Abstract | One of the predominant themes of both Blade Runner movies from 1982 and 2017 is the fear of the ‘other’. At the same time as the replicants represent the most obvious other, both films’ enduring genius lie in how they use features like their soundtracks, images and storylines to make the other resonate. Asylum seekers and refugees too are often perceived as others and this film review uses international refugee law as a framework to explore some of the critical themes that arise in both the movies. It argues that there are common issues that underpin the treatment of persecuted people and replicants, especially stemming from otherness, and international refugee law is a good framework to explore these issues. |
---|