Leviathan

Dawood, S. 2019. Leviathan. Bluecoat, Liverpool 06 Jul - 13 Oct 2019

CreatorsDawood, S.
Description

Leviathan is an ambitious artistic project looking at some of the urgent issues of our times through a ten-part film cycle, series of paintings, sculptures and virtual reality trilogy conceived and directed by Shezad Dawood. In dialogue with a wide range of marine biologists, oceanographers, political scientists, neurologists and trauma specialists, Leviathan explores the notions of marine welfare, migration and mental health and their possible interconnections.

As much open-source resource as artist’s project, Leviathan is continually informed by an ever-growing number of Scientists to imagine various speculative futures that may extend from the present moment. When the project is exhibited, researchers are invited as part of a dynamic Public Programme to present their work to new audiences both live and online, generating an ever-growing network of participants and audiences. These curated events and conversations, made accessible through a free Vimeo channel and open-source research papers, anchor the project in the present challenges that we face as a global community.

Following its inaugural presentation in Venice in May 2017 to coincide with the 57th Art Biennale, Dawood’s Leviathan has facilitated and produced over 30 talks and events alongside exhibitions aimed at encouraging cross-disciplinary dialogue. Distinguished speakers have for example included the theorist Franco ‘Bifo’ Berardi in conversation with leading oceanographer Sandro Carniel; Cristina Cattaneo director of the LABANOF at the University of Milan, whose work operates at the frontline of the refugee crisis; and pioneering evolutionary geneticist Eske Willerslev.

To date, eight of the ten films in the Leviathan Cycle have been produced. These works have been presented at film festivals including CPH:DOX (Copenhagen, Denmark), Oberhausen (Oberhausen, Germany), and Kino der Kunst (Munich, Germany), Skabmagovat Festival (Inar, Finland) and at one-off screenings and special events with partners including Elephant Magazine and the Goethe-Institute.

KeywordsMarine Ecology, Migration, Mental Health, Climate Change, Multidisciplinary, Research, Cycle
Year06 Jul 2019
13 Oct 2019
Files
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Web address (URL)https://leviathan-cycle.com/
Publication dates
Published2019
Image creditImage 1: Shezad Dawood, Leviathan Cycle, Episode 4: Jamila (film still) 2018, HD Video, 10'36’’. Commissioned by Barakat Contemporary, Seoul, HE.RO, Amsterdam, Arts Council, England and MUBI. Courtesy of the artist and UBIK Productions.
Image 2: Shezad Dawood, Leviathan Cycle, Episode 5: Ismael (film still) 2018, HD Video, 19'28’’. Courtesy of the artist and UBIK Productions.
Image 3: Leviathan Cycle, (2017-ongoing), Installation view at Bluecoat, 2019. Courtesy of the artist. Photo: Rob Battersby.
Image 4: Leviathan Cycle, (2017-ongoing), Installation view at Bluecoat, 2019. Courtesy of the artist. Photo: Rob Battersby.
Image 5: Leviathan Cycle, (2017-ongoing), Installation view at Bluecoat, 2019. Courtesy of the artist. Photo: Rob Battersby.
Image 6: Leviathan Cycle, (2017-ongoing), Installation view at Bluecoat, 2019. Courtesy of the artist. Photo: Rob Battersby.
Image 7: Leviathan Legacy Pt. 1, Installation view at CPH:DOX, 2019.
Image 8: Leviathan Public Programme: Shezad Dawood in conversation with eminent evolutionary geneticist Eske Willerslev, 2019.
Image 9: Leviathan, Installation view at The Atlantic Project, 2018. Photo: Andy Ford.

Related outputs

Night in the Garden of Love
Dawood, S. 2023. Night in the Garden of Love.

Shezad Dawood in conversation with Lucy Reynolds
Reynolds, L. and Dawood, S. 2021. Shezad Dawood in conversation with Lucy Reynolds. The Moving Image Review & Art Journal (MIRAJ). 10 (1-2), pp. 74-102. https://doi.org/10.1386/miraj_00064_7

Encroachments (Premiered at Sharjah Biennial 14: Leaving the Echo Chamber)
Dawood, S. 2019. Encroachments (Premiered at Sharjah Biennial 14: Leaving the Echo Chamber). Sharjah, UAE 07 Mar - 10 Jun 2019

Kalimpong (A Lost Future: Shezad Dawood)
Dawood, S. 2018. Kalimpong (A Lost Future: Shezad Dawood) . The Rubin Museum of Art (NYC, USA) 23 Feb - 21 May 2018

Leviathan
Dawood, S. 2017. Leviathan. University of Westminster.

Leviathan
Dawood, S. 2017. Leviathan.

Dances with Cryptids
Dawood, S. 2016. Dances with Cryptids. in: Palestra, C. (ed.) Kalimpong London Sternberg Press. pp. 54-62

Kalimpong
Dawood, S. 2016. Kalimpong. Timothy Taylor, London 16 Sep 2016 - 22 Oct 2017

Towards the Possible Film
Dawood, S. 2014. Towards the Possible Film .

Black Sun Alchemy, Diaspora and Heterotopia
Dawood, S. 2013. Black Sun Alchemy, Diaspora and Heterotopia. in: van Noord, G. (ed.) Black Sun London Ridinghouse. pp. pp 4-80

Piercing brightness
Dawood, S. 2012. Piercing brightness.

New dream machine project
Dawood, S. 2012. New dream machine project. Parasol Unit Foundation for Contemporary Art 5 December 2012 - 23 February 2013

Feature
Dawood, S. 2009. Feature. Tate, London 06 Feb - 26 Apr 2009

Artists' studio
Dawood, S. 2007. Artists' studio.

Artist's studio
Dawood, S. Perrot, C. (ed.) 2007. Artist's studio. London Culture Shock Media.

Paradise row
Dawood, S., Gino, T. and Hammond, C. 2005. Paradise row.

We Have Met the Enemy & He Is Us
Dawood, S., Ghazi, B., Hulusi, M., Araeen, R., Aramesh, R., Islam, R. and Seize, A. 2005. We Have Met the Enemy & He Is Us.

'Sister Kali's Soul Temple – the Goddess of Death and Aretha Franklin' and 'Lecture in Conversation - an improved dialogue between Albert Camus and Lord Krishna'
Dawood, S. 2005. 'Sister Kali's Soul Temple – the Goddess of Death and Aretha Franklin' and 'Lecture in Conversation - an improved dialogue between Albert Camus and Lord Krishna'. 6900 Bregenz, Bergmannstrasse 6, Austria. 16 Jul - 04 Sep 2005

London in six easy steps
Dawood, S. 2005. London in six easy steps.

For a few rupees more
Dawood, S. 2005. For a few rupees more.

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Leviathan
Dawood, S. 2017. Leviathan.

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