School | Media, Arts and Design |
---|---|
Head | Prof Rosie Thomas |
Groves, Andrew and Sprecher, Danielle 2024. Umbro 100: Sportswear x Fashion . Ambika P3, University of Westminster, 35 Marylebone Road, London, NW1 5LS 12 - 28 Apr 2024
Groves, Andrew and Sprecher, Danielle 2024. Umbro 100: Sportswear x Fashion . London Westminster Menswear Archive.
Groves, Andrew, Sprecher, Danielle, Beach, Hannah and Hitchcock, Fenella 2024. Curatorial Continuum: Symbiotic inspiration between fashion collections and the fashion industry (round table). Beyond the Blockbuster: Exhibiting Fashion Now. Museum of London Docklands and London College of Fashion 30 - 31 May 2024
Paula Gortázar 2024. Navigating subjectivity in AI-generated photography: The quest for ethics and creative agency. Philosophy of Photography. 15 (Issue 1-2: Expanded Visualities: Photography and Emerging Technologies), pp. 143-157. https://doi.org/10.1386/pop_00097_1
Dominici, S. 2024. Photography and Early Motor Touring in Britain. History of Photography. Advanced online publication. https://doi.org/10.1080/03087298.2024.2338610
Kempadoo, R. 2024. My Daughter's Mind (1984/5) and Presence (1990) in Women in Revolt: Art and Activism in the UK 1970-1990). Tate Britain 08 Nov 2023 - 07 Apr 2024
Ingawanij, M.A. 2024. Flaherty Film Seminar 2024: To Commune. 2024
Kempadoo, R. 2023. Changing Spaces (1992) and Kissing Life Better (2023) in The World that Belongs to Us. Walsall, West Midlands 24 Nov 2023 - 09 Jun 2024
Kempadoo, R. 2023. Changing Spaces (1992) and Kissing Life Better (2023) in The World that Belongs to Us. Walsall, West Midlands 24 Nov 2023 - 09 Jun 2024
Wyver, J. 2023. Pauline Boty: Artist - Model - Actor - Blonde. London
Groves, Andrew 2023. Various fanzines dedicated to the casual subculture. 25 Kent Ave, Brooklyn, NY 11249 20 - 23 Jul 2023
Wyver, J. 2023. All's Well That Ends Well. United Kingdom
Groves, Andrew and Duffy, Eilidh 2023. BOG - Decoding the Details with the Westminster Menswear Archive. London
Kempadoo, R. 2023. Afterlives/Futurelives: Imagining Mermaids and Recalling Ghost Dancing. in: Tatiana Flores, Florencia San Martín and Charlene Villaseñor Black (ed.) The Routledge Companion to Decolonizing Art History New York Routledge. pp. 274-285
Gortazar, P. 2023. Generative Photographic Spaces: A Pixel-perfect Thrill. How do Humans and Machines See the World. King's College, London, UK 06 Dec 2023
Gortazar, P. 2023. Look Me in The Eye!: Towards Full Ownership of Every AI-generated Photograph. Photography and Artificial Intelligence. Royal Photographic Society, Bristol, UK 09 - 10 Oct 2023
Wyver, J. 2023. RSC Live from Stratford-upon-Avon: Ten Things I Think I Know, or, Of Course We’re Making a Movie. in: Smith. E. (ed.) Shakespeare Survey 76: Digital and Virtual Shakespeare Cambridge Cambridge University Press. pp. 9-16
Ingawanij, M.A. 2023. To Live With: A Conversation Between May Adadol Ingawanij, Sorawit Songsataya, and Riar Rizaldi. Hocken Collections, University of Otago.
Ingawanij, M.A. 2023. Araya Rasdjarmrearnsook’s Relational Tableaux. MoMA Post - Notes on Art in a Global Context.
Kempadoo, R. 2023. Provoking Us to Change the World. NACLA Report on the Americas. 55 (3), pp. 327-331. https://doi.org/10.1080/10714839.2023.2247778
Groves, Andrew and Sprecher, Danielle 2023. Linen in Menswear 1800 - present. in: Camilleri, A. (ed.) Le Lin, fibre de civilisation(s) Paris, France Actes Sud.
Groves, Andrew and Sprecher, Danielle 2023. The Repositioning of the Football Jersey from the Pitch to the Runway. International Football History Conference . Hampden Park Stadium, Glasgow 30 Jun - 01 Jul 2023
Soutter, L. and Wooldridge, D. (ed.) 2023. Writer Conversations. London 1000 Words.
Dominici, S. 2023. Wish You Were Here? Source Magazine. Spring (110), pp. 14-17.
Soutter, L. 2023. Photography in Flux: The Global Contemporary. in: Niedermaier, A. (ed.) Discourses of the image: from the center and from the periphery Palermo, Argentina University of Palermo, Argentina.
Shinkle, E. 2023. On Boredom and Contemporary Fashion Photography. in: Filippello, R. and Parkins, I. (ed.) Fashion and Feeling: the Affective Politics of Dress Palgrave Macmillan. pp. 271-284
Moore, D. 2022. Lydia Carmichael, in her former classroom at Ashlyns school, Berkhamsted. The Foundling Museum, London.
White, N. 2022. Perfect Nature: Amstelpark Test Site. Amsterdam 22 Apr - 19 Jun 2022
Groves, Andrew 2022. Painted sheepskin coat, A/W1999. Garden Museum 16 Mar - 19 Jun 2022
Hogg, C. 2022. Reflections on 'Television Adaptation Specifically', CST Online.
Ingawanij, M.A. 2022. Animistic Apparatus screening programme at Yebisu International Festival for Art & Alternative Visions. Berwick Film and Media Arts Festival 19 - 22 Sep 2019
Kempadoo, Roshini 2022. Like Gold Dust (2019) (selection) in the exhibition Intersectional Geographies. Bristol 27 Jan - 03 Apr 2022
Hogg, C. 2022. Time for Change: An Actor's Perspective - Christopher Hogg in Conversation with Mandip Gill. www.cream.ac.uk.
Gortazar, P. 2022. Plastic Borders: On the Photographic Frame and its Virtual Experience. International Conference of Photography and Theory: Expanded Visualities . Nocosia, Cyprus 17 - 18 Nov 2022
Gortazar, P. 2022. Remember Photography: Bidimensional Stillness and Desire in the Virtual Infinity. Photographies International Conference, Boundaries and Borders. Texas State University, San Antonio 23 - 24 Sep 2022
Dominici, S. 2022. Sonata by Aaron Schuman. Source Magazine. Autumn (109), p. 81.
Balsom, E., Clark, G., Kennedy, C., Thomas, E. and Yamashita, Y. 2022. Platform, Showcase, Gathering, Exchange: A Conversation about Film Festivals with Erika Balsom, George Clark, Chris Kennedy, Eduardo Thomas, and Koyo Yamashita. in: Windhausen, F. (ed.) A Companion to Experimental Cinema Wiley-Blackwell. pp. 433-452
Ingawanij, M.A. 2022. Vivre après la catastrophe . in: Maury, Corinne and Zuchuat, Olivier (ed.) Lav Diaz: Faire Face post-éditions. pp. 149-173