|Chapter title||The Body in Contemporary Art|
|Book title||The Body in Contemporary Art|
|Publisher||Thames & Hudson|
The potential of destruction in art and science
White, N. 2017. The potential of destruction in art and science. Interdisciplinary Science Reviews. 42 (1-2), pp. 214-224.
The Imaginary Archive; Third Campaign
White, N. 2016. The Imaginary Archive; Third Campaign. The Imaginary Archive. Whitechapel Gallery, London 29 Jan 2016
White, N. 2016. Flat Time. Dark Matters: Exploring Thresholds of (Im)perceptibility. An AHRC Exhibition and Workshop. Peter Scott Gallery, Lancaster, United Kingdom 14 Dec 2016
Cultures of the Anthropocene
White, N. 2016. Cultures of the Anthropocene . RGS-IBG Annual International Conference 2015. Exeter University
Super Scale Psycho Data
White, N. 2016. Super Scale Psycho Data. Ars Santa Monica, Barcelona.
Neal White realises a Skoob
White, N. 2016. Neal White realises a Skoob. Leeds, UK
White, N. and O'Connell, T 2016. 9 Events. Dyson Gallery, Royal College of Arts, London
Overt Research: Fieldwork and Transparency
White, N. and Rowell, S. 2016. Overt Research: Fieldwork and Transparency. in: Williams, A.J., Jenkings, N., Woodward, R. and Rech, M.F. (ed.) The Routledge Companion to Military Research Methods Routledge. pp. 387-406
White, N. and Beck, J. 2016. Overt Research. in: Beck, J. and Bishop, R. (ed.) Cold War Legacies: Systems, Theory, Aesthetics Edinburgh Edinburgh University Press. pp. 252-272
Secrecy and Art in Practice
White, N. 2015. Secrecy and Art in Practice. Politics and Practices of Secrecy. Institute of North American Studies, Kings College, London 15 - 15 May 2015
Notes for a Manifesto
White, N. 2015. Notes for a Manifesto. White Heat Symposium. Department of Engineering, Cambridge University in association with Kettles Yard
Sites of Excavation and Construction
White, N. 2015. Sites of Excavation and Construction.
The Third Campaign: Extracts
White, N., La Fevre, L and Yiakoumaki, N 2015. The Third Campaign: Extracts. Whitechapel Gallery
On Being Overt
White, N. 2014. On Being Overt. Knowledge Value and Dark Data: Absences, Interventions And Digital Worlds. University of Exeter 15 - 16 Dec 2014
Dislocated Data Palm (in Two Parts)
White, N. 2014. Dislocated Data Palm (in Two Parts) . Portikus, Frankfurt. Germany
White, N. 2014. Skoob Performances. in: Le Feuvre, L. (ed.) NOIT 2 / Burning London Flat Time House.
Modern British Sculpture Catalogue
White, N. 2013. Modern British Sculpture Catalogue. in: Curtis, P. and Wilson, K. (ed.) Modern British Sculpture London Royal Academy of Arts. pp. 278-279
Experiments and Archives in the Expanded Field
White, N. 2013. Experiments and Archives in the Expanded Field. in: Stuckey, K., Lane, V. and Vaknin, J. (ed.) All This Stuff: Archiving the Artist Faringdon, Oxfordshire Libri Publishing. pp. 47-61
On Not Knowing
White, N. 2013. On Not Knowing. in: Fisher, E. and Fortnum, R. (ed.) On Not Knowing: How Artists Think Black Dog Publishing.
White, N. 2013. Epistemic Events. in: Schwab, M. (ed.) Experimental Systems: Future Knowledge in Artistic Research Belgium Leuven University Press.
Fieldworks from the Museum of the Void: Experiments in the Event of an Archive
White, N., Smith, D. and Jeong, D. 2010. Fieldworks from the Museum of the Void: Experiments in the Event of an Archive. University of the Arts London: Chelsea Space.
Dark Places Catalogue (First ed.)
White, N. 2010. Dark Places Catalogue (First ed.). University of Southampton: John Hansard Gallery.
Voids/Vides. A Retrospective of Empty Exhibitions. Centre Pompidou, Kunsthalle Bern, Centre Pompidou-Metz
White, N. 2009. Voids/Vides. A Retrospective of Empty Exhibitions. Centre Pompidou, Kunsthalle Bern, Centre Pompidou-Metz. in: Copeland, M., Hendricks, J., Philpot, C., Metzger, G., Perret, M.-T. and Lippard, L.R. (ed.) Voids: a retrospective Paris, France JRP/Ringier.
Norfolk, L. and White, N. 2002. Ott’s Sneeze. London Bookworks.
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