Centre for Research and Education in Arts and Media

Shinkle, E. 2023. Forthcoming. On Boredom and Contemporary Fashion Photography. in: Fashion and Feeling Palgrave Macmillan.

Hogg, C. 2022. Reflections on 'Television Adaptation Specifically', CST Online.

Kempadoo, Roshini 2022. Like Gold Dust (2019) (selection) in the exhibition Intersectional Geographies. Bristol 27 Jan - 03 Apr 2022

Hogg, C. 2022. Time for Change: An Actor's Perspective - Christopher Hogg in Conversation with Mandip Gill. www.cream.ac.uk.

Groves, Andrew, Jenkinson, Jo and Earnshaw, John 2022. Through a Lens – A comparison of contested masculine identities as reflected in clothing, place, and portraiture. Futurescan 5: Conscious Communities . The University of Leeds 07 - 08 Sep 2022 Association of Fashion and Textiles Courses.

Dominici, S. 2022. Early Photographic Federations and the Pursuit of Collaborative Education. Early Popular Visual Culture. 20 (4), pp. 388-411. https://doi.org/10.1080/17460654.2022.2087710

Kempadoo, Roshini 2021. Itinerant Imaginaries: Seminar series published online. British Art Network.

Gortazar, P. 2022. Memorias de Papel: El Archivo Fotográfico y sus Lecturas. in: Historias de la Fotografía del Siglo XXI Madrid, Spain Comunicación Social. pp. 29-50

Wrigley, A. and Wyver, J. (ed.) 2022. Screen Plays: Theatre Plays on British Television. Manchester Manchester University Press.

Groves, Andrew 2021. Face masks from the Westminster Menswear Archive. Online Dec 2021 - Jan 2023

Kempadoo, Roshini 2021. Ghosting (2004) in Life Between Islands: Caribbean-British Art 1950s – Now . Tate Britain, London, United Kingdom 01 Dec 2021 - 03 Apr 2022

Groves, Andrew and Sprecher, Danielle 2021. C.P. Library. Darwen Library, Lancashire 01 - 30 Oct 2021

Kempadoo, Roshini 2021. Ghosting (2004) in Fragments of Epic Memory. Toronto, Ontario, Canada 01 Sep 2021 - 21 Feb 2022

Wyver, J. 2021. Coventry Cathedral: Building for a New Britain. London

White, N., Bremner, L., Cook, J. and Cullen, B. 2021. Between the Barometer and the Dragonfly. Venice Biennale of Architecture

Groves Andrew 2021. Undercover – From Necessity to Debris: The Pollution of Face Coverings During COVID-19. https://opensea.io/collection/undercover-from-necessity-to-debris 11 May - 05 Jun 2021

Groves Andrew and Sprecher, D. 2021. Undercover – From Necessity to Luxury: The Evolution of Face Coverings During COVID-19. Online 11 May - 05 Jun 2021

Kempadoo, Roshini 2021. Digital Media Practice as Critique: Roshini Kempadoo's Installations: Ghosting and Endless Prospects. in: Bailey, D.A. and Thompson, A. (ed.) Liberation Begins In The Imagination: Writings on Caribbean-British Art London Tate Publishing in partnership with International Curators Forum (ICF). pp. 280 - 286

Kempadoo, Roshini 2021. Life Between Islands: Caribbean-British Art 1950s–Now exhibition book. Tate Publishing.

Kempadoo, Roshini 2021. Defining Women Subjects: Photographs in Trinidad (1860s – 1960s). in: Kempadoo, K. and Deshong, H. (ed.) Methodologies in Caribbean Research on Gender and Sexuality Kingston Ian Randle Publishers. pp. 351-369

Kempadoo, Roshini 2021. Imagining Activism: Black, Gold, Dust. Kunstlicht. 42 (3/4), pp. 63-68.

Moore, D. 2021. English Domestic Interiors, 1986-88. https://www.caferoyalbooks.com/search?q=david+moore Café Royal Books..

Wyver, J. 2021. ‘Filming the invisible’: Barrie Gavin in conversation with John Wyver. Journal of Popular Television. 9 (1), pp. 15-28. https://doi.org/10.1386/jptv_00039_7

Ingawanij, M.A. 2021. Cinematic Animism and Contemporary Southeast Asian Artists’ Moving Image Practices. Screen. 62 (4), pp. 549-558. https://doi.org/10.1093/screen/hjab056

Ingawanij, M.A. 2021. Philippine Noir: The Cinema of Lav Diaz . New Left Review. 130.

Groves, Andrew 2021. Introduction. in: C.P. Company 971-021: An Informal History of Italian Sportswear Italy Tristate International SA. pp. 13-15

Boon, H. 2021. The Condition of My Existence. Riffs Journal. https://doi.org/10.34737/v4y82

Dominici, S. 2021. The Tricycle and the Camera: New Technologies for Self-Determination. The PhotoHistorian. 189 (Spring), pp. 5-8.

Groves, Andrew and Sprecher, D. 2021. Undercover.

Dominici, S. 2021. The Tricycle and the Camera: New Technologies for Self-Determination. Journal of Victorian Culture Online.

Dominici, S. 2021. DARKROOM NETWORKS: Mundane subversiveness for photographic autonomy, 1880s-1900s. Photographies. 14 (2), pp. 265-286. https://doi.org/10.1080/17540763.2021.1877186

Ride, P. 2021. Participation in the Art Museum: Defining New Models for Public Engagement at Tate Exchange . Tate Papers. 34.

Ingawanij, M.A. 2021. Stories of Animistic Cinema . Antennae: The Journal of Nature in Visual Culture. Summer (1), pp. 84-103.

Hogg, C. 2021. Adapting Television Drama: Theory & Industry. Palgrave Macmillan.

Fusari, M. 2021. Which Visual Transmission Of Knowledge For A Hawza Knowledge? in: Gleave, R. (ed.) Knowledge and Authority in Shi'i Islam: Volume 1: Clerics and the Hawza System in the Middle East London I.B. Tauris.

Pucill, S. 2021. A Dialogue with Claude Cahun: Between Photography and Film in Magic Mirror and Confessions to the Mirror. in: Knowles, K. and Schmid, M. (ed.) Cinematic Intermediality: Theory and Practice Edinburgh Edinburgh University Press.

White, N. 2020. An Atlas of Chronographic Things - (Time Machines - Part 1) . Trondheim, Norway

Wyver, J. 2020. Drama Out of a Crisis: A Celebration of Play for Today. London

Kempadoo, R. 2020. Virtual Exiles (2000) and Mooove[s] (2020). Herbert Art Gallery & Museum, Coventry 13 Oct - 13 Dec 2020

Gortazar, P. 2020. Followers, 2020. Four Corners Gallery, London, UK 23 Jun - 03 Jul 2021