipzig. Steel stands were made for the jackets and the audio component was rerecorded in German. Heart of the Matter has subsequently been shown a number of times. In all contexts the work has provoked dialogue and speculation about what it means to live with someone else’s heart. 

Cadenza (2014) was also made for the first stage and for Phi, where it was shown as a triptych. This work explores the strength and fragility of the human body via a reanimated image of an explanted heart. It was remade for exhibition at London Gallery West in 2017 as a single monitor embedded in a plinth with an audio element (excerpted from Nina Simone’s Feeling Good). 

In response to the second phase of the project, I created Cut (2018–19) and Not Gone Not Forgotten (2018), both of which explore the relationship between donor family and recipient by visually inserting fragments of a body into a different domestic interior. Not Gone Not Forgotten also includes quotes from donor family interviews. Also the photo series, Still Live (2019). These works were informed by interviews conducted by the AHRC-funded team, and by my own interviews carried out with two donor families in the UK. 

Themes that recurred in many interviews were: distress at not knowing who the organ recipient was or where they were, but also anxiety over what kind of person they might be and whether they would be “appropriate”. Research showed that donor families are often traumatised by not knowing where their loved one’s heart has gone, and recipients are traumatised by not knowing whose heart is keeping them alive.

CreatorsWright, A.
Description

In 2017, Wright was awarded an AHRC Research Network grant to bring an interdisciplinary study into the effects of heart transplantation on donors’ families that originated in Canada to the UK for the first time. The Network grant enabled Wright to develop a wider interdisciplinary network, enabling further insights into the effects of heart transplantation on recipients and donor families. Key questions asked include: How might art act as a bridge between the experience of heart-donor families and medical professionals? What forms and methods of artistic practice are most appropriate in this context? What are the implications of considering organ transplant as a form of inter-corporeality? Through exhibitions, symposia, workshops and other activities, the project shows that as well as blurring the boundaries between self and other, organ transplantation has deep implications for our understanding of the relation between death and “staying alive”. Recipients of donor organs often find the experience of surviving an otherwise certain death is fraught with complex emotions about the relationship between the self and the now dead other, while donor families understandably wish to see the donor living on in another. Through art, Wright and collaborators found that they could tackle these emotive aspects of transplantation that resist verbal or textual communication in new and accessible ways. Comparison between Canada and UK transplant regulations led to new insights on future policy.

Portfolio itemsMessy entanglements: research assemblages in heart transplantation discourses and practices
Hybrid Bodies at KKW
Hybrid Bodies
Heart of the Matter
Cadenza
BBC Radio 4: interview and excerpts of audio from Heart of the Matter in Print Me A new Body programme
The Heart Project (exhibition and symposium)
Cut
Not Gone Not Forgotten
Still Live
Heart of the Matter - The Flesh of the World
Heart of the Matter PHI exhibition
Heart of the Matter - Crafting Anatomies
Hybrid Bodies laser talk
When Words Fail, an interdisciplinary investigation into the phenomenological effects of heart transplantation
Hybrid Bodies Chiasma Exhibition
Sutured Selves, Remapping the Boundaries between our bodies, our selves and our kin
Art/Sci Nexus, 9 Evenings Revisited
Papworth Hospital Heart Transplant Recipient Workshop
Parallax, a story in two parts
Hybrid Minds, Hybrid Bodies
Object Stories
Donor Family and Recipient Anonymity: Time for Change
Year2014
PublisherUniversity of Westminster
Web address (URL)http://www.hybridbodiesproject.com
Keywordscollaboration; interdisciplinary; art science
CREAM Portfolio
FunderAHRC (Arts & Humanities Research Council)
Arts Council England
Digital Object Identifier (DOI)https://doi.org/10.34737/qqw60

Portfolio items

Messy entanglements: research assemblages in heart transplantation discourses and practices
Shildrick, M., McKeever, P., Abbey, S., Poole, J., Wright, A., Bachmann, I., Carnie, A., Ross, H., Jan, E., De Luca, E., Dal Bo, Dana and El Sheikh, T. 2018. Messy entanglements: research assemblages in heart transplantation discourses and practices. Medical Humanities. 44 (1), pp. 46-54. https://doi.org/10.1136/medhum-2017-011212

Hybrid Bodies at KKW
Wright, A. 2016. Hybrid Bodies at KKW. Kunstkraftwerk, Leipzig, Germany 18 - 26 Sep 2016

Hybrid Bodies
Wright, A. 2016. Hybrid Bodies. Silent Signal. University of Derby, Derby 26 Feb 2017

Heart of the Matter
Wright, A. 2014. Heart of the Matter. London

Cadenza
Wright, A. 2014. Cadenza.

BBC Radio 4: interview and excerpts of audio from Heart of the Matter in Print Me A new Body programme
Wright, A. 2017. BBC Radio 4: interview and excerpts of audio from Heart of the Matter in Print Me A new Body programme. BBC Radio 4.

The Heart Project (exhibition and symposium)
Wright, A. 2017. The Heart Project (exhibition and symposium). London Gallery West 20 - 24 Nov 2017

Cut
Wright, A. Forthcoming. Cut. Winchester; Montreal

Not Gone Not Forgotten
Wright, A. Forthcoming. Not Gone Not Forgotten. Winchester

Still Live
Wright, A. 2019. Still Live.

Heart of the Matter - The Flesh of the World
Wright, A. Forthcoming. Heart of the Matter - The Flesh of the World. Toronto 25 Jun - 10 Oct 2015

Heart of the Matter PHI exhibition
Wright, A. Forthcoming. Heart of the Matter PHI exhibition. Montreal 23 Jan - 15 Mar 2014

Heart of the Matter - Crafting Anatomies
Wright, A. 2015. Heart of the Matter - Crafting Anatomies. Nottingham 07 Jan - 04 Feb 2015

Hybrid Bodies laser talk
Wright, A. and Carnie, Andrew Forthcoming. Hybrid Bodies laser talk. London Laser 23. Central St Martins, London 18 Oct 2017

When Words Fail, an interdisciplinary investigation into the phenomenological effects of heart transplantation
Wright, A. 2018. When Words Fail, an interdisciplinary investigation into the phenomenological effects of heart transplantation. Art Materiality and Representation (Royal Anthropological Society). British Museum/ SOAS, London 01 - 03 Jun 2018

Hybrid Bodies Chiasma Exhibition
Wright, A. 2018. Hybrid Bodies Chiasma Exhibition. The Winchester Gallery, Hampshire 14 - 27 Apr 2018

Sutured Selves, Remapping the Boundaries between our bodies, our selves and our kin
Wright, A. and Redler Hawes, Hannah 2019. Sutured Selves, Remapping the Boundaries between our bodies, our selves and our kin. Representing the Medical Body. London Science Museum 28 Mar 2019

Art/Sci Nexus, 9 Evenings Revisited
Wright, A. and Carnie, Andrew 2016. Art/Sci Nexus, 9 Evenings Revisited. 9 Evenings Revisited, in Theory as in Practice. KKW, Leipzig, Germany

Papworth Hospital Heart Transplant Recipient Workshop
Wright, A. 2018. Papworth Hospital Heart Transplant Recipient Workshop.

Parallax, a story in two parts
Wright, A. 2020. Parallax, a story in two parts. in: Tammer el Sheikh (ed.) Entangled Bodies: Art, Identity and Intercorporeality Wilmington, USA Vernon Press. pp. 64 - 90

Hybrid Minds, Hybrid Bodies
Wright, A. 2019. Hybrid Minds, Hybrid Bodies. Concordia University Gallery, Montreal 07 - 09 Aug 2019

Object Stories
Wright, A. Forthcoming. Object Stories.

Donor Family and Recipient Anonymity: Time for Change
Poole, J., Shildrick, M., Abbey, S., Bachmann, I., Carnie, A., Dal, D., De Luca, E., El-Sheikh, T., Jan, E., McKeever, P., Wright, A. and Ross, H. 2019. Donor Family and Recipient Anonymity: Time for Change. Journal of Heart and Lung Transplantation. 38 (4, supp.), pp. S92-S93. https://doi.org/10.1016/j.healun.2019.01.214

Related outputs

People from ethnic minorities seeking help for Long Covid: a qualitative study.
Nina Smyth, Damien Ridge, Tom Kingstone, Dipesh P Gopal, Nisreen Alwan, Alexa Wright, Ashish Chaudhry, Sophie Clark, Rebecca Band and Carolyn A. Chew-Graham 2024. People from ethnic minorities seeking help for Long Covid: a qualitative study. British Journal of General Practice. Advanced online publication. https://doi.org/10.3399/bjgp.2023.0631

Piecing it Together- curator and facilitator of exhibition from participatory project
Wright, A. Forthcoming. Piecing it Together- curator and facilitator of exhibition from participatory project. St Pancras Hospital 29 Apr - 04 Jul 2016

Some Reflections on the Practice of Research
Wright, A. 2020. Some Reflections on the Practice of Research. The International Journal of Creative Media Research. 4. https://doi.org/10.33008/IJCMR.2020.09

Parallax, a story in two parts
Wright, A. 2020. Parallax, a story in two parts. in: Tammer el Sheikh (ed.) Entangled Bodies: Art, Identity and Intercorporeality Wilmington, USA Vernon Press. pp. 64 - 90

Object Stories
Wright, A. Forthcoming. Object Stories.

Hybrid Minds, Hybrid Bodies
Wright, A. 2019. Hybrid Minds, Hybrid Bodies. Concordia University Gallery, Montreal 07 - 09 Aug 2019

Hybrid Bodies laser talk
Wright, A. and Carnie, Andrew Forthcoming. Hybrid Bodies laser talk. London Laser 23. Central St Martins, London 18 Oct 2017

British Journal of Psychiatry, cover image
Wright, A. Forthcoming. British Journal of Psychiatry, cover image.

Heart of the Matter PHI exhibition
Wright, A. Forthcoming. Heart of the Matter PHI exhibition. Montreal 23 Jan - 15 Mar 2014

Heart of the Matter - The Flesh of the World
Wright, A. Forthcoming. Heart of the Matter - The Flesh of the World. Toronto 25 Jun - 10 Oct 2015

Not Gone Not Forgotten
Wright, A. Forthcoming. Not Gone Not Forgotten. Winchester

Cut
Wright, A. Forthcoming. Cut. Winchester; Montreal

Still Live
Wright, A. 2019. Still Live.

Donor Family and Recipient Anonymity: Time for Change
Poole, J., Shildrick, M., Abbey, S., Bachmann, I., Carnie, A., Dal, D., De Luca, E., El-Sheikh, T., Jan, E., McKeever, P., Wright, A. and Ross, H. 2019. Donor Family and Recipient Anonymity: Time for Change. Journal of Heart and Lung Transplantation. 38 (4, supp.), pp. S92-S93. https://doi.org/10.1016/j.healun.2019.01.214

Sutured Selves, Remapping the Boundaries between our bodies, our selves and our kin
Wright, A. and Redler Hawes, Hannah 2019. Sutured Selves, Remapping the Boundaries between our bodies, our selves and our kin. Representing the Medical Body. London Science Museum 28 Mar 2019

Hybrid Bodies Chiasma workshop
Wright, A. Forthcoming. Hybrid Bodies Chiasma workshop.

Hybrid Bodies Chiasma Exhibition
Wright, A. 2018. Hybrid Bodies Chiasma Exhibition. The Winchester Gallery, Hampshire 14 - 27 Apr 2018

Papworth Hospital Heart Transplant Recipient Workshop
Wright, A. 2018. Papworth Hospital Heart Transplant Recipient Workshop.

When Words Fail, an interdisciplinary investigation into the phenomenological effects of heart transplantation
Wright, A. 2018. When Words Fail, an interdisciplinary investigation into the phenomenological effects of heart transplantation. Art Materiality and Representation (Royal Anthropological Society). British Museum/ SOAS, London 01 - 03 Jun 2018

Messy entanglements: research assemblages in heart transplantation discourses and practices
Shildrick, M., McKeever, P., Abbey, S., Poole, J., Wright, A., Bachmann, I., Carnie, A., Ross, H., Jan, E., De Luca, E., Dal Bo, Dana and El Sheikh, T. 2018. Messy entanglements: research assemblages in heart transplantation discourses and practices. Medical Humanities. 44 (1), pp. 46-54. https://doi.org/10.1136/medhum-2017-011212

The Heart Project (exhibition and symposium)
Wright, A. 2017. The Heart Project (exhibition and symposium). London Gallery West 20 - 24 Nov 2017

BBC Radio 4: interview and excerpts of audio from Heart of the Matter in Print Me A new Body programme
Wright, A. 2017. BBC Radio 4: interview and excerpts of audio from Heart of the Matter in Print Me A new Body programme. BBC Radio 4.

Art/Sci Nexus, 9 Evenings Revisited
Wright, A. and Carnie, Andrew 2016. Art/Sci Nexus, 9 Evenings Revisited. 9 Evenings Revisited, in Theory as in Practice. KKW, Leipzig, Germany

Visual Narratives of Embodied Experience at RPsych Conference
Wright, A. 2016. Visual Narratives of Embodied Experience at RPsych Conference. Royal College of Psychiatrists Annual Conference. Cardiff 25 - 27 Apr 2016

Phantom Limb
Wright, A. 2016. Phantom Limb. Victoria Museum and Gallery, Liverpool 09 Jul 2016 - 11 Feb 2017

Hybrid Bodies at KKW
Wright, A. 2016. Hybrid Bodies at KKW. Kunstkraftwerk, Leipzig, Germany 18 - 26 Sep 2016

Seeing Things As They Are : Visual Narratives of Embodied Experience
Wright, A. 2016. Seeing Things As They Are : Visual Narratives of Embodied Experience. Disability, Arts and Health Conference. University of Bergen, Norway 01 - 02 Sep 2016

Hybrid Bodies
Wright, A. 2016. Hybrid Bodies. Silent Signal. University of Derby, Derby 26 Feb 2017

Piecing it Together
Wright, A. 2016. Piecing it Together. St Pancras Hospital.

There's So Much More I Want To Tell You
Wright, A. 2016. There's So Much More I Want To Tell You. Visions in The Nunnery, Bow, London

Heart of the Matter - Crafting Anatomies
Wright, A. 2015. Heart of the Matter - Crafting Anatomies. Nottingham 07 Jan - 04 Feb 2015

Piecing It Together Blog
Wright, A. 2015. Piecing It Together Blog.

Heart of the Matter
Wright, A. 2014. Heart of the Matter. London

Cadenza
Wright, A. 2014. Cadenza.

Monstrosity: the human monster in visual culture
Wright, A. 2013. Monstrosity: the human monster in visual culture. London I.B. Tauris.

A View From Inside
Wright, A. 2012. A View From Inside. London White Card.

A view from inside: portraying the experience of psychosis
Wright, A. 2012. A view from inside: portraying the experience of psychosis. Harris Gallery, Preston 6 - 19 Oct 2012

Cover story
Wright, A. 2010. Cover story. DaDaFest International, St George, Liverpool 12 Nov - 03 Dec 2010

Alter Ego
Wright, A. 2010. Alter Ego. Kreuzberg, Bethanien, Berlin, Germany 22 May - 8 Aug 2010

After Image
Wright, A. 2010. After Image. 21_21 Design Sight Gallery, Tokyo, Japan 16 Jul - 3 Nov 2010

Conversation Piece
Wright, A., Linney, A. and Lincoln, M. 2009. Conversation Piece. Ormeau Baths Gallery, Belfast 07 - 29 Aug 2009

Out of Order
Wright, A. 2009. Out of Order.

Alter ego
Wright, A. and Linney, A. 2008. Alter ego. BM Suma Gallery, Istanbul, Turkey 07 - 16 Nov 2008

Opera interna
Wright, A. 2008. Opera interna. Centro the Historia , Zaragoza, Spain 18 Mar - 11 May 2008

Cover story
Wright, A. 2008. Cover story. Bow Arts Trust, London 06 - 15 Jun 2008

Conversation piece: a speech-based interactive art installation
Wright, A., Linney, A., Evans, A. and Lincoln, M. 2007. Conversation piece: a speech-based interactive art installation. Augsburg, Germany 25 - 27 Sep 2007

Alter Ego
Wright, A. and Linney, A. 2007. Alter Ego. SESI Art Gallery, Sao Paulo, Brazil 13 Aug - 09 Sep 2007

Semblance and resemblance: the face in art and medicine
Wright, A. and Clarke, A. 2007. Semblance and resemblance: the face in art and medicine. Intersections of Life and Death: Artistic and Philosophical Representations of Organ Donation and Transplantation Conference. University of Toronto 26 - 27 Apr 2007

Opera interna: first act
Wright, A. 2007. Opera interna: first act. Incheon Multicultural Centre, Korea 10 Oct - 16 Dec 2007

Interactivity and identification: alter ego and conversation piece
Wright, A. 2007. Interactivity and identification: alter ego and conversation piece. FILE Symposium. SESI Arts Centre, Sao Paolo, Brazil 14 - 17 Aug 2007

Interactivity and identification: a discussion of conversation piece and other recent works
Wright, A. 2007. Interactivity and identification: a discussion of conversation piece and other recent works. Healthcare, Technology and Place Conference. University of Toronto 03 - 04 May 2007

'I'
Wright, A. 2007. 'I'. National Portrait Gallery, Edinburgh 06 Jun - 02 Sep 2007

Cover story
Wright, A. 2006. Cover story. The Forum, Norwich 05 - 30 Sep 2006

At the edge of my-self
Wright, A. 2003. At the edge of my-self. Digital Creativity. 14 (3), pp. 139-143. https://doi.org/10.1076/digc.14.3.139.27869

Intimate strangers
Wright, A. 2003. Intimate strangers. London, UK CARTE, University of Westminster.

'I'
Wright, A. 2001. 'I'. Public Culture: society for transnational cultural studies. 13 (3), pp. 506-510.

Permalink - https://westminsterresearch.westminster.ac.uk/portfolio/qqw60/hybrid-bodies-the-heart-project


Still Live (2019) is a series of photographs that draws on 16th- and 17th-century Dutch vanitas paintings to explore themes surrounding living and dying
Still Live (2019) is a series of photographs that draws on 16th- and 17th-century Dutch vanitas paintings to explore themes surrounding living and dying
Heart of the Matter was modified for exhibition at KKW in Leipzig in 2016, with new steel stands for the jackets and the audio component re-recorded in German
Heart of the Matter was modified for exhibition at KKW in Leipzig in 2016, with new steel stands for the jackets and the audio component re-recorded in German
Cadenza (2014) at KKW in Leipzig, explores the strength and fragility of the human body through a reanimated image of an explanted heart
Cadenza (2014) at KKW in Leipzig, explores the strength and fragility of the human body through a reanimated image of an explanted heart
Cadenza was remade as a single monitor embedded in a plinth with an audio element for exhibition at London Gallery West in 2017
Cadenza was remade as a single monitor embedded in a plinth with an audio element for exhibition at London Gallery West in 2017
Not Gone Not Forgotten was part of the Hybrid Bodies Exhibition at Concordia University, Montreal, 2019. The work examines the relationship between donor family and recipient by placing images of fragments of a body into different domestic interiors
Not Gone Not Forgotten was part of the Hybrid Bodies Exhibition at Concordia University, Montreal, 2019. The work examines the relationship between donor family and recipient by placing images of fragments of a body into different domestic interiors
Not Gone Not Forgotten was part of the Hybrid Bodies Exhibition at Concordia University, Montreal, 2019. The work examines the relationship between donor family and recipient by placing images of fragments of a body into different domestic interiors
Not Gone Not Forgotten was part of the Hybrid Bodies Exhibition at Concordia University, Montreal, 2019. The work examines the relationship between donor family and recipient by placing images of fragments of a body into different domestic interiors