|School||Media, Arts and Design|
|Head||Prof Rosie Thomas|
Wyver, J., Wrigley, A. (ed.) 2022. Forthcoming. Screen Plays: Theatre Plays on British Television. Manchester Manchester University Press.
Groves, Andrew and Sprecher, Danielle 2021. C.P. Library. Darwen Library, Lancashire 01 - 30 Oct 2021
Wyver, J. 2021. Coventry Cathedral: Building for a New Britain. London
White, N. 2021. Between the Barometer and the Dragonfly. Venice Biennale of Architecture
Groves Andrew 2021. Undercover – From Necessity to Debris: The Pollution of Face Coverings During COVID-19. https://opensea.io/collection/undercover-from-necessity-to-debris 11 May - 05 Jun 2021
Groves Andrew and Sprecher, D. 2021. Undercover – From Necessity to Luxury: The Evolution of Face Coverings During COVID-19. Online 11 May - 05 Jun 2021
Moore, D. 2021. English Domestic Interiors, 1986-88. https://www.caferoyalbooks.com/search?q=david+moore Café Royal Books..
Wyver, J. 2021. ‘Filming the invisible’: Barrie Gavin in conversation with John Wyver. Journal of Popular Television. 9 (1), pp. 15-28. https://doi.org/10.1386/jptv_00039_7
Ingawanij, M.A. 2021. Cinematic Animism and Contemporary Southeast Asian Artists’ Moving Image Practices. Screen. 62 (4).
Ingawanij, M.A. 2021. Philippine Noir: The Cinema of Lav Diaz . New Left Review. 130.
Groves, Andrew 2021. Introduction. in: C.P. Company 971-021: An Informal History of Italian Sportswear Italy Tristate International SA. pp. 13-15
Boon, H. 2021. The Condition of My Existence. Riffs Journal. https://doi.org/10.34737/v4y82
Dominici, S. 2021. The Tricycle and the Camera: New Technologies for Self-Determination. The PhotoHistorian. 189 (Spring), pp. 5-8.
Dominici, S. 2021. The Postal Service, Circulating Portfolios and the Cultural Production of Modern Networked Identities. History of Photography. 44 (2-3), pp. 111-127. https://doi.org/10.1080/03087298.2021.1907959
Dominici, S. 2021. The Tricycle and the Camera: New Technologies for Self-Determination. Journal of Victorian Culture Online.
Dominici, S. 2021. Darkroom Networks: Mundane Subversiveness for Photographic Autonomy, 1880s-1900s. Photographies. 14 (2), pp. 265-286. https://doi.org/10.1080/17540763.2021.1877186
Ingawanij, M.A. 2021. Stories of Animistic Cinema . Antennae: The Journal of Nature in Visual Culture. Summer (1), pp. 84-103.
Fusari, M. 2021. Which Visual Transmission Of Knowledge For A Hawza Knowledge? in: Gleave, R. (ed.) Knowledge and Authority in Shi'i Islam: Volume 1: Clerics and the Hawza System in the Middle East London I.B. Tauris.
Pucill, S. 2021. A Dialogue with Claude Cahun: Between Photography and Film in Magic Mirror and Confessions to the Mirror. in: Knowles, K. and Schmid, M. (ed.) Cinematic Intermediality: Theory and Practice Edinburgh Edinburgh University Press.
White, N. 2020. An Atlas of Chronographic Things - (Time Machines - Part 1) . Trondheim, Norway
Wyver, J. 2020. Drama Out of a Crisis: A Celebration of Play for Today. London
Gortazar, P. 2020. Followers, 2020. Four Corners Gallery, London, UK 23 Jun - 03 Jul 2021
Pucill, S. 2020. Confessions to the Mirror Staged in an Exhibition. Cobra Museum, Amstelveen, Netherlands 13 Sep 2020 - 10 Jan 2021
Marsh, J. 2020. Jamaat at Old Kent Road Mosque (2019-20) . 20 Jun 2020
Pucill, S. 2020. Jersey Premiere Screening of Confessions to the Mirror. Jersey, Channel Islands May 2020
Pucill, S. 2020. Frankfurt Screening: Confessions to the Mirror. Schirn Kunsthalle Frankfurt 13 Feb - 24 May 2020
Marsh, J. 2020. 2021 Venice Architecture Biennale - The British Mosque/Assembly. VENICE ARCHITECTURE BIENNALE May - Sep 2021
Wright, A. Forthcoming. Piecing it Together- curator and facilitator of exhibition from participatory project. St Pancras Hospital 29 Apr - 04 Jul 2016
Wyver, J. 2020. Book Review: Seeing by Electricity: The Emergence of Television, 1878-1939. Critical Studies in Television: The International Journal of Television Studies. 15 (4), pp. 426-428. https://doi.org/10.1177/1749602020951653a
Nead, L. and Wyver, J. 2020. Bert Hardy: Exercises with Photography and Film. British Art Studies. 15. https://doi.org/10.17658/issn.2058-5462/issue-15/nead-wyver
Ingawanij, M.A. 2020. Ghost Cinema for a Damaged World. in: Burmester, M. (ed.) Korakrit Arunanondchai & Alex Gvojic: No History in a Room Filled with People with Funny Names 5 Serralves Foundation-Museum of Contemporary Art Fundaçâo de Serralves. pp. 49-57
Ride, P. 2020. Participation in the Art Museum: Defining New Models for Public Engagement at Tate Exchange . Tate Papers. 34. Advanced online publication.
Ride, P. 2020. Meaningful experiences: designing participation programmes that can support education, engagement and evaluation . Tate Papers. 34. Advanced online publication.
Wright, A. 2020. Some Reflections on the Practice of Research. The International Journal of Creative Media Research. 4. https://doi.org/10.33008/IJCMR.2020.09
Goddard, M. and Hogg, C. 2020. Introduction: Trans TV dossier, III: Trans TV re-evaluated, part 2. Critical Studies in Television. 15 (3), pp. 255-266. https://doi.org/10.1177/1749602020937566
Goddard, M. and Hogg, C. 2020. Trans TV dossier, III: Trans TV re-evaluated, part 1. Critical Studies in Television: The International Journal of Television Studies. 15 (2), pp. 162-164. https://doi.org/10.1177/1749602020918957
Goddard, M. and Hogg, C. 2020. Trans TV Re-Evaluated, part 2. Critical Studies in Television. 15 (3), p. 255–266. https://doi.org/10.1177/1749602020937566
Sporton, G. 2020. Reviews. Scene. 7 (1&2), pp. 87-94. https://doi.org/10.1386/scene_00009_5
Maziere, M. 2020. “Curating the Nomadic: Film and Video at Ambika P3.” . in: Fatehrad, Azadeh (ed.) ReFocus: The Films of Sohrab Shahid-Saless: Exile, Displacement and the Stateless Moving Image Edinburgh University Press Edinburgh University Press. pp. pp. 123–130
Hogg, C. 2020. A class act: an interview with Julie Hesmondhalgh on casting, representation and inclusion in British television drama. Critical Studies in Television: The International Journal of Television Studies. 15 (3), p. 302–311. https://doi.org/10.1177/1749602020934670