Dr Russell White


2023

The Role of Postcards in Disseminating the Nuevo Ideal Nacional of Marcos Pérez Jiménez
White, R. 2023. The Role of Postcards in Disseminating the Nuevo Ideal Nacional of Marcos Pérez Jiménez. Bulletin of Contemporary Hispanic Studies. 5 (2). https://doi.org/10.3828/bchs.2023.8

2023

Positivism and Evolutionism in Flávio de Barros’s Photographs of the Canudos War
Russell White 2023. Positivism and Evolutionism in Flávio de Barros’s Photographs of the Canudos War. Journal of Iberian and Latin American Research. 29 (1), pp. 96-115. https://doi.org/10.1080/13260219.2023.2218071

2021

Tito Caula’s photographic imaginary and mid-century Caraqueño modernity
Russell White 2021. Tito Caula’s photographic imaginary and mid-century Caraqueño modernity. Journal of Urban Cultural Studies. 8 (1), pp. 57-79. https://doi.org/10.1386/jucs_00034_1

2021

Tito Caula’s photographic imaginary and mid-century Caraqueño modernity
White, R. 2021. Tito Caula’s photographic imaginary and mid-century Caraqueño modernity. Journal of Urban Cultural Studies. 8 (1), pp. 57-79. https://doi.org/10.1386/jucs_00034_1

2019

Agustín Victor Casasola’s engagement with positivism and spectacle in his imagining of Mexico City during the Late Porfiriato, 1900-1910
White, R. 2019. Agustín Victor Casasola’s engagement with positivism and spectacle in his imagining of Mexico City during the Late Porfiriato, 1900-1910. Hispanic Research Journal. 20 (5), pp. 515-532. https://doi.org/10.1080/14682737.2019.1734351

2017

James VanDerZee’s New Negro vision
White, R. 2017. James VanDerZee’s New Negro vision. European Journal of American Culture. 36 (2), pp. 121-135. https://doi.org/10.1386/ejac.36.2.121_1

2011

“Drums are not for Gentlemen”: Class and Race in Langston Hughes’ Haitian Encounter
White, R. 2011. “Drums are not for Gentlemen”: Class and Race in Langston Hughes’ Haitian Encounter. International Journal of Francophone Studies. 14 (1-2), pp. 107-122. https://doi.org/10.1386/ijfs.14.1-2.107_1

2006

“Behind the Mask”: Eminem and Post-Industrial Minstrelsy
White, R. 2006. “Behind the Mask”: Eminem and Post-Industrial Minstrelsy. European Journal of American Culture. 25 (1), pp. 65-79. https://doi.org/10.1386/ejac.25.1.65/1

2015

The Nicaragua Grand Canal – Economic Miracle or Folie de Grandeur?
White, R. 2015. The Nicaragua Grand Canal – Economic Miracle or Folie de Grandeur? Practical Action Publishing.

2005

‘Samuel L. Jackson: Beyond the Post-Soul Male’
White, R. 2005. ‘Samuel L. Jackson: Beyond the Post-Soul Male’. in: Moseley, R. (ed.) Fashioning Film Stars: Dress, Culture, Identity BFI Publishing.

2004

Sign of a Black Planet: Hip-Hop and Globalisation
White, R. 2004. Sign of a Black Planet: Hip-Hop and Globalisation. in: Davies, J., Campbell, N. and McKay, G. (ed.) Issues in Americanization and Culture Edinburgh University Press.


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