| Mr Harry Meadows | Reimagining Art for Climate Action: environmental sensing tools for the Anthropocene | Active |
| Mr James Snazell | How to Give Representation to Geo-Film Through Wich Craft that of Exploring Elemental Salt Emulsions | Active |
| Mr Henry Krempels | Cooperation via Contact: Val Plumwood’s Philosophical Animism as an Ontological Framework for Collaborative Performance Dialogues Between ‘Earth Others’ | Active |
| Mr David Stevenson | Can Jeremy Bentham’s panopticon be usefully examined as a model for the modern self and what are the implications of such a model in an age where visibility is becoming more omnipresent? | Active |
| Ms Lucy Rogers | Latency in the Representation of Geopolitics and Power in the Photographic Work of Ursula Schulz-Dornburg | Active |
| Ms Stefanie Hessler | Toward a Curatorial Praxis of Planetarity | Active |
| Ms Ofer Yeger | Home-Being: Creating Dwelling in the Digital Age | Active |
| Ms Gail Pickering | Near Real Time | Completed |
| Ms Heather Barnett | The Subjecthood of Slime Mould: modelling single-celled intelligence through living systems art | Completed |
| Mr Alasdair Hopwood | Misinformation as Material: Towards the use of cognitive psychology as a research tool for artists | Completed |
| Mr Joel Thomson | Quantum Ecologies in Cosmological Infrastructures: A Critical Holographers Encounters with the Meta/Physics of Landscape-Laboratories | Completed |
| Prof Ruth West | Dataremix: Aesthetic Experiences of Big Data and Data Abstraction | Completed |
| Mr Steve Tanza | The Emergent City | Completed |
| Mr Peter-arne Sjogren | Diving: using fiction narrative and intermedial assemblage to understand family histories in colonial India between 1933-1947 | Completed |
| Mr Come Ledesert | I IS ANOTHER / The fabulative filmic collaboration with someone recovering from addiction | Completed |
| Miss Alejandra Perez | Hacking Antarctica | Completed |
