Centre for Research and Education in Arts and Media

Fusari, M. 2021. Which Visual Transmission Of Knowledge For A Hawza Knowledge? in: Gleave, R. (ed.) Knowledge and Authority in Shi'i Islam: Volume 1: Clerics and the Hawza System in the Middle East London I.B. Tauris.

Wright, A. 2020. Parallax, a story in two parts. in: Tammer el Sheikh (ed.) Hybrid Bodies: An Anthology of Writings on Art, Identity and Intercorporeality Wilmington, USA Vernon Press. pp. TBC

Dominici, S. 2020. From the Proliferation of the Photographic to the Nullification of Truth: Personal and Commercial Narratives of Travel in Britain, 1890s-1930s. Image [&] Narrative.

Goddard, M. 2020. Genealogies of Immersive Media and Virtual Reality (VR) as Practical Aesthetic Machines. in: Herzogenrath, B. (ed.) Practical Aesthetics New York; London Bloomsbury Academic.

Thomas, R. 2020. She’s Everything That’s Unpardonable: Hema Malini, Dream Girl on a Motorbike. in: Lawrence, M. (ed.) Indian Film Stars: New Critical Perspectives London BFI/Bloomsbury.

Fusari, M. 2020. Aesthetics as Storytelling. Bristol Intellect.

Sprio, Margherita 2020. Women in the Frame: Feminist Intimacies on the British Screen . London, UK Bloomsbury Academic.

Pucill, S. 2020. A Dialogue with the work of Claude Cahun: Between Photography and Film in Magic Mirror and Confessions to the Mirror. in: Schmid, M. and Knowles, K. (ed.) Cinematic Intermedialities Edinburgh Edinburgh University Press.

Sprecher, Danielle and Groves, Andrew 2019. Invisible Men: An Anthology from the Westminster Menswear Archive . Ambika P3, London

Wright, A. Object Stories.

Wright, A. 2019. Hybrid Bodies, Hybrid Minds. Concordia University Gallery, Montreal

Pucill, S. and Gewurtz, M. 2019. Film Installation. Garden Self Portraits. Ottawa Municipal Art Gallery

Cummings, P. 2019. Ornamental Chronology. Istanbul

Kempadoo, R. Like Gold Dust (2019). San Antonio, Texas, USA

Dawood, S. 2019. Leviathan. Bluecoat, Liverpool

Cummings, P. 2019. An Ugly Aside. Warwickshire

Wyver, J. RSC Live from Stratford-upon-Avon. Stratford-upon-Avon

Stehlikova, T. Wormwood Haunts.

Riley, M. and Fully Focussed 2019. Bass Culture film.

Wright, A. and Carnie, Andrew Hybrid Bodies laser talk. London Laser 23. Central St Martins, London 18 Oct 2017

Stehlikova, T. Touch Dark Matter.

Stehlikova, T. Blue Hour .

Stehlikova, T. 4 Generations of Women.

Wright, A. Heart of the Matter PHI exhibition. Montreal

Wright, A. Heart of the Matter - The Flesh of the World. Toronto

Wright, A. Not Gone Not Forgotten. Winchester

Wright, A. Cut. Winchester

Thompson, Shirley 2019. Women of the Windrush Tell Their Stories.

Twomey, C. 2019. Monument - The golden thread 2019. Zuiderzee Museum Enkhuisen Holland

Wright, A. 2019. Still Live.

Thorburn, J. 2019. Freud's Lost Lecture. Columbia Global Centers. Paris. European Premiere

Triscott, N., Achiampong, A. and Blandy, B. 2019. Genetic Automata by Larry Achiampong and David Blandy. Arts Catalyst, London

Marsh, J. Assembly: performing the materiality of Muslim prayer spaces.

Cummings, P. 2019. Honorary Doctorate of Arts. University of Brighton.

Sporton, G. 2019. Reviews: Life & Fate, Life is a Dream, New Work/new Music. Scene. 6 (1), pp. 91-97. doi:10.1386/scene.6.1.91_5

Ingawanij, M.A. 2019. Comedy of Entanglement: The Karrabing Film Collective . Afterall . 48, pp. 26-37. doi:10.1086/706125

Goddard, M. 2019. The So-Called Groups of Militant Insanity Against the Video Police: Anti-Psychiatry and Autonomia in 1970s Italian Audiovisual Media. Son et environnement psychiatrique, Séminaire “INHALab. Association ATHAMAS – Art et antipsychiatrie". INHA Paris 03 - 03 Apr 2019

Goddard, M., Amaral, A., Bomfim, I, Conter, M., Fischer, G. and Silveira, F (ed.) 2019. MAPEANDO CENAS DA MÚSICA POP Materialidade, Redes e Arquivos Volume II. Porto Alegre Marca de Fantasia.

Goddard, M. 2019. Psicogeografia, Cenas de Música Popular e Métodos de Mapeamento Móvel: Experimentos Pedagógicos Transdisciplinares no Mapeamento de Cenas Urbanas na Cidade Baixa, 2014-2015. in: Goddard, M., Amaral, A., Bomfim, I., Conter, M., Fischer, G. and Silveira, F. (ed.) MAPEANDO CENAS DA MÚSICA POP Materialidade, Redes e Arquivos Volume II Porto Alegre Marca de Fantasia. pp. 212-228

Peters, T. 2019. Review of The Ceramics Reader, Andrew Livingstone and Kevin Petrie (eds). London & New York: Bloomsbury, 2017. Journal of Modern Craft. 12 (2), pp. 197-199. doi:10.1080/17496772.2019.1620444