“On Deleuze and Guattari’s Italian Wedding Fake Book: Pynchon, Improvisation, Social Organisation, and Assemblage”

Gazi, J. 2016. “On Deleuze and Guattari’s Italian Wedding Fake Book: Pynchon, Improvisation, Social Organisation, and Assemblage”. Orbit: A Journal of American Literature. 4 (2). https://doi.org/10.16995/orbit.192

Title“On Deleuze and Guattari’s Italian Wedding Fake Book: Pynchon, Improvisation, Social Organisation, and Assemblage”
TypeJournal article
AuthorsGazi, J.
Abstract

This article examines Pynchon’s literary invention of Deleuze and Guattari’s Italian Wedding Fake Book. Featured in his novel Vineland (1990), previous scholarship has either dismissed the reference as a throwaway joke or argued that Pynchon’s invocation of the philosophers is intended to point us towards the author’s engagement with Anti-Oedipus (1972). Following Charles Hollander’s argument that Pynchon’s jokes indicate important themes in his texts, this article looks beyond the reference to Deleuze and Guattari and to the author’s alignment of these philosophers with a “fake book”. A fake book is a book of basic chords, lyrics, and/or melody lines, which allows those who can read sheet music to improvise, or “fake”, the performance of compositions. Given that it is Deleuze and Guattari’s second collaboration of A Thousand Plateaus (1980) that addresses musicality in various guises, I focus on how Pynchon engages with the concepts of this latter text in terms of improvisation, social organisation, and assemblage. This engagement, I suggest, is less about influence that it is about identification. This is to say that Pynchon has long shared the philosophical outlook of Deleuze and Guattari, as demonstrated with reference to his short story “Entropy” (1960).

JournalOrbit: A Journal of American Literature
Journal citation4 (2)
ISSN2398-6786
Year2016
PublisherOpen Library of Humanities
Publisher's version
License
CC BY 4.0
File Access Level
Open (open metadata and files)
Digital Object Identifier (DOI)https://doi.org/10.16995/orbit.192
Web address (URL)https://doi.org/10.16995/orbit.192
Publication dates
Published18 Jul 2016

Related outputs

Psychedelic soldiers and tragic surfers: John Milius’ “Apocalypse Now” (1969)
Gazi, J. 2022. Psychedelic soldiers and tragic surfers: John Milius’ “Apocalypse Now” (1969). Jump Cut: A Review of Contemporary Media. 61 (Fall 2022).

Gliding the Digital Plane: Narrativizing our Navigation of Contemporary Cyberspace
Gazi, J. and Gazi, J. 2022. Gliding the Digital Plane: Narrativizing our Navigation of Contemporary Cyberspace. 6th International Society for Intermedial Studies Conference. Trinity College Dublin 02 - 04 Sep 2022 Trinity College Dublin.

Unknown Soldiers: An analysis of John Milius’ Apocalypse Now (1969) and the autonomy of the screenplay
Gazi, J. 2022. Unknown Soldiers: An analysis of John Milius’ Apocalypse Now (1969) and the autonomy of the screenplay. Unmade, unseen, and unreleased: Shadow Histories of Cinema and Television. Sheffield Hallam University, UK 23 - 24 May 2022

The critical surf studies reader
Jeeshan Gazi 2021. The critical surf studies reader. National Identities . 23 (2), pp. 210-212. https://doi.org/10.1080/14608944.2020.1761003

"Realism and (Final) Fantasy: On HD Remakes of Early 3D Console Titles"
Gazi, J. 2019. "Realism and (Final) Fantasy: On HD Remakes of Early 3D Console Titles". Cantebury Anifest 2019 - The Interactive Animation and Video Games Symposium. Canterbury Christ Church University 08 2019 - 08 Mar 2109

Soiveillance: Self-Consciousness and the Social Network in Hideaki Anno’s Love & Pop
Gazi, Jeeshan 2018. Soiveillance: Self-Consciousness and the Social Network in Hideaki Anno’s Love & Pop. Surveillance & Society. 16 (1), pp. 84-111. https://doi.org/10.24908/ss.v16i1.6434

Race in the age of tribeless youth culture: Rick Famuyiwa’s Dope (2015) and recent shifts in African-American pop culture
Gazi, J. 2017. Race in the age of tribeless youth culture: Rick Famuyiwa’s Dope (2015) and recent shifts in African-American pop culture. Journal of Aesthetics & Culture. 9 (1) 1404891. https://doi.org/10.1080/20004214.2017.1404891

"Blinking and Thinking: The Embodied Perceptions of Presence and Remembrance in Gaspar Noe’s Enter the Void"
Gazi, J. 2017. "Blinking and Thinking: The Embodied Perceptions of Presence and Remembrance in Gaspar Noe’s Enter the Void". Film Criticism. 41 (1). https://doi.org/10.3998/fc.13761232.0041.101

"De/facing Race: Towards a Model for a Universal World Comics"
Gazi, J. 2017. "De/facing Race: Towards a Model for a Universal World Comics". Journal of Graphic Novels and Comics. 8 (2), pp. 119-138. https://doi.org/10.1080/21504857.2016.1247371

Pynchon’s Nineteen Eighty-Four: Vineland, Film, and the Tragedy of the American Activism of the Nineteen-Sixties
Gazi, J. 2016. Pynchon’s Nineteen Eighty-Four: Vineland, Film, and the Tragedy of the American Activism of the Nineteen-Sixties. Journal for the Study of Radicalism. 10 (1), pp. 27-62. https://doi.org/10.14321/jstudradi.10.1.0027

Mapping the Metaphysics of the Multiverse in Pynchon's Against the Day
Gazi, J. 2016. Mapping the Metaphysics of the Multiverse in Pynchon's Against the Day. Critique: Studies in Contemporary Fiction. 57 (1), pp. 80-93. https://doi.org/10.1080/00111619.2015.1019404

“Redeeming Kracauer’s Theory of Film: An Examination of the Importance of Material Aesthetics”
Gazi, J. 2016. “Redeeming Kracauer’s Theory of Film: An Examination of the Importance of Material Aesthetics”. SubStance. 45 (1), pp. 66-80.

"Race in the Age of Tribeless Youth Culture: Rick Famuyiwa’s Dope (2015) and Post-Racial Ideology"
Gazi, J. 2016. "Race in the Age of Tribeless Youth Culture: Rick Famuyiwa’s Dope (2015) and Post-Racial Ideology". LiFTS Seminar . University of Essex 18 Oct 2016

“Childhood as Memory and Desire in Gaspar Noe’s Enter the Void”
Gazi, J. 2015. “Childhood as Memory and Desire in Gaspar Noe’s Enter the Void”. 22nd Biennial Congress of International Research Society for Children’s Literature. University of Worcester 12 Aug 2015

“‘What else can a Poor Boy do, except to Sing for a Rock ‘n’ Roll Band?’ Sixties Radicalism and the Stones on Film”
Gazi, J. 2014. “‘What else can a Poor Boy do, except to Sing for a Rock ‘n’ Roll Band?’ Sixties Radicalism and the Stones on Film”. British Comparative Literature Association Postgraduate Conference: Revolution & Evolution. University of Essex 11 Jul 2014

“Pynchon’s Nineteen Eighty-Four: Vineland, Film, and Social Control”
Gazi, J. 2013. “Pynchon’s Nineteen Eighty-Four: Vineland, Film, and Social Control”. International Pynchon Week 2013. Durham University 05 - 09 Aug 2013

“Deleuze, Bergson, and the Metaphysics of Film”
Gazi, J. 2013. “Deleuze, Bergson, and the Metaphysics of Film”. Stretching the Screen: 15th Annual SFSU Cinema Conference. San Francisco State University 18 - 19 Oct 2013

Permalink - https://westminsterresearch.westminster.ac.uk/item/v91xq/-on-deleuze-and-guattari-s-italian-wedding-fake-book-pynchon-improvisation-social-organisation-and-assemblage


Share this

Usage statistics

139 total views
51 total downloads
These values cover views and downloads from WestminsterResearch and are for the period from September 2nd 2018, when this repository was created.