Practice Research Voices (PRVOICES): Final report and recommendations

PR Voices simple portfolio
Evans, Jenny, Vials Moore, Adam, Bailey, Helen, Basford, Jenny, Kotarski, Rachael, Mead, Joshua, Ranger, Holly, Stone, Alan, Watts, Nina and White, Neal 2024. PR Voices simple portfolio. London University of Westminster. https://doi.org/10.34737/wx8w1

A Multispecies Red-Light District for Amsterdam: A Propositional Image
White, N. and O.Connell, T. 2024. A Multispecies Red-Light District for Amsterdam: A Propositional Image. Cultural Politics. 20 (1), pp. 155-165. https://doi.org/10.1215/17432197-10969279

Anthropogenic Noise: An Artist Talk
White, N. 2023. Anthropogenic Noise: An Artist Talk.

University of Westminster Open Access Policy
Watts, N. 2023. University of Westminster Open Access Policy. University of Westminster. https://doi.org/10.34737/w79v9

Telling a story with metadata or Always drink upstream from the herd: What if your metadata isn’t properly represented in the stream?
Jenny Evans, Adam Vials Moore, Rachael Kotarski and Alan Stone 2023. Telling a story with metadata or Always drink upstream from the herd: What if your metadata isn’t properly represented in the stream? Information Services & Use. 43 (3-4), pp. 257-267. https://doi.org/10.3233/isu-230208

Practice Research Voices (PR Voices): a case study
Ranger, H., Watts, N. and Vials Moore, A. 2023. Practice Research Voices (PR Voices): a case study. ARMA/Jisc Institutional Research Management Workflow Online Event. Online 20 Apr 2023 University of Westminster. https://doi.org/10.34737/w29y9

Open Research Practice Based Researchers
Evans, Jenny 2023. Open Research Practice Based Researchers. Practice Based Researchers and Open Research. Northumbria University 25 Nov 2022 Northumbria University. https://doi.org/10.25398/rd.northumbria.22269343.v1

Telling a story with metadata: always drink from the upstream. What if your metadata isn’t properly represented in the stream
Evans, J. 2023. Telling a story with metadata: always drink from the upstream. What if your metadata isn’t properly represented in the stream. NISO Plus 2023. Online 14 - 16 Feb 2023 University of Westminster. https://doi.org/10.34737/w1739

Nature of Truth
White, N. and O'Connell, T. 2022. Nature of Truth.

Perfect Nature: Amstelpark Test Site
White, N. 2022. Perfect Nature: Amstelpark Test Site. Amsterdam 22 Apr - 19 Jun 2022

Identifiers for Practice Research
Evans, J. 2022. Identifiers for Practice Research. DataCite Member Meeting 2022. British Library 22 Sep 2022 British Library. https://doi.org/10.23636/j6wh-ev50

Practice Research Voices (PRVoices)
Evans, J. 2022. Practice Research Voices (PRVoices). UK ORCID Consortium Meeting. Online 07 Jun 2022 University of Westminster. https://doi.org/10.34737/vzq86

From legacy to next generation: a story of collaboration to push the boundaries of the open source Haplo repository from Cayuse
Evans, J., Watts, N., Mudd, T. and Renner, T. 2022. From legacy to next generation: a story of collaboration to push the boundaries of the open source Haplo repository from Cayuse. Insights. 35 14. https://doi.org/10.1629/uksg.582

Number of outputs with and without attachments held in WestminsterResearch: 2006 - 2021
Watts, N. 2022. Number of outputs with and without attachments held in WestminsterResearch: 2006 - 2021. University of Westminster. https://doi.org/10.34737/vw357

WestminsterResearch download data: March 2015 - August 2021
Mudd, T. and Watts, N. 2022. WestminsterResearch download data: March 2015 - August 2021. University of Westminster. https://doi.org/10.34737/vw356

Composing for the non-text infrastructure dance
Vials Moore, A., Evans, J. and Kotarski, R. 2022. Composing for the non-text infrastructure dance. NISO Plus 2022: Global Conversations: Global Connections. Online 15 - 17 Feb 2022 University of Westminster. https://doi.org/10.34737/vv0z9

Next steps for practice research: the PR Voices and SPARKLE projects
Evans, J. 2022. Next steps for practice research: the PR Voices and SPARKLE projects. Jisc Digital Research Community Event. 09 Feb 2022 University of Westminster. https://doi.org/10.34737/vqz2y

Between the Barometer and the Dragonfly
White, N., Bremner, L., Cook, J. and Cullen, B. 2021. Between the Barometer and the Dragonfly. Venice Biennale of Architecture

Practice made Practical. Reducing the OTHER of non-text
Vials Moore, A., Evans, J., Kotarski, R. and Mudd, T. 2021. Practice made Practical. Reducing the OTHER of non-text. FORCE11 Conference. Online 07 - 09 Dec 2021 Zenodo. https://doi.org/10.5281/zenodo.5767094

Working in partnership to build a Research Information Management System at the University of Westminster
Evans, J. 2021. Working in partnership to build a Research Information Management System at the University of Westminster. UCISA Workshop: Working in partnership to build a Research Information Management System at the University of Westminster. 21 Oct 2021 University of Westminster. https://doi.org/10.34737/v97qw

Unheard voices: practice based arts research and the PID landscape
Evans, J., Mudd, T. and Vials Moore, A. 2021. Unheard voices: practice based arts research and the PID landscape. PIDapalooza. 27 - 28 Jan 2021 University of Westminster. https://doi.org/10.34737/v5538

An Atlas of Chronographic Things - (Time Machines - Part 1)
White, N. 2020. An Atlas of Chronographic Things - (Time Machines - Part 1) . Trondheim, Norway

Taking a holistic approach to practice-based arts research: our experiences (successes and challenges) at the University of Westminster
Evans, J. 2020. Taking a holistic approach to practice-based arts research: our experiences (successes and challenges) at the University of Westminster. RDMF20: RDM and Data sharing/openness in the arts (Virtual Forum). Virtual (online) 03 - 03 Jun 2020

Practice-based (arts and architecture) research
Evans, J. 2020. Practice-based (arts and architecture) research. ORCID Regional Meeting SE. Virtual (online) 30 Mar 2020

Tiny Love Songs (All our futures are scalable)
White, N. Forthcoming. Tiny Love Songs (All our futures are scalable). Holland

The Deep Field Trilogy. Part One: Initial Conditions
White, N. and Thomson, J. 2019. The Deep Field Trilogy. Part One: Initial Conditions. UN/GREEN. Naturally Artificial Intelligences RIXC Festival and the 4th Open Fields conference on Art-Science Research July 4 – 6, 2019, Riga

Building a repository in collaboration with our research community to support practice-research
Evans, J. 2019. Building a repository in collaboration with our research community to support practice-research. Capturing practice research: improving visibility and searchability. London 15 Mar 2019

Collaborating with users to create a repository fit for practice-based research: a case study from the University of Westminster
Watts, N. 2019. Collaborating with users to create a repository fit for practice-based research: a case study from the University of Westminster. Internet Librarian International: the Library Innovation Conference. Olympia London UK 15 - 16 Oct 2019

The Repository is the CRIS, and the CRIS is the Repository
Evans, J. 2019. The Repository is the CRIS, and the CRIS is the Repository. Open Repositories Conference. Hamburg, Germany 10 - 13 Jun 2019

Practice-based arts research in repositories: how do we better engage with researchers to capture, manage and enable discoverability of this research?
Evans, J., Gray, A., Kaye, J., Siminson, N., Watts, N. and Renner, T. 2019. Practice-based arts research in repositories: how do we better engage with researchers to capture, manage and enable discoverability of this research? Open Repositories Conference. Hamburg, Germany 10 - 13 Jun 2019

Bringing your user community with you...a story of successful engagement
Evans, J. and Watts, N. 2019. Bringing your user community with you...a story of successful engagement. Open Repositories Conference. Hamburg, Germany 10 - 13 Jun 2019

Building a single repository to meet all use cases: a collaboration between institution, researchers and supplier
Evans, J., Watts, N. and Renner, T. 2019. Building a single repository to meet all use cases: a collaboration between institution, researchers and supplier. Open Repositories Conference. Hamburg, Germany 10 - 13 Jun 2019

A Single Open Source Repository For Every Use Case
Evans, J. and Renner, T. 2019. A Single Open Source Repository For Every Use Case. 14th International Digital Curation Conference. Arts West Building, Faculty of Arts, University of Melbourne, Melbourne 04 - 07 Feb 2019

Building an All Haplo repository: A partnership between institution and supplier, in collaboration with researchers and the user community
Evans, J. and Renner, T. 2019. Building an All Haplo repository: A partnership between institution and supplier, in collaboration with researchers and the user community. 14th International Digital Curation Conference. Arts West Building, Faculty of Arts, University of Melbourne, Melbourne 04 - 07 Feb 2019

Transforming the University of Westminster Repository
Evans, J., Watts, N., Renner, T., Tribble, P., Gray, A., Kaye, J. and Siminson, N. 2019. Transforming the University of Westminster Repository. University of Westminster. https://doi.org/10.34737/q9x2v

Brownsea: An Imaginary Island (An Island of the Imaginary)
White, N. 2018. Brownsea: An Imaginary Island (An Island of the Imaginary). Arts Catalyst, London 22 Mar 2018 - 12 May 2019

University of Westminster Open Access Policy
Watts, N. and University of Westminster 2018. University of Westminster Open Access Policy. University of Westminster. https://doi.org/10.34737/vx8w5

Keeping Data Safe: how to implement a secure repository
Evans, J., Renner, T. and Tribble, P. 2018. Keeping Data Safe: how to implement a secure repository. Repository Fringe 2018. Royal Society of Edinburgh, Edinburgh 02 - 03 Jul 2018

Identifying the Different People and Systems Involved and Potential Areas for Risk
Evans, J. 2018. Identifying the Different People and Systems Involved and Potential Areas for Risk. Repository Fringe 2018. Royal Society of Edinburgh, Edinburgh 02 - 03 Jul 2018

Implementing a next-gen repository mid-REF cycle…madness or a stroke of genius?
Evans, J. 2018. Implementing a next-gen repository mid-REF cycle…madness or a stroke of genius? Repository Fringe 2018. Royal Society of Edinburgh, Edinburgh 02 - 03 Jul 2018

Archive in Ashes
White, N. 2017. Archive in Ashes.

All that is Data Melts into Air
White, N. 2017. All that is Data Melts into Air.

Transpositions: Artistic Data Exploration
White, N. 2017. Transpositions: Artistic Data Exploration. Färgfabriken, KTH, Stockholm 04 - 05 Oct 2017

University of Westminster Research Data Management Policy
Evans, J. and University of Westminster 2017. University of Westminster Research Data Management Policy. University of Westminster. https://doi.org/10.34737/vx8w4

Deep Architectures of Inquiry
O'Connell, T. and White, N. 2017. Deep Architectures of Inquiry. Office of Experiments.

The potential of destruction in art and science
White, N. 2017. The potential of destruction in art and science. Interdisciplinary Science Reviews. 42 (1-2), pp. 214-224. https://doi.org/10.1080/03080188.2017.1297166

Is a meaningful dialogue possible between research practices in the arts and in science and technology?
White, N. 2016. Is a meaningful dialogue possible between research practices in the arts and in science and technology? Data Rush Symposium. Angewandte Innovation Laboratory 17 - 17 May 2016

A Call for Radical Time
White, N. 2016. A Call for Radical Time. in: Le Feuvre, Lisa (ed.) A Lesson in Sculpture with John Latham Leeds Henry Moore Institute.

The Imaginary Archive; Third Campaign
White, N. 2016. The Imaginary Archive; Third Campaign. The Imaginary Archive. Whitechapel Gallery, London 29 Jan 2016

Flat Time
White, N. 2016. Flat Time. Dark Matters: Exploring Thresholds of (Im)perceptibility. An AHRC Exhibition and Workshop. Peter Scott Gallery, Lancaster, United Kingdom 14 Dec 2016

Cultures of the Anthropocene
White, N. 2016. Cultures of the Anthropocene . RGS-IBG Annual International Conference 2015. Exeter University

Super Scale Psycho Data
White, N. 2016. Super Scale Psycho Data. Ars Santa Monica, Barcelona.

Neal White realises a Skoob. Henry Moore Institute
White, N. 2016. Neal White realises a Skoob. Henry Moore Institute. Leeds, UK 24 Mar - 19 Jun 2016

9 Events - Royal College of Art
White, N. 2016. 9 Events - Royal College of Art. Dyson Gallery, Royal College of Arts, London 05 - 25 Mar 2016

Overt Research: Fieldwork and Transparency
White, N. and Rowell, S. 2016. Overt Research: Fieldwork and Transparency. in: Williams, A.J., Jenkings, N., Woodward, R. and Rech, M.F. (ed.) The Routledge Companion to Military Research Methods Routledge. pp. 387-406

Overt Research
White, N. and Beck, J. 2016. Overt Research. in: Beck, J. and Bishop, R. (ed.) Cold War Legacies: Systems, Theory, Aesthetics Edinburgh Edinburgh University Press. pp. 252-272

Hyperdrone
White, N. 2015. Hyperdrone. Wysing Arts, Cambridge

Secrecy and Art in Practice
White, N. 2015. Secrecy and Art in Practice. Politics and Practices of Secrecy. Institute of North American Studies, Kings College, London 15 - 15 May 2015

Notes for a Manifesto
White, N. 2015. Notes for a Manifesto. White Heat Symposium. Department of Engineering, Cambridge University in association with Kettles Yard

Sites of Excavation and Construction
White, N. 2015. Sites of Excavation and Construction.

The Third Campaign: Extracts
White, N., La Fevre, L and Yiakoumaki, N 2015. The Third Campaign: Extracts. Whitechapel Gallery 22 Sep 2014 - 22 Feb 2015

Infomoma
White, N. 2014. Infomoma. Hochschule für Bildende Künste Städelschule.

God is Great: John Latham and Neal White
Latham, J. and White, N. 2014. God is Great: John Latham and Neal White. Portikus gallery, Frankfurt am Main 10 May - 29 Jun 2014

Correspondence between John Latham and Neal White
White, N. and Latham, J. 2014. Correspondence between John Latham and Neal White. NOIT. 1.

Burning
White, N. 2014. Burning. NOIT. 2.

White heat: art, science and social responsibility in 1960s Britain
White, N. 2014. White heat: art, science and social responsibility in 1960s Britain. Kettle’s Yard and Mima.

Art as event: John Latham and flat time theory
White, N. 2014. Art as event: John Latham and flat time theory. Hochschule für Bildende Künste Städelschule.

Dark Data - Absence and intervention
White, N. 2014. Dark Data - Absence and intervention.

On Being Overt
White, N. 2014. On Being Overt. Knowledge Value and Dark Data: Absences, Interventions And Digital Worlds. University of Exeter 15 - 16 Dec 2014

Dislocated Data Palm (in Two Parts)
White, N. 2014. Dislocated Data Palm (in Two Parts) . Portikus, Frankfurt. Germany 10 May - 29 Jun 2014

Skoob Performances
White, N. 2014. Skoob Performances. in: Le Feuvre, L. (ed.) NOIT 2 / Burning London Flat Time House.

Modern British Sculpture Catalogue
White, N. 2013. Modern British Sculpture Catalogue. in: Curtis, P. and Wilson, K. (ed.) Modern British Sculpture London Royal Academy of Arts. pp. 278-279

Experiments and Archives in the Expanded Field
White, N. 2013. Experiments and Archives in the Expanded Field. in: Stuckey, K., Lane, V. and Vaknin, J. (ed.) All This Stuff: Archiving the Artist Faringdon, Oxfordshire Libri Publishing. pp. 47-61

On Not Knowing
White, N. 2013. On Not Knowing. in: Fisher, E. and Fortnum, R. (ed.) On Not Knowing: How Artists Think Black Dog Publishing.

Epistemic Events
White, N. 2013. Epistemic Events. in: Schwab, M. (ed.) Experimental Systems: Future Knowledge in Artistic Research Belgium Leuven University Press.

Fieldworks from the Museum of the Void: Experiments in the Event of an Archive
White, N., Smith, D. and Jeong, D. 2010. Fieldworks from the Museum of the Void: Experiments in the Event of an Archive. University of the Arts London: Chelsea Space.

Dark Places Catalogue (First ed.)
White, N. 2010. Dark Places Catalogue (First ed.). University of Southampton: John Hansard Gallery.

A Learning 2.0 Programme: raising library staff awareness of Web 2.0 at Imperial College London
Evans, J., Harrison, R.E.J., Jones, L.D.Q. and Thompson, K.E. 2009. A Learning 2.0 Programme: raising library staff awareness of Web 2.0 at Imperial College London. Relay. 59, pp. 16-21.

The Body in Contemporary Art
White, N. 2009. The Body in Contemporary Art. in: O'Reilly, S. (ed.) The Body in Contemporary Art Thames & Hudson.

Voids/Vides. A Retrospective of Empty Exhibitions. Centre Pompidou, Kunsthalle Bern, Centre Pompidou-Metz
White, N. 2009. Voids/Vides. A Retrospective of Empty Exhibitions. Centre Pompidou, Kunsthalle Bern, Centre Pompidou-Metz. in: Copeland, M., Hendricks, J., Philpot, C., Metzger, G., Perret, M.-T. and Lippard, L.R. (ed.) Voids: a retrospective Paris, France JRP/Ringier.

Ott’s Sneeze
Norfolk, L. and White, N. 2002. Ott’s Sneeze. London Bookworks.