Prof May Adadol Ingawanij

Prof May Adadol Ingawanij


Doctoral ResearcherTitle of ThesisStatus
Ms Annie KwanRadical Spiritual Collective: Curatorial Methodologies for Collective Knowledge Production and Spiritual Activism with Diasporic Feminist Artistic Practices Active
Miss Paula Vasconcelos De MoraesReimagining Engagement: Audience Experience and Site in Contemporary Film Festival ProgrammingActive
Mr Iswanto HartonoA Speculative Reconstruction of The Failed Second Asia Africa Conference in Algiers 1965Active
Mx Kay Min SohWeather as WitnessActive
Mr Moses SerubiriThe Agonistic Voice: A Study on Curatorial PedagogyActive
Ms Thuy-han Nguyen-chiCritical Intimacies: Feminist Imaginative Technologies and Embodied Historical Inventories (working title)Active
Mr Ukrit Sa-nguanhaiExploring the Remnants of the Cold War Itinerant Propaganda Film Operation in Northeast Thailand through Hybrid Documentary Film Practice.Active
Miss Zoe ButtTo be present with what we cannot see: Curating as a dialogical practiceCompleted
Prof Patrick CamposTopologies of Regional Cinema: Philippine, Mindanaon, and Southeast Asian FilmsCompleted
Mr Kok Wai KhongThe Contemporary Malaysian Fantastic Film: Imagining an Alternative ModernityCompleted
Miss Barbara AsanteThat Bird is Singing Us an Invitation to Meet Our Future: Listening to the Call of Sankofa to Develop Memory Practice Methodologies for Performative PracticeCompleted
Mr Wubin ZhuangDocumenting as Method: Photography in Southeast AsiaCompleted
Mr Pablo MollenhauerFilm Practices for the Inclusion of the More than Human in the Representation of Cultural LandscapesCompleted
Ms Roz MortimerGhosts, Imagination and Theatre: re-enacting the futural past through documentary filmCompleted
Miss Yishu LinPerforming Performativity- Queerness and Performativity in Slash FictionCompleted
Mr Guilherme Carrera Campos LealAmid the debris: ruins of underdevelopment in contemporary Brazilian documentaryCompleted
Mr Indranil BhattacharyaThe Digital Turn in Indian Film Sound : Ontologies and AestheticsCompleted
Ms Treasa O'brienTOWN OF STRANGERS: The Performative ‘Making-of’ Film and the Production of RealityCompleted
Miss Valentina SignorelliCINEMATIC INFERNOS: DIGITAL TECHNOLOGIES AND THE REMEDIATION OF DANTE'S INFERNAL IMAGERY THROUGH THE CINEMATIC SCREEN (2005-2015)Completed
Ms Salma SiddiqueBetween Bombay and Lahore: A Partition History of Cinema in South Asia 1940-1960Completed