Vietnamese Artists’ Moving Image as Figural Aesthetics Ingawanij, M.A. 2026. Forthcoming. Vietnamese Artists’ Moving Image as Figural Aesthetics . in: Pamela N. Corey, Nora A. Taylor and Do Tuong Linh (ed.) Essays on Contemporary Art from Vietnam National University of Singapore Press.
2022
Vivre après la catastrophe Ingawanij, M.A. 2022. Vivre après la catastrophe . in: Maury, Corinne and Zuchuat, Olivier (ed.) Lav Diaz: Faire Face post-éditions. pp. 149-173
2022
Art and Communication: A Regional Genealogy Ingawanij, M.A. 2022. Art and Communication: A Regional Genealogy. in: Ute Meta Bauer (ed.) Climates. Habitats. Environments. MIT Press.
2020
Ghost Cinema for a Damaged World Ingawanij, M.A. 2020. Ghost Cinema for a Damaged World. in: Burmester, M. (ed.) Korakrit Arunanondchai & Alex Gvojic: No History in a Room Filled with People with Funny Names 5 Serralves Foundation-Museum of Contemporary Art Fundaçâo de Serralves. pp. 49-57
2019
Aesthetics of Potentiality: Nguyen Trinh Thi's Essay Films Ingawanij, M.A. 2019. Aesthetics of Potentiality: Nguyen Trinh Thi's Essay Films . in: Reynolds, L. (ed.) Women Artists, Feminism and the Moving Image Bloomsbury Academic. pp. 151-164
2018
Art's Potentiality Revisited: Araya Rasdjarmrearnsook's Late Style and Chiang Mai Social Installation Ingawanij, M.A. 2018. Art's Potentiality Revisited: Araya Rasdjarmrearnsook's Late Style and Chiang Mai Social Installation. in: Teh, David and Morris, David (ed.) Artist-to-Artist: Independent Art Festivals in Chiang Mai 1992-98 London Afterall Books in association with Asia Art Archive and the Center for Curatorial Studies, Bard College. pp. 252-263
Blissfully whose? Jungle pleasures, ultra-modernist cinema and the cosmopolitan Thai auteur Ingawanij, M.A. 2010. Blissfully whose? Jungle pleasures, ultra-modernist cinema and the cosmopolitan Thai auteur. in: Harrison, R.V. and Jackson, P.A. (ed.) The ambiguous allure of the West: traces of the colonial in Thailand Hing Kong Hong Kong University Press. pp. 119-134
2006
Transistor and temporality: the rural as modern Thai cinema's pastoral Ingawanij, M.A. 2006. Transistor and temporality: the rural as modern Thai cinema's pastoral. in: Fowler, C. and Helfield, G. (ed.) Representing the rural : space, place, and identity in films about the land Detroit Wayne State University Press. pp. 80-100
Stories of Animistic Cinema Ingawanij, M.A. 2021. Stories of Animistic Cinema . Antennae: The Journal of Nature in Visual Culture. 54 (Summer 1), pp. 84-103.
Making Line and Medium Ingawanij, M.A. 2019. Making Line and Medium . Southeast of Now: Directions in Contemporary and Modern Art in Asia. 3 (1). https://doi.org/10.1353/sen.2019.0001
2018
Itinerant Cinematic Practices In and Around Thailand During the Cold War Ingawanij, M.A. 2018. Itinerant Cinematic Practices In and Around Thailand During the Cold War. Southeast of Now: Directions in Contemporary and Modern Art in Asia. 2 (1), pp. 9-41. https://doi.org/10.1353/sen.2018.0001
2019
Animistic Apparatus Ingawanij, M.A. 2019. Animistic Apparatus. University of Westminster. https://doi.org/10.34737/qy152
2017
Lav Diaz: Journeys Ingawanij, M.A. 2017. Lav Diaz: Journeys . University of Westminster. https://doi.org/10.34737/qvw88
Nang Nak: Thai bourgeois heritage cinema Ingawanij, M.A. 2007. Nang Nak: Thai bourgeois heritage cinema. Inter-Asia Cultural Studies. 8 (2), pp. 180-193. https://doi.org/10.1080/14649370701295599
The value of an impoverished aesthetic: the iron ladies and its audiences Ingawanij, M.A. and MacDonald, R.L. 2004. The value of an impoverished aesthetic: the iron ladies and its audiences. Spectator: University of Southern California Journal of Film and Television Criticism. 24 (2), pp. 73-81.
