Notes for a Manifesto
White, N. 2015. Notes for a Manifesto. White Heat Symposium. Department of Engineering, Cambridge University in association with Kettles Yard
White, N. 2015. Notes for a Manifesto. White Heat Symposium. Department of Engineering, Cambridge University in association with Kettles Yard
| Title | Notes for a Manifesto |
|---|---|
| Authors | White, N. |
| Type | Conference paper |
| Abstract | ‘WHITE HEAT’ symposium is organised alongside the Gustav Metzger exhibition at Kettles Yard. Examining the idea of Art, science and social responsibility in 1960s Britain, it will see key figures from the decade join speakers from the fields of art and cultural history, the history and philosophy of science, activism and popular culture to revisit one of the most intense periods of intellectual and cultural ferment. In his paper, contemporary artist Neal White will discuss the continued legacy of 1960s research-based artistic practice in the context of large scale experimental infrastructures and emerging research cultures. |
| Keywords | Gustav Metzger, Art, Science and Social Responsibility |
| Year | 2015 |
| Conference | White Heat Symposium |
| Web address (URL) of conference proceedings | http://www.cam.ac.uk/research/news/art-science-and-social-responsibility-in-1960s-britain-0 |
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White, N., Bremner, L., Cook, J. and Cullen, B. 2021. Between the Barometer and the Dragonfly. Venice Biennale of Architecture
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White, N. 2020. An Atlas of Chronographic Things - (Time Machines - Part 1) . Trondheim, Norway
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White, N. 2018. Brownsea: An Imaginary Island (An Island of the Imaginary). Arts Catalyst, London 22 Mar 2018 - 12 May 2019
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White, N. 2017. Archive in Ashes.
All that is Data Melts into Air
White, N. 2017. All that is Data Melts into Air.
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White, N. 2017. Transpositions: Artistic Data Exploration. Färgfabriken, KTH, Stockholm 04 - 05 Oct 2017
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O'Connell, T. and White, N. 2017. Deep Architectures of Inquiry. Office of Experiments.
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White, N. 2017. The potential of destruction in art and science. Interdisciplinary Science Reviews. 42 (1-2), pp. 214-224. https://doi.org/10.1080/03080188.2017.1297166
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White, N. 2016. Is a meaningful dialogue possible between research practices in the arts and in science and technology? Data Rush Symposium. Angewandte Innovation Laboratory 17 - 17 May 2016
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White, N. 2016. A Call for Radical Time. in: Le Feuvre, Lisa (ed.) A Lesson in Sculpture with John Latham Leeds Henry Moore Institute.
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White, N. 2016. The Imaginary Archive; Third Campaign. The Imaginary Archive. Whitechapel Gallery, London 29 Jan 2016
Flat Time
White, N. 2016. Flat Time. Dark Matters: Exploring Thresholds of (Im)perceptibility. An AHRC Exhibition and Workshop. Peter Scott Gallery, Lancaster, United Kingdom 14 Dec 2016
Cultures of the Anthropocene
White, N. 2016. Cultures of the Anthropocene . RGS-IBG Annual International Conference 2015. Exeter University
Super Scale Psycho Data
White, N. 2016. Super Scale Psycho Data. Ars Santa Monica, Barcelona.
Neal White realises a Skoob. Henry Moore Institute
White, N. 2016. Neal White realises a Skoob. Henry Moore Institute. Leeds, UK 24 Mar - 19 Jun 2016
9 Events - Royal College of Art
White, N. 2016. 9 Events - Royal College of Art. Dyson Gallery, Royal College of Arts, London 05 - 25 Mar 2016
Overt Research: Fieldwork and Transparency
White, N. and Rowell, S. 2016. Overt Research: Fieldwork and Transparency. in: Williams, A.J., Jenkings, N., Woodward, R. and Rech, M.F. (ed.) The Routledge Companion to Military Research Methods Routledge. pp. 387-406
Overt Research
White, N. and Beck, J. 2016. Overt Research. in: Beck, J. and Bishop, R. (ed.) Cold War Legacies: Systems, Theory, Aesthetics Edinburgh Edinburgh University Press. pp. 252-272
Hyperdrone
White, N. 2015. Hyperdrone. Wysing Arts, Cambridge
Secrecy and Art in Practice
White, N. 2015. Secrecy and Art in Practice. Politics and Practices of Secrecy. Institute of North American Studies, Kings College, London 15 - 15 May 2015
Sites of Excavation and Construction
White, N. 2015. Sites of Excavation and Construction.
The Third Campaign: Extracts
White, N., La Fevre, L and Yiakoumaki, N 2015. The Third Campaign: Extracts. Whitechapel Gallery 22 Sep 2014 - 22 Feb 2015
Infomoma
White, N. 2014. Infomoma. Hochschule für Bildende Künste Städelschule.
God is Great: John Latham and Neal White
Latham, J. and White, N. 2014. God is Great: John Latham and Neal White. Portikus gallery, Frankfurt am Main 10 May - 29 Jun 2014
Correspondence between John Latham and Neal White
White, N. and Latham, J. 2014. Correspondence between John Latham and Neal White. NOIT. 1.
Burning
White, N. 2014. Burning. NOIT. 2.
White heat: art, science and social responsibility in 1960s Britain
White, N. 2014. White heat: art, science and social responsibility in 1960s Britain. Kettle’s Yard and Mima.
Art as event: John Latham and flat time theory
White, N. 2014. Art as event: John Latham and flat time theory. Hochschule für Bildende Künste Städelschule.
Dark Data - Absence and intervention
White, N. 2014. Dark Data - Absence and intervention.
On Being Overt
White, N. 2014. On Being Overt. Knowledge Value and Dark Data: Absences, Interventions And Digital Worlds. University of Exeter 15 - 16 Dec 2014
Dislocated Data Palm (in Two Parts)
White, N. 2014. Dislocated Data Palm (in Two Parts) . Portikus, Frankfurt. Germany 10 May - 29 Jun 2014
Skoob Performances
White, N. 2014. Skoob Performances. in: Le Feuvre, L. (ed.) NOIT 2 / Burning London Flat Time House.
Modern British Sculpture Catalogue
White, N. 2013. Modern British Sculpture Catalogue. in: Curtis, P. and Wilson, K. (ed.) Modern British Sculpture London Royal Academy of Arts. pp. 278-279
Experiments and Archives in the Expanded Field
White, N. 2013. Experiments and Archives in the Expanded Field. in: Stuckey, K., Lane, V. and Vaknin, J. (ed.) All This Stuff: Archiving the Artist Faringdon, Oxfordshire Libri Publishing. pp. 47-61
On Not Knowing
White, N. 2013. On Not Knowing. in: Fisher, E. and Fortnum, R. (ed.) On Not Knowing: How Artists Think Black Dog Publishing.
Epistemic Events
White, N. 2013. Epistemic Events. in: Schwab, M. (ed.) Experimental Systems: Future Knowledge in Artistic Research Belgium Leuven University Press.
Fieldworks from the Museum of the Void: Experiments in the Event of an Archive
White, N., Smith, D. and Jeong, D. 2010. Fieldworks from the Museum of the Void: Experiments in the Event of an Archive. University of the Arts London: Chelsea Space.
Dark Places Catalogue (First ed.)
White, N. 2010. Dark Places Catalogue (First ed.). University of Southampton: John Hansard Gallery.
The Body in Contemporary Art
White, N. 2009. The Body in Contemporary Art. in: O'Reilly, S. (ed.) The Body in Contemporary Art Thames & Hudson.
Voids/Vides. A Retrospective of Empty Exhibitions. Centre Pompidou, Kunsthalle Bern, Centre Pompidou-Metz
White, N. 2009. Voids/Vides. A Retrospective of Empty Exhibitions. Centre Pompidou, Kunsthalle Bern, Centre Pompidou-Metz. in: Copeland, M., Hendricks, J., Philpot, C., Metzger, G., Perret, M.-T. and Lippard, L.R. (ed.) Voids: a retrospective Paris, France JRP/Ringier.
Ott’s Sneeze
Norfolk, L. and White, N. 2002. Ott’s Sneeze. London Bookworks.
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