9 Events - Royal College of Art
White, N. 2016. 9 Events - Royal College of Art. Dyson Gallery, Royal College of Arts, London 05 - 25 Mar 2016
White, N. 2016. 9 Events - Royal College of Art. Dyson Gallery, Royal College of Arts, London 05 - 25 Mar 2016
| Creators | White, N. |
|---|---|
| Collaborators | |
| Exhibitor | O'Connell |
| Description | An exhibition in the Dyson gallery with Tina O'Connell and Neal White, in association with Objectif Exhibitions, Antwerp. Tina O'Connell and Neal White present 9 Events, a series of experiments and observations, talks and films drawn from their on-going artistic interest in the raw resources that are a key index of wealth in a market based society - from oil to diamonds and gold. The work is made in the context of emerging ideas of environmental and geological change within the flood of unchecked global capital. As with other works and projects undertaken by the artists, the space is used as a platform through which temporality can be explored. In this sense, the use of the RCA's Dyson exhibition space and its wider context for the presentation on objects or artefacts is reconfigured through perspectives of energy, action and reaction, collapse and control, via simulation, derivation, extraction and exchange. |
| Year | 2016 |
| Web address (URL) | http://www.rca.ac.uk/news-and-events/events/9-events/ |
PR Voices simple portfolio
Evans, Jenny, Vials Moore, Adam, Bailey, Helen, Basford, Jenny, Kotarski, Rachael, Mead, Joshua, Ranger, Holly, Stone, Alan, Watts, Nina and White, Neal 2024. PR Voices simple portfolio. London University of Westminster. https://doi.org/10.34737/wx8w1
A Multispecies Red-Light District for Amsterdam: A Propositional Image
White, N. and O.Connell, T. 2024. A Multispecies Red-Light District for Amsterdam: A Propositional Image. Cultural Politics. 20 (1), pp. 155-165. https://doi.org/10.1215/17432197-10969279
Anthropogenic Noise: An Artist Talk
White, N. 2023. Anthropogenic Noise: An Artist Talk.
Practice Research Voices (PRVOICES): Final report and recommendations
Evans, Jenny, Vials Moore, Adam, Bailey, Helen, Basford, Jenny, Kotarski, Rachael, Mead, Joshua, Ranger, Holly, Stone, Alan, Watts, Nina and White, Neal 2023. Practice Research Voices (PRVOICES): Final report and recommendations. London University of Westminster. https://doi.org/10.34737/w3803
Nature of Truth
White, N. and O'Connell, T. 2022. Nature of Truth.
Perfect Nature: Amstelpark Test Site
White, N. 2022. Perfect Nature: Amstelpark Test Site. Amsterdam 22 Apr - 19 Jun 2022
Between the Barometer and the Dragonfly
White, N., Bremner, L., Cook, J. and Cullen, B. 2021. Between the Barometer and the Dragonfly. Venice Biennale of Architecture
An Atlas of Chronographic Things - (Time Machines - Part 1)
White, N. 2020. An Atlas of Chronographic Things - (Time Machines - Part 1) . Trondheim, Norway
Tiny Love Songs (All our futures are scalable)
White, N. Forthcoming. Tiny Love Songs (All our futures are scalable). Holland
The Deep Field Trilogy. Part One: Initial Conditions
White, N. and Thomson, J. 2019. The Deep Field Trilogy. Part One: Initial Conditions. UN/GREEN. Naturally Artificial Intelligences RIXC Festival and the 4th Open Fields conference on Art-Science Research July 4 – 6, 2019, Riga
Brownsea: An Imaginary Island (An Island of the Imaginary)
White, N. 2018. Brownsea: An Imaginary Island (An Island of the Imaginary). Arts Catalyst, London 22 Mar 2018 - 12 May 2019
Archive in Ashes
White, N. 2017. Archive in Ashes.
All that is Data Melts into Air
White, N. 2017. All that is Data Melts into Air.
Transpositions: Artistic Data Exploration
White, N. 2017. Transpositions: Artistic Data Exploration. Färgfabriken, KTH, Stockholm 04 - 05 Oct 2017
Deep Architectures of Inquiry
O'Connell, T. and White, N. 2017. Deep Architectures of Inquiry. Office of Experiments.
The potential of destruction in art and science
White, N. 2017. The potential of destruction in art and science. Interdisciplinary Science Reviews. 42 (1-2), pp. 214-224. https://doi.org/10.1080/03080188.2017.1297166
Is a meaningful dialogue possible between research practices in the arts and in science and technology?
White, N. 2016. Is a meaningful dialogue possible between research practices in the arts and in science and technology? Data Rush Symposium. Angewandte Innovation Laboratory 17 - 17 May 2016
A Call for Radical Time
White, N. 2016. A Call for Radical Time. in: Le Feuvre, Lisa (ed.) A Lesson in Sculpture with John Latham Leeds Henry Moore Institute.
The Imaginary Archive; Third Campaign
White, N. 2016. The Imaginary Archive; Third Campaign. The Imaginary Archive. Whitechapel Gallery, London 29 Jan 2016
Flat Time
White, N. 2016. Flat Time. Dark Matters: Exploring Thresholds of (Im)perceptibility. An AHRC Exhibition and Workshop. Peter Scott Gallery, Lancaster, United Kingdom 14 Dec 2016
Cultures of the Anthropocene
White, N. 2016. Cultures of the Anthropocene . RGS-IBG Annual International Conference 2015. Exeter University
Super Scale Psycho Data
White, N. 2016. Super Scale Psycho Data. Ars Santa Monica, Barcelona.
Neal White realises a Skoob. Henry Moore Institute
White, N. 2016. Neal White realises a Skoob. Henry Moore Institute. Leeds, UK 24 Mar - 19 Jun 2016
Overt Research: Fieldwork and Transparency
White, N. and Rowell, S. 2016. Overt Research: Fieldwork and Transparency. in: Williams, A.J., Jenkings, N., Woodward, R. and Rech, M.F. (ed.) The Routledge Companion to Military Research Methods Routledge. pp. 387-406
Overt Research
White, N. and Beck, J. 2016. Overt Research. in: Beck, J. and Bishop, R. (ed.) Cold War Legacies: Systems, Theory, Aesthetics Edinburgh Edinburgh University Press. pp. 252-272
Hyperdrone
White, N. 2015. Hyperdrone. Wysing Arts, Cambridge
Secrecy and Art in Practice
White, N. 2015. Secrecy and Art in Practice. Politics and Practices of Secrecy. Institute of North American Studies, Kings College, London 15 - 15 May 2015
Notes for a Manifesto
White, N. 2015. Notes for a Manifesto. White Heat Symposium. Department of Engineering, Cambridge University in association with Kettles Yard
Sites of Excavation and Construction
White, N. 2015. Sites of Excavation and Construction.
The Third Campaign: Extracts
White, N., La Fevre, L and Yiakoumaki, N 2015. The Third Campaign: Extracts. Whitechapel Gallery 22 Sep 2014 - 22 Feb 2015
Infomoma
White, N. 2014. Infomoma. Hochschule für Bildende Künste Städelschule.
God is Great: John Latham and Neal White
Latham, J. and White, N. 2014. God is Great: John Latham and Neal White. Portikus gallery, Frankfurt am Main 10 May - 29 Jun 2014
Correspondence between John Latham and Neal White
White, N. and Latham, J. 2014. Correspondence between John Latham and Neal White. NOIT. 1.
Burning
White, N. 2014. Burning. NOIT. 2.
White heat: art, science and social responsibility in 1960s Britain
White, N. 2014. White heat: art, science and social responsibility in 1960s Britain. Kettle’s Yard and Mima.
Art as event: John Latham and flat time theory
White, N. 2014. Art as event: John Latham and flat time theory. Hochschule für Bildende Künste Städelschule.
Dark Data - Absence and intervention
White, N. 2014. Dark Data - Absence and intervention.
On Being Overt
White, N. 2014. On Being Overt. Knowledge Value and Dark Data: Absences, Interventions And Digital Worlds. University of Exeter 15 - 16 Dec 2014
Dislocated Data Palm (in Two Parts)
White, N. 2014. Dislocated Data Palm (in Two Parts) . Portikus, Frankfurt. Germany 10 May - 29 Jun 2014
Skoob Performances
White, N. 2014. Skoob Performances. in: Le Feuvre, L. (ed.) NOIT 2 / Burning London Flat Time House.
Modern British Sculpture Catalogue
White, N. 2013. Modern British Sculpture Catalogue. in: Curtis, P. and Wilson, K. (ed.) Modern British Sculpture London Royal Academy of Arts. pp. 278-279
Experiments and Archives in the Expanded Field
White, N. 2013. Experiments and Archives in the Expanded Field. in: Stuckey, K., Lane, V. and Vaknin, J. (ed.) All This Stuff: Archiving the Artist Faringdon, Oxfordshire Libri Publishing. pp. 47-61
On Not Knowing
White, N. 2013. On Not Knowing. in: Fisher, E. and Fortnum, R. (ed.) On Not Knowing: How Artists Think Black Dog Publishing.
Epistemic Events
White, N. 2013. Epistemic Events. in: Schwab, M. (ed.) Experimental Systems: Future Knowledge in Artistic Research Belgium Leuven University Press.
Fieldworks from the Museum of the Void: Experiments in the Event of an Archive
White, N., Smith, D. and Jeong, D. 2010. Fieldworks from the Museum of the Void: Experiments in the Event of an Archive. University of the Arts London: Chelsea Space.
Dark Places Catalogue (First ed.)
White, N. 2010. Dark Places Catalogue (First ed.). University of Southampton: John Hansard Gallery.
The Body in Contemporary Art
White, N. 2009. The Body in Contemporary Art. in: O'Reilly, S. (ed.) The Body in Contemporary Art Thames & Hudson.
Voids/Vides. A Retrospective of Empty Exhibitions. Centre Pompidou, Kunsthalle Bern, Centre Pompidou-Metz
White, N. 2009. Voids/Vides. A Retrospective of Empty Exhibitions. Centre Pompidou, Kunsthalle Bern, Centre Pompidou-Metz. in: Copeland, M., Hendricks, J., Philpot, C., Metzger, G., Perret, M.-T. and Lippard, L.R. (ed.) Voids: a retrospective Paris, France JRP/Ringier.
Ott’s Sneeze
Norfolk, L. and White, N. 2002. Ott’s Sneeze. London Bookworks.
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