Skip to content Outputs by Type Book chapter
2024
What is Music Business Management? A Critical Conversation on Music, Knowledge and Power in the University Gross, S. and Bennett, T. 2024. What is Music Business Management? A Critical Conversation on Music, Knowledge and Power in the University. in: Arditi, D. and Nolan, R. (ed.) The Palgrave Handbook of Critical Music Industry Studies Palgrave Macmillan. pp. 581-604
2024
The music industry does exist Bennett, T. 2024. The music industry does exist. in: Arditi, D. and Nolan, R. (ed.) The Palgrave Handbook of Critical Music Industry Studies Palgrave Macmillan. pp. 557-579
2020
Re-Rewind: Heritage, Representation and Music City Aspiration in Southampton Bennett, T. 2020. Re-Rewind: Heritage, Representation and Music City Aspiration in Southampton. in: Ballico, C. and Watson, A. (ed.) Music Cities: Evaluating a Global Cultural Policy Concept Springer. pp. 19-42
2018
“Essential—Passion for Music”: Affirming, Critiquing, and Practising Passionate Work in Creative Industries Toby Bennett 2018. “Essential—Passion for Music”: Affirming, Critiquing, and Practising Passionate Work in Creative Industries. in: Martin, L. and Wilson, N. (ed.) The Palgrave Handbook of Creativity at Work Springer. pp. 431-459 Journal article
2024
Undoing cultural studies: Cultural economy at the Open University (1979-1997) Bennett, T. 2024. Undoing cultural studies: Cultural economy at the Open University (1979-1997). Journal of Cultural Economy. 17 (5), pp. 641-662. https://doi.org/10.1080/17530350.2024.2393167
2024
From rag market to creative economy: interview with Angela McRobbie Angela McRobbie and Toby Bennett 2024. From rag market to creative economy: interview with Angela McRobbie. Journal of Cultural Economy. 17 (5), pp. 700-706. https://doi.org/10.1080/17530350.2022.2112263
2024
Cultural revolutions: interview with Paul du Gay and Michael Pryke du Gay, P., Pryke, M. and Bennett, T. 2024. Cultural revolutions: interview with Paul du Gay and Michael Pryke. Journal of Cultural Economy. 17 (5), pp. 672-683. https://doi.org/10.1080/17530350.2021.2021970
2024
A poststructuralist who still believes in structures: interview with John Allen Allen, J. and Bennett, T. 2024. A poststructuralist who still believes in structures: interview with John Allen. Journal of Cultural Economy. 17 (5), pp. 663-671. https://doi.org/10.1080/17530350.2021.2002176
2022
A Post-Critical Theory of Cultural Production? A Review of the Frankfurt Book Fair and Bestseller Business Bennett, T. 2022. A Post-Critical Theory of Cultural Production? A Review of the Frankfurt Book Fair and Bestseller Business. Journal of Cultural Analysis and Social Change. 7 (1) 06. https://doi.org/10.20897/jcasc/12257
2020
The justification of a music city: Handbooks, intermediaries and value disputes in a global policy assemblage Bennett, T. 2020. The justification of a music city: Handbooks, intermediaries and value disputes in a global policy assemblage. City, Culture and Society. 22 100354. https://doi.org/10.1016/j.ccs.2020.100354
2020
Towards ‘Embedded Non-creative Work’? Administration, digitisation and the recorded music industry Bennett, T. 2020. Towards ‘Embedded Non-creative Work’? Administration, digitisation and the recorded music industry. International Journal of Cultural Policy. 26 (2), pp. 223-238. https://doi.org/10.1080/10286632.2018.1479399
2018
"The Whole Feminist Taking-Your-Clothes-off-Thing": Negotiating the Critique of Gender Inequality in UK Music Industries Bennett, T. 2018. "The Whole Feminist Taking-Your-Clothes-off-Thing": Negotiating the Critique of Gender Inequality in UK Music Industries. IASPM@journal. 8 (1). https://doi.org/10.5429/2079-3871(2018)v8i1.4en
2011
From Postfiction to Protofiction: Conspiracy Theory, Social Networks, and Confabulation Bennett, T. 2011. From Postfiction to Protofiction: Conspiracy Theory, Social Networks, and Confabulation. Dandelion: Postgraduate Arts Journal and Research Network. 1 (1). https://doi.org/10.16995/ddl.233 Working paper
2023
Production networks in the cultural and creative sector: case studies from the publishing industry (CICERONE report D2.8) Anna Karpińska, Dorota Ilczuk, Emilia Cholewicka, Toby Bennett and Andy Pratt 2023. Production networks in the cultural and creative sector: case studies from the publishing industry (CICERONE report D2.8). Zenodo. https://doi.org/10.5281/zenodo.6886027
2022
Everything you always wanted to know about data for the Cultural and Creative Sector production system, but were afraid to ask: Part 2 – Assembling disparate data resources, and preparations for reporting them Pratt, A.C. and Bennett, T. 2022. Everything you always wanted to know about data for the Cultural and Creative Sector production system, but were afraid to ask: Part 2 – Assembling disparate data resources, and preparations for reporting them. Zenodo. https://doi.org/10.5281/zenodo.6482865
2022
Everything you always wanted to know about data for the Cultural and Creative Sector production system, but were afraid to ask: Part 1 – Problems of statistical description Pratt, A.C. and Bennett, T. 2022. Everything you always wanted to know about data for the Cultural and Creative Sector production system, but were afraid to ask: Part 1 – Problems of statistical description. Zenodo. https://doi.org/10.5281/zenodo.6224372
