“Childhood as Memory and Desire in Gaspar Noe’s Enter the Void”

Psychedelic soldiers and tragic surfers: John Milius’ “Apocalypse Now” (1969)
Gazi, J. 2022. Psychedelic soldiers and tragic surfers: John Milius’ “Apocalypse Now” (1969). Jump Cut: A Review of Contemporary Media. 61 (Fall 2022).

Gliding the Digital Plane: Narrativizing our Navigation of Contemporary Cyberspace
Gazi, J. and Gazi, J. 2022. Gliding the Digital Plane: Narrativizing our Navigation of Contemporary Cyberspace. 6th International Society for Intermedial Studies Conference. Trinity College Dublin 02 - 04 Sep 2022 Trinity College Dublin.

Unknown Soldiers: An analysis of John Milius’ Apocalypse Now (1969) and the autonomy of the screenplay
Gazi, J. 2022. Unknown Soldiers: An analysis of John Milius’ Apocalypse Now (1969) and the autonomy of the screenplay. Unmade, unseen, and unreleased: Shadow Histories of Cinema and Television. Sheffield Hallam University, UK 23 - 24 May 2022

The critical surf studies reader
Jeeshan Gazi 2021. The critical surf studies reader. National Identities . 23 (2), pp. 210-212. https://doi.org/10.1080/14608944.2020.1761003

"Realism and (Final) Fantasy: On HD Remakes of Early 3D Console Titles"
Gazi, J. 2019. "Realism and (Final) Fantasy: On HD Remakes of Early 3D Console Titles". Cantebury Anifest 2019 - The Interactive Animation and Video Games Symposium. Canterbury Christ Church University 08 2019 - 08 Mar 2109

Soiveillance: Self-Consciousness and the Social Network in Hideaki Anno’s Love & Pop
Gazi, Jeeshan 2018. Soiveillance: Self-Consciousness and the Social Network in Hideaki Anno’s Love & Pop. Surveillance & Society. 16 (1), pp. 84-111. https://doi.org/10.24908/ss.v16i1.6434

Race in the age of tribeless youth culture: Rick Famuyiwa’s Dope (2015) and recent shifts in African-American pop culture
Gazi, J. 2017. Race in the age of tribeless youth culture: Rick Famuyiwa’s Dope (2015) and recent shifts in African-American pop culture. Journal of Aesthetics & Culture. 9 (1) 1404891. https://doi.org/10.1080/20004214.2017.1404891

"Blinking and Thinking: The Embodied Perceptions of Presence and Remembrance in Gaspar Noe’s Enter the Void"
Gazi, J. 2017. "Blinking and Thinking: The Embodied Perceptions of Presence and Remembrance in Gaspar Noe’s Enter the Void". Film Criticism. 41 (1). https://doi.org/10.3998/fc.13761232.0041.101

"De/facing Race: Towards a Model for a Universal World Comics"
Gazi, J. 2017. "De/facing Race: Towards a Model for a Universal World Comics". Journal of Graphic Novels and Comics. 8 (2), pp. 119-138. https://doi.org/10.1080/21504857.2016.1247371

Pynchon’s Nineteen Eighty-Four: Vineland, Film, and the Tragedy of the American Activism of the Nineteen-Sixties
Gazi, J. 2016. Pynchon’s Nineteen Eighty-Four: Vineland, Film, and the Tragedy of the American Activism of the Nineteen-Sixties. Journal for the Study of Radicalism. 10 (1), pp. 27-62. https://doi.org/10.14321/jstudradi.10.1.0027

Mapping the Metaphysics of the Multiverse in Pynchon's Against the Day
Gazi, J. 2016. Mapping the Metaphysics of the Multiverse in Pynchon's Against the Day. Critique: Studies in Contemporary Fiction. 57 (1), pp. 80-93. https://doi.org/10.1080/00111619.2015.1019404

“Redeeming Kracauer’s Theory of Film: An Examination of the Importance of Material Aesthetics”
Gazi, J. 2016. “Redeeming Kracauer’s Theory of Film: An Examination of the Importance of Material Aesthetics”. SubStance. 45 (1), pp. 66-80.

"Race in the Age of Tribeless Youth Culture: Rick Famuyiwa’s Dope (2015) and Post-Racial Ideology"
Gazi, J. 2016. "Race in the Age of Tribeless Youth Culture: Rick Famuyiwa’s Dope (2015) and Post-Racial Ideology". LiFTS Seminar . University of Essex 18 Oct 2016

“On Deleuze and Guattari’s Italian Wedding Fake Book: Pynchon, Improvisation, Social Organisation, and Assemblage”
Gazi, J. 2016. “On Deleuze and Guattari’s Italian Wedding Fake Book: Pynchon, Improvisation, Social Organisation, and Assemblage”. Orbit: A Journal of American Literature. 4 (2). https://doi.org/10.16995/orbit.192

“‘What else can a Poor Boy do, except to Sing for a Rock ‘n’ Roll Band?’ Sixties Radicalism and the Stones on Film”
Gazi, J. 2014. “‘What else can a Poor Boy do, except to Sing for a Rock ‘n’ Roll Band?’ Sixties Radicalism and the Stones on Film”. British Comparative Literature Association Postgraduate Conference: Revolution & Evolution. University of Essex 11 Jul 2014

“Pynchon’s Nineteen Eighty-Four: Vineland, Film, and Social Control”
Gazi, J. 2013. “Pynchon’s Nineteen Eighty-Four: Vineland, Film, and Social Control”. International Pynchon Week 2013. Durham University 05 - 09 Aug 2013

“Deleuze, Bergson, and the Metaphysics of Film”
Gazi, J. 2013. “Deleuze, Bergson, and the Metaphysics of Film”. Stretching the Screen: 15th Annual SFSU Cinema Conference. San Francisco State University 18 - 19 Oct 2013