Prof Neal White

Prof Neal White


‘Between the Dragonfly and the Barometer'
Bremner, L. and White, N. 2021. ‘Between the Dragonfly and the Barometer'. Venice, Italy May - Nov 2021

The Deep Field Trilogy. Part One: Initial Conditions
White, N. and Thomson, J. 2019. The Deep Field Trilogy. Part One: Initial Conditions. UN/GREEN. Naturally Artificial Intelligences RIXC Festival and the 4th Open Fields conference on Art-Science Research July 4 – 6, 2019, Riga

All that is Data Melts into Air
White, N. 2017. All that is Data Melts into Air.

The potential of destruction in art and science
White, N. 2017. The potential of destruction in art and science. Interdisciplinary Science Reviews. 42 (1-2), pp. 214-224. https://doi.org/10.1080/03080188.2017.1297166

9 Events - Royal College of Art
White, N. 2016. 9 Events - Royal College of Art. Dyson Gallery, Royal College of Arts, London 05 - 25 Mar 2016

Archive in Ashes
White, N. 2017. Archive in Ashes.

Cultures of the Anthropocene
White, N. 2016. Cultures of the Anthropocene . RGS-IBG Annual International Conference 2015. Exeter University

Neal White realises a Skoob. Henry Moore Institute
White, N. 2016. Neal White realises a Skoob. Henry Moore Institute. Leeds, UK 24 Mar - 19 Jun 2016

Flat Time
White, N. 2016. Flat Time. Dark Matters: Exploring Thresholds of (Im)perceptibility. An AHRC Exhibition and Workshop. Peter Scott Gallery, Lancaster, United Kingdom 14 Dec 2016

A Call for Radical Time
White, N. 2016. A Call for Radical Time. in: Le Feuvre, Lisa (ed.) A Lesson in Sculpture with John Latham Leeds Henry Moore Institute.

Super Scale Psycho Data
White, N. 2016. Super Scale Psycho Data. Ars Santa Monica, Barcelona.

Overt Research: Fieldwork and Transparency
White, N. and Rowell, S. 2016. Overt Research: Fieldwork and Transparency. in: Williams, A.J., Jenkings, N., Woodward, R. and Rech, M.F. (ed.) The Routledge Companion to Military Research Methods Routledge. pp. 387-406

The Imaginary Archive; Third Campaign
White, N. 2016. The Imaginary Archive; Third Campaign. The Imaginary Archive. Whitechapel Gallery, London 29 Jan 2016

Overt Research
White, N. and Beck, J. 2016. Overt Research. in: Beck, J. and Bishop, R. (ed.) Cold War Legacies: Systems, Theory, Aesthetics Edinburgh Edinburgh University Press. pp. 252-272


2022

Perfect Nature: Amstelpark Test Site
White, N. 2022. Perfect Nature: Amstelpark Test Site. Amsterdam 22 Apr - 19 Jun 2022

2021

‘Between the Dragonfly and the Barometer'
Bremner, L. and White, N. 2021. ‘Between the Dragonfly and the Barometer'. Venice, Italy May - Nov 2021

2018

Brownsea: An Imaginary Island (An Island of the Imaginary)
White, N. 2018. Brownsea: An Imaginary Island (An Island of the Imaginary). Arts Catalyst, London 22 Mar 2018 - 12 May 2019

2017

All that is Data Melts into Air
White, N. 2017. All that is Data Melts into Air.

2017

Transpositions: Artistic Data Exploration
White, N. 2017. Transpositions: Artistic Data Exploration. Färgfabriken, KTH, Stockholm 04 - 05 Oct 2017

2016

9 Events - Royal College of Art
White, N. 2016. 9 Events - Royal College of Art. Dyson Gallery, Royal College of Arts, London 05 - 25 Mar 2016

2016

Neal White realises a Skoob. Henry Moore Institute
White, N. 2016. Neal White realises a Skoob. Henry Moore Institute. Leeds, UK 24 Mar - 19 Jun 2016

2015

The Third Campaign: Extracts
White, N., La Fevre, L and Yiakoumaki, N 2015. The Third Campaign: Extracts. Whitechapel Gallery 22 Sep 2014 - 22 Feb 2015

2015

Sites of Excavation and Construction
White, N. 2015. Sites of Excavation and Construction.

2014

Dislocated Data Palm (in Two Parts)
White, N. 2014. Dislocated Data Palm (in Two Parts) . Portikus, Frankfurt. Germany 10 May - 29 Jun 2014

2014

God is Great: John Latham and Neal White
Latham, J. and White, N. 2014. God is Great: John Latham and Neal White. Portikus gallery, Frankfurt am Main 10 May - 29 Jun 2014

2019

The Deep Field Trilogy. Part One: Initial Conditions
White, N. and Thomson, J. 2019. The Deep Field Trilogy. Part One: Initial Conditions. UN/GREEN. Naturally Artificial Intelligences RIXC Festival and the 4th Open Fields conference on Art-Science Research July 4 – 6, 2019, Riga

2017

The potential of destruction in art and science
White, N. 2017. The potential of destruction in art and science. Interdisciplinary Science Reviews. 42 (1-2), pp. 214-224. https://doi.org/10.1080/03080188.2017.1297166

2014

Correspondence between John Latham and Neal White
White, N. and Latham, J. 2014. Correspondence between John Latham and Neal White. NOIT. 1.

2014

Burning
White, N. 2014. Burning. NOIT. 2.

2021

Between the Barometer and the Dragonfly
White, N., Bremner, L., Cook, J. and Cullen, B. 2021. Between the Barometer and the Dragonfly. Venice Biennale of Architecture

2020

An Atlas of Chronographic Things - (Time Machines - Part 1)
White, N. 2020. An Atlas of Chronographic Things - (Time Machines - Part 1) . Trondheim, Norway

2017

Archive in Ashes
White, N. 2017. Archive in Ashes.

2015

Hyperdrone
White, N. 2015. Hyperdrone. Wysing Arts, Cambridge

2014

Infomoma
White, N. 2014. Infomoma. Hochschule für Bildende Künste Städelschule.

Tiny Love Songs (All our futures are scalable)
White, N. Forthcoming. Tiny Love Songs (All our futures are scalable). Holland

2016

Cultures of the Anthropocene
White, N. 2016. Cultures of the Anthropocene . RGS-IBG Annual International Conference 2015. Exeter University

2015

Notes for a Manifesto
White, N. 2015. Notes for a Manifesto. White Heat Symposium. Department of Engineering, Cambridge University in association with Kettles Yard

2016

Flat Time
White, N. 2016. Flat Time. Dark Matters: Exploring Thresholds of (Im)perceptibility. An AHRC Exhibition and Workshop. Peter Scott Gallery, Lancaster, United Kingdom 14 Dec 2016

2016

The Imaginary Archive; Third Campaign
White, N. 2016. The Imaginary Archive; Third Campaign. The Imaginary Archive. Whitechapel Gallery, London 29 Jan 2016

2016

Is a meaningful dialogue possible between research practices in the arts and in science and technology?
White, N. 2016. Is a meaningful dialogue possible between research practices in the arts and in science and technology? Data Rush Symposium. Angewandte Innovation Laboratory 17 - 17 May 2016

2015

Secrecy and Art in Practice
White, N. 2015. Secrecy and Art in Practice. Politics and Practices of Secrecy. Institute of North American Studies, Kings College, London 15 - 15 May 2015

2014

On Being Overt
White, N. 2014. On Being Overt. Knowledge Value and Dark Data: Absences, Interventions And Digital Worlds. University of Exeter 15 - 16 Dec 2014

2016

A Call for Radical Time
White, N. 2016. A Call for Radical Time. in: Le Feuvre, Lisa (ed.) A Lesson in Sculpture with John Latham Leeds Henry Moore Institute.

2016

Overt Research: Fieldwork and Transparency
White, N. and Rowell, S. 2016. Overt Research: Fieldwork and Transparency. in: Williams, A.J., Jenkings, N., Woodward, R. and Rech, M.F. (ed.) The Routledge Companion to Military Research Methods Routledge. pp. 387-406

2016

Overt Research
White, N. and Beck, J. 2016. Overt Research. in: Beck, J. and Bishop, R. (ed.) Cold War Legacies: Systems, Theory, Aesthetics Edinburgh Edinburgh University Press. pp. 252-272

2014

Skoob Performances
White, N. 2014. Skoob Performances. in: Le Feuvre, L. (ed.) NOIT 2 / Burning London Flat Time House.

2013

Modern British Sculpture Catalogue
White, N. 2013. Modern British Sculpture Catalogue. in: Curtis, P. and Wilson, K. (ed.) Modern British Sculpture London Royal Academy of Arts. pp. 278-279

2013

On Not Knowing
White, N. 2013. On Not Knowing. in: Fisher, E. and Fortnum, R. (ed.) On Not Knowing: How Artists Think Black Dog Publishing.

2013

Epistemic Events
White, N. 2013. Epistemic Events. in: Schwab, M. (ed.) Experimental Systems: Future Knowledge in Artistic Research Belgium Leuven University Press.

2013

Experiments and Archives in the Expanded Field
White, N. 2013. Experiments and Archives in the Expanded Field. in: Stuckey, K., Lane, V. and Vaknin, J. (ed.) All This Stuff: Archiving the Artist Faringdon, Oxfordshire Libri Publishing. pp. 47-61

2009

The Body in Contemporary Art
White, N. 2009. The Body in Contemporary Art. in: O'Reilly, S. (ed.) The Body in Contemporary Art Thames & Hudson.

2009

Voids/Vides. A Retrospective of Empty Exhibitions. Centre Pompidou, Kunsthalle Bern, Centre Pompidou-Metz
White, N. 2009. Voids/Vides. A Retrospective of Empty Exhibitions. Centre Pompidou, Kunsthalle Bern, Centre Pompidou-Metz. in: Copeland, M., Hendricks, J., Philpot, C., Metzger, G., Perret, M.-T. and Lippard, L.R. (ed.) Voids: a retrospective Paris, France JRP/Ringier.

2016

Super Scale Psycho Data
White, N. 2016. Super Scale Psycho Data. Ars Santa Monica, Barcelona.

2014

White heat: art, science and social responsibility in 1960s Britain
White, N. 2014. White heat: art, science and social responsibility in 1960s Britain. Kettle’s Yard and Mima.

2014

Art as event: John Latham and flat time theory
White, N. 2014. Art as event: John Latham and flat time theory. Hochschule für Bildende Künste Städelschule.

2014

Dark Data - Absence and intervention
White, N. 2014. Dark Data - Absence and intervention.

2017

Deep Architectures of Inquiry
O'Connell, T. and White, N. 2017. Deep Architectures of Inquiry. Office of Experiments.

2010

Fieldworks from the Museum of the Void: Experiments in the Event of an Archive
White, N., Smith, D. and Jeong, D. 2010. Fieldworks from the Museum of the Void: Experiments in the Event of an Archive. University of the Arts London: Chelsea Space.

2010

Dark Places Catalogue (First ed.)
White, N. 2010. Dark Places Catalogue (First ed.). University of Southampton: John Hansard Gallery.

2002

Ott’s Sneeze
Norfolk, L. and White, N. 2002. Ott’s Sneeze. London Bookworks.

2023

Practice Research Voices (PRVOICES): Final report and recommendations
Evans, Jenny, Vials Moore, Adam, Bailey, Helen, Basford, Jenny, Kotarski, Rachael, Mead, Joshua, Ranger, Holly, Stone, Alan, Watts, Nina and White, Neal 2023. Practice Research Voices (PRVOICES): Final report and recommendations. London University of Westminster. https://doi.org/10.34737/w3803


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