|College||Media, Arts and Design|
|Head||Prof Rosie Thomas|
Fusari, M. 2020. Aesthetics as Storytelling. Bristol Intellect.
Sprio, Margherita 2020. Women in the Frame: Feminist Intimacies on the British Screen . London, UK Bloomsbury Academic.
Sprecher, Danielle and Groves, Andrew 2019. Invisible Men: An Anthology from the Westminster Menswear Archive . Ambika P3, London
Stehlikova, T. Wormwood Haunts.
Riley, M. and Fully Focussed 2019. Bass Culture film.
Wright, A. and Carnie, Andrew Hybrid Bodies laser talk. London Laser 23. Central St Martins, London 18 Oct 2017
Stehlikova, T. Touch Dark Matter.
Stehlikova, T. Blue Hour .
Stehlikova, T. 4 Generations of Women.
Wright, A. Heart of the Matter PHI exhibition. Montreal
Wright, A. Heart of the Matter - The Flesh of the World. Toronto
Wright, A. Not Gone Not Forgotten. Winchester
Wright, A. Cut. Winchester
Thompson, Shirley 2019. Women of the Windrush Tell Their Stories.
Twomey, C. 2019. Monument - The golden thread 2019. Zuiderzee Museum Enkhuisen Holland
Wright, A. 2019. Still Live.
Thorburn, J. 2019. Freud's Lost Lecture. Columbia Global Centers. Paris. European Premiere
Triscott, N., Achiampong, A. and Blandy, B. 2019. Genetic Automata by Larry Achiampong and David Blandy. Arts Catalyst, London
Marsh, J. Assembly: performing the materiality of Muslim prayer spaces.
Peters, T. 2019. Review of The Ceramics Reader, Andrew Livingstone and Kevin Petrie (eds). London & New York: Bloomsbury, 2017. Journal of Modern Craft.
Wright, A. and Redler Hawes, Hannah 2019. Sutured Selves, Remapping the Boundaries between our bodies, our selves and our kin. Representing the Medical Body. London Science Museum 28 Mar 2019
Kempadoo, R. 2019. Urban Candy: Screens, Selfies and Imaginings. in: Deborah Willis, Ellyn Toscano and Kalia Brooks Nelson (ed.) Women and Migration: Responses in Art and History Cambridge, UK OpenBook Publishers. pp. 301 - 322
Maziere, M. 2019. Chantal Akerman in London. Camera Obscura. 34 (1), pp. 184-195.
Ingawanij, M.A. 2019. Making Line and Medium . Southeast of Now: Directions in Contemporary and Modern Art in Asia. 3 (1). doi:10.1353/sen.2019.0001
Goddard, M. 2019. Genealogies of Immersive Media and Virtual Reality (VR) as Practical Aesthetic Machines. in: Herzogenrath, B. (ed.) A Practical Aesthetics New York; London Bloomsbury Academic.
Goddard, M. 2019. ‘This is Radio Clash’: 1st Generation Punk as Radical Media Ecology and Communicational Noise. in: McKay, G. and Arnold, G. (ed.) The Oxford Handbook of Punk Rock New York Oxford University Press.
Goddard, M. 2019. Art as Energy, Art as Power: Józef Robakowski from the Workshop of Film Form to Video Performance and Energy Recordings. Apparatus: Film, Media and Digital Cultures of Central and Eastern Europe.
Thomas, R. 2019. She’s Everything That’s Unpardonable: Hema Malini, Dream Girl on a Motorbike. in: Lawrence, M. (ed.) Indian Film Stars: New Critical Perspectives London BFI/Bloomsbury.
Wyver, J. 2019. Screening the Royal Shakespeare Company: a Critical History. London Bloomsbury.
Sprio, Margherita 2019. Italian Post-War Migration to Britain: Cinema and The Second Generation. in: Tsagarousianou, R. and Retis, J. (ed.) The Handbook of Diasporas, Media and Culture UK Wiley-Blackwell.
Ingawanij, M.A. 2019. Aesthetics of Potentiality: Nguyen Trinh Thi's Essay Films . in: Reynolds, L. (ed.) Women Artists, Feminism and the Moving Image I.B. Tauris.
Twomey, C. 2018. 100 Medals For The Future. The National Memorial Arboretum
Riley, M. 2018. Bass Culture 70/50. Ambika P3
Marsh, J. 2018. Jamaat (2018). Brick Lane Mosque
Stehlikova, T. 2018. Ophelia's Last Supper.
Cummings, P. 2018. Source.
Wright, A. 2018. Hybrid Bodies Chiasma Exhibition. The Winchester Gallery, Hampshire
White, N. 2018. Brownsea: An Imaginary Island (An Island of the Imaginary). Arts Catalyst, London
MOORE, D. 2018. Pictures from the Real World . Belfast Exposed
MOORE, D. 2018. Lisa and John- Look at Us!