Centre for Research and Education in Arts and Media

Fusari, M. 2021. Which Visual Transmission Of Knowledge For A Hawza Knowledge? in: Gleave, R. (ed.) Knowledge and Authority in Shi'i Islam: Volume 1: Clerics and the Hawza System in the Middle East London I.B. Tauris.

Barnwell, J. Paddington in Prison: How does the design of the prison in Paddington 2 (2017) reflect character and story? in: Harmes, M., Harmes, M. and Harmes, B. (ed.) The Palgrave Handbook of Incarceration in Popular Culture Australia Palgrave Macmillan.

Barnwell, J. 2020. How does the design of the Byers’ home in Stranger Things (2016-2019 Netflix) reflect notions of nostalgia for a particular space in time? in: Investigating Stranger Things: Upside Down in the World of Mainstream Cult Entertainment London Palgrave Macmillan.

Lodhi, A. and Wrigley, A. (ed.) 2020. Radio Modernisms: Features, Cultures and the BBC. Routledge.

Shinkle, E. 2020. Of Particle Systems and Picturesque Ontologies: Landscape, Nature and Realism in Video Games. Art Journal.

Wright, A. 2020. Parallax, a story in two parts. in: Tammer el Sheikh (ed.) Hybrid Bodies: An Anthology of Writings on Art, Identity and Intercorporeality Wilmington, USA Vernon Press.

Dominici, S. 2020. From the Proliferation of the Photographic to the Nullification of Truth: Personal and Commercial Narratives of Travel in Britain, 1890s-1930s. Image [&] Narrative.

Sprio, Margherita 2020. Carol White: The Bardot of Battersea. in: Petrie, D., Williams, M. and Mayne, L. (ed.) Sixties British Cinema Reconsidered Edinburgh University Press. pp. 47-62

Goddard, M. 2020. Genealogies of Immersive Media and Virtual Reality (VR) as Practical Aesthetic Machines. in: Herzogenrath, B. (ed.) Practical Aesthetics New York; London Bloomsbury Academic.

Goddard, M. 2020. ‘This is Radio Clash’: 1st Generation Punk as Radical Media Ecology and Communicational Noise. in: McKay, G. and Arnold, G. (ed.) The Oxford Handbook of Punk Rock New York Oxford University Press.

Thomas, R. 2020. Alibaba’s Open Sesame: Unravelling the Islamicate in Oriental Fantasy Films. in: Bhaskar, I. and Allen, R. (ed.) Bollywood’s Islamicate Cinemas: Idioms, Cultures, Histories London and Delhi Intellect Books and Orient Blackswan.

Thomas, R. 2020. She’s Everything That’s Unpardonable: Hema Malini, Dream Girl on a Motorbike. in: Lawrence, M. (ed.) Indian Film Stars: New Critical Perspectives London BFI/Bloomsbury.

Fusari, M. 2020. Aesthetics as Storytelling. Bristol Intellect.

Wyver, J., Wrigley, A. (ed.) 2020. Screen Plays: Theatre Plays on British Television. Manchester Manchester University Press.

Sprio, Margherita 2020. Women in the Frame: Feminist Intimacies on the British Screen . London, UK Bloomsbury Academic.

Pucill, S. 2020. A Dialogue with the work of Claude Cahun: Between Photography and Film in Magic Mirror and Confessions to the Mirror. in: Schmid, M. and Knowles, K. (ed.) Cinematic Intermedialities Edinburgh Edinburgh University Press.

Sprecher, Danielle and Groves, Andrew 2019. Invisible Men: An Anthology from the Westminster Menswear Archive . Ambika P3, London

White, N. Tiny Love Songs (All our futures are scalable). Holland

Ingawanij, M.A. 2019. Animistic Apparatus screening programme: Landscape of Spirits . Berwick Film and Media Arts Festival

Ingawanij, M.A. 2019. Animistic Apparatus @ Berwick Film and Media Arts Festival . Berwick Film and Media Arts Festival

Wright, A. Object Stories.

Wright, A. 2019. Hybrid Bodies, Hybrid Minds. Concordia University Gallery, Montreal

Pucill, S. and Gewurtz, M. 2019. Garden Self Portraits after Claude Cahun and Marcel Moore. Ottawa Municipal Art Gallery

Cummings, P. 2019. Ornamental Chronology. Istanbul

Dawood, S. 2019. Leviathan. Bluecoat, Liverpool

Cummings, P. 2019. An Ugly Aside. Warwickshire

Wyver, J. RSC Live from Stratford-upon-Avon. Stratford-upon-Avon

White, N. and Thomson, J. 2019. The Deep Field Trilogy. Part One: Initial Conditions. UN/GREEN. Naturally Artificial Intelligences RIXC Festival and the 4th Open Fields conference on Art-Science Research July 4 – 6, 2019, Riga

Ingawanij, M.A. 2019. Animistic Apparatus screening programmes: Mud, Drones and Spirits; Between the Living and the Dead. Berwick Film and Media Arts Festival

Stehlikova, T. Wormwood Haunts.

Riley, M. and Fully Focussed 2019. Bass Culture film.

Ingawanij, M.A. 2019. Animistic Apparatus: Screening . Berwick Film and Media Arts Festival

Wright, A. and Carnie, Andrew Hybrid Bodies laser talk. London Laser 23. Central St Martins, London 18 Oct 2017

Stehlikova, T. Touch Dark Matter.

Stehlikova, T. Blue Hour .

Stehlikova, T. 4 Generations of Women.

Wright, A. Heart of the Matter PHI exhibition. Montreal

Wright, A. Heart of the Matter - The Flesh of the World. Toronto

Wright, A. Not Gone Not Forgotten. Winchester

Wright, A. Cut. Winchester; Montreal