School | Media, Arts and Design |
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Head | Prof Rosie Thomas |
Dominici, S. 2023. Wish You Were Here? Source Magazine. Spring (110), pp. 14-17.
Soutter, L. 2023. Photography in Flux: The Global Contemporary. in: Niedermaier, A. (ed.) Discourses of the image: from the center and from the periphery Palermo, Argentina University of Palermo, Argentina.
Shinkle, E. 2023. On Boredom and Contemporary Fashion Photography. in: Fashion and Feeling Palgrave Macmillan.
White, N. 2022. Perfect Nature: Amstelpark Test Site. Amsterdam 22 Apr - 19 Jun 2022
Groves, Andrew 2022. Painted sheepskin coat, A/W1999. Garden Museum 16 Mar - 19 Jun 2022
Hogg, C. 2022. Reflections on 'Television Adaptation Specifically', CST Online.
Kempadoo, Roshini 2022. Like Gold Dust (2019) (selection) in the exhibition Intersectional Geographies. Bristol 27 Jan - 03 Apr 2022
Hogg, C. 2022. Time for Change: An Actor's Perspective - Christopher Hogg in Conversation with Mandip Gill. www.cream.ac.uk.
Gortazar, P. 2022. Remember Photography: Bidimensional Stillness and Desire in the Virtual Infinity. Photographies International Conference, Boundaries and Borders. Texas State University, San Antonio 23 - 24 Sep 2022
Dominici, S. 2022. Sonata by Aaron Schuman. Source Magazine. Autumn (109), p. 81.
Ingawanij, M.A. 2022. Vivre après la catastrophe . in: Maury, Corinne and Zuchuat, Olivier (ed.) Lav Diaz: Faire Face post-éditions. pp. 149-173
Groves, Andrew, Jenkinson, Jo and Earnshaw, John 2022. Through a Lens – A comparison of contested masculine identities as reflected in clothing, place, and portraiture. Futurescan 5: Conscious Communities . The University of Leeds 07 - 08 Sep 2022 Association of Fashion and Textiles Courses.
Dominici, S. 2022. Early Photographic Federations and the Pursuit of Collaborative Education. Early Popular Visual Culture. 20 (4), pp. 388-411. https://doi.org/10.1080/17460654.2022.2087710
Kempadoo, Roshini 2021. Itinerant Imaginaries: Seminar series published online. British Art Network.
Gortazar, P. 2022. Memorias de Papel: El Archivo Fotográfico y sus Lecturas. in: Historias de la Fotografía del Siglo XXI Madrid, Spain Comunicación Social. pp. 29-50
Wrigley, A. and Wyver, J. (ed.) 2022. Screen Plays: Theatre Plays on British Television. Manchester Manchester University Press.
Groves, Andrew 2021. Face masks from the Westminster Menswear Archive. Online Dec 2021 - Jan 2023
Kempadoo, Roshini 2021. Ghosting (2004) in Life Between Islands: Caribbean-British Art 1950s – Now . Tate Britain, London, United Kingdom 01 Dec 2021 - 03 Apr 2022
Maziere, M. 2021. Falling Away - Vertigo. Ambika P3 21 Oct 2021 - 20 Nov 2022
Groves, Andrew and Sprecher, Danielle 2021. C.P. Library. Darwen Library, Lancashire 01 - 30 Oct 2021
Kempadoo, Roshini 2021. Ghosting (2004) in Fragments of Epic Memory. Toronto, Ontario, Canada 01 Sep 2021 - 21 Feb 2022
Wyver, J. 2021. Coventry Cathedral: Building for a New Britain. London
White, N., Bremner, L., Cook, J. and Cullen, B. 2021. Between the Barometer and the Dragonfly. Venice Biennale of Architecture
Groves Andrew 2021. Undercover – From Necessity to Debris: The Pollution of Face Coverings During COVID-19. https://opensea.io/collection/undercover-from-necessity-to-debris 11 May - 05 Jun 2021
Groves Andrew and Sprecher, D. 2021. Undercover – From Necessity to Luxury: The Evolution of Face Coverings During COVID-19. Online 11 May - 05 Jun 2021
Kempadoo, Roshini 2021. Digital Media Practice as Critique: Roshini Kempadoo's Installations: Ghosting and Endless Prospects. in: Bailey, D.A. and Thompson, A. (ed.) Liberation Begins In The Imagination: Writings on Caribbean-British Art London Tate Publishing in partnership with International Curators Forum (ICF). pp. 280 - 286
Kempadoo, Roshini 2021. Life Between Islands: Caribbean-British Art 1950s–Now exhibition book. Tate Publishing.
Kempadoo, Roshini 2021. Defining Women Subjects: Photographs in Trinidad (1860s – 1960s). in: Kempadoo, K. and Deshong, H. (ed.) Methodologies in Caribbean Research on Gender and Sexuality Kingston Ian Randle Publishers. pp. 351-369
Kempadoo, Roshini 2021. Imagining Activism: Black, Gold, Dust. Kunstlicht. 42 (3/4), pp. 63-68.
Moore, D. 2021. English Domestic Interiors, 1986-88. https://www.caferoyalbooks.com/search?q=david+moore Café Royal Books..
Wyver, J. 2021. ‘Filming the invisible’: Barrie Gavin in conversation with John Wyver. Journal of Popular Television. 9 (1), pp. 15-28. https://doi.org/10.1386/jptv_00039_7
Ingawanij, M.A. 2021. Cinematic Animism and Contemporary Southeast Asian Artists’ Moving Image Practices. Screen. 62 (4), pp. 549-558. https://doi.org/10.1093/screen/hjab056
Ingawanij, M.A. 2021. Philippine Noir: The Cinema of Lav Diaz . New Left Review. 130.
Groves, Andrew 2021. Introduction. in: C.P. Company 971-021: An Informal History of Italian Sportswear Italy Tristate International SA. pp. 13-15
Boon, H. 2021. The Condition of My Existence. Riffs Journal. https://doi.org/10.34737/v4y82
Dominici, S. 2021. The Tricycle and the Camera: New Technologies for Self-Determination. The PhotoHistorian. 189 (Spring), pp. 5-8.
Dominici, S. 2021. The Tricycle and the Camera: New Technologies for Self-Determination. Journal of Victorian Culture Online.