Centre for Research and Education in Arts and Media

Thomas, R. 2019. She’s Everything That’s Unpardonable: Hema Malini, Dream Girl on a Motorbike. in: Lawrence, M. (ed.) Indian Film Stars London Palgrave Macmillan.

Fusari, M. 2019. Aesthetics as Storytelling. Bristol Intellect.

Wyver, J. 2019. Screening the Royal Shakespeare Company: a Critical History. London Bloomsbury.

Sprio, Margherita 2019. Women in the Frame: Feminist Intimacies on the British Screen . London, UK Bloomsbury Academic.

Jones, C. 2018. Getting ads banned is a planned PR and Advertising strategy. The Drum.

Ingawanij, M.A. 2018. Art's Potentiality Revisited: Araya Rasdjarmrearnsook's Late Style and Chiang Mai Social Installation. in: Teh, David and Morris, David (ed.) Artist-to-Artist: Independent Art Festivals in Chiang Mai 1992-98 London Afterall Books in association with Asia Art Archive and the Center for Curatorial Studies, Bard College. pp. 252-263

Jones, C.W. 2018. Why is the new British Army advert actually a communication success? The Drum.

Goddard, M. 2018. Capitulation to the Laibach Kunst War Machine. in: Kirschstein, D., Lughofer, J.G. and Schutte, U. (ed.) Gesamtkunstwerk Laibach Klagenfurt, Austria Drava Verlag.

Craighead, A. and Thomson, J. 2018. The Internet of Living Things. in: Kholeif, Omar (ed.) I Was Raised on the Internet Prestel Publishing. pp. 244

Peters, T. 2018. Humanism, Existentialism and Art. in: Humanism - Poem of Earth for Human South Korea Clayarch Gimhae Museum.

Peters, T. 2018. The history and development of the Ceramic Research Centre-UK. Humanism - Poem of Earth for Human symposium. Clayarch Gimhae Museum 05 Apr 2018

Lodhi, A. and Wrigley, A. 2018. Introduction: Radio Modernisms: Features, Cultures and the BBC. Media History. 24 (2), pp. 159-165.

Ride, P. 2018. Suspended: Art in the threshold. in: Parry, R., Page, R. and Moseley, A. (ed.) Museum Thresholds: The Design and Media of Arrival London Routledge.

Thomson, J. 2018. Blind Faith: Between the cognitive and the visceral in contemporary art. Haus Der Kunst, Munich

Thomson, J. 2018. Open Codes: Living in digital worlds. Zentrum für Kunst und Medien, (ZKM) Karlsruhe

Thomas, R. 2018. Open Sesame: Ali Baba and the Oriental Film in India. in: Bhaskar, I. and Allen, R. (ed.) Bollywood’s Islamicate Cinemas: Idioms, Cultures, Histories London and Delhi Intellect Books and Orient Blackswan.

Fusari, M. 2018. Which Visual Transmission Of Knowledge For A Hawza Knowledge? in: Gleave, R. (ed.) Knowledge and Authority in Shi'i Islam: Volume 1: Clerics and the Hawza System in the Middle East London I.B. Tauris.

Wyver, J., others 2018. Hamlet. London BBC 2.

Wyver, J., Wrigley, A. (ed.) 2018. Screen Plays: Theatre Plays on British Television. Manchester Manchester University Press.

Wyver, J. 2018. The road to Civilisation: early television journeys to Greece. in: Hobden, F. and Wrigley, A. (ed.) Ancient Greece on British Television Edinburgh Edinburgh University Press.

Sprio, Margherita 2018. Italian Post-War Migration to Britain: Cinema and The Second Generation. in: Tsagarousianou, R. and Retis, J. (ed.) The Handbook of Diasporas, Media and Culture UK Wiley-Blackwell.

Shildrick, M., McKeever, P., Abbey, S., Poole, J., Wright, A., Bachmann, I., Carnie, A., Ross, H., Jan, E., De Luca, E., Dal Bo, Dana and El Sheikh, T. 2018. Messy entanglements: research assemblages in heart transplantation discourses and practices. Medical Humanities. 44 (1), pp. 46-54.

Goddard, M. 2018. Missions of Dead Souls: A Hauntology of the Industrial, Modernism, and Esotericism in the Music of Joy Division. in: Heart and Soul: Critical Essays on Joy Division London Rowman & Littlefield. pp. 3-16

Matheson, N. 2018. Hiroshima-Nagasaki remembered through the body: haptic visuality and the skin of the photograph. Photographies. 11 (1), pp. 73-93.

Ingawanij, M.A. 2018. Itinerant Cinematic Practices In and Around Thailand During the Cold War. Southeast of Now: Directions in Contemporary and Modern Art in Asia. 2 (1), pp. 9-41.

Ingawanij, M.A. 2018. Nguyen Trinh Thi's Essay Films . in: Reynolds, L. (ed.) Women Artists, Feminism and the Moving Image I.B. Tauris.

Leeson, L. and Duman, A. 2018. Art Practice and the Community. in: Sholette, G., Bass, C. and Social Practice Queens (ed.) Art as Social Action: An Introduction to the Principles and Practices of Teaching Social Practice Art New York Allworth Press.

Goddard, M. 2018. Guerrilla Networks: An Anarchaeology of 1970s Radical Media Ecologies. Amsterdam Amsterdam University Press.

Boehnert, J. 2018. Design, Ecology, Politics: Towards the Ecocene. London Bloomsbury Academic.

Stehlikova, T. 4 Generations.

Jones, C.W. 2017. Personal branding: ‘Encoding a personal brand through semiotics: a case study’ . 3rd International Conference and Exhibition on Semiotics and Visual Communication.. Lemesos, Cyprus 03 - 05 Nov 2017 Cambridge Scholars Publishing.

Fusari, M. 2017. Professional Training for the International Training Centre of the United Nations . International Training Centre of the UN.

Dawood, S. 2017. Leviathan.

Triscott, N., Waite, J. and Lastra, C. 2017. Real Lives Half Lives: Fukushima. Arts Catalyst, 74-76 Cromer Street, London WC1H 8DR

Triscott, N., Autogena, L., Portway, J. and Ahmed, N. 2017. Conflict Minerals: Lise Autogena & Joshua Portway, Nabil Ahmed. Arts Catalyst, 74-76 Cromer Street, London WC1H 8DR

Triscott, N. and Simmonds, M.P. Triscott, N. (ed.) 2017. Holoturian, Ariel Guzik. London

Triscott, N. 2017. Curating contemporary art in the framework of the planetary commons. The Polar Journal. 7 (2), pp. 374-390.

Fry, C. 2017. G-in-sunglassess.mov.

Fusari, M. 2017. Visual Storytelling and Cultures: a 20 Year Long Journey from Cairo to China. The United Nations Church Centre, New York, USA

Fusari, M. 2017. Visual Storytelling and Cultures: a 20 Year Long Journey from Cairo to China. The Streaming Museum, New York, USA