"Blinking and Thinking: The Embodied Perceptions of Presence and Remembrance in Gaspar Noe’s Enter the Void"

Gazi, J. 2017. "Blinking and Thinking: The Embodied Perceptions of Presence and Remembrance in Gaspar Noe’s Enter the Void". Film Criticism. 41 (1). https://doi.org/10.3998/fc.13761232.0041.101

Title"Blinking and Thinking: The Embodied Perceptions of Presence and Remembrance in Gaspar Noe’s Enter the Void"
TypeJournal article
AuthorsGazi, J.
Abstract

This article examines significant innovations in the visual communication of subjectivity as found in Gaspar Noe’s Enter the Void (2009). Through its mimesis of natural perception, Noe’s first person point of view camera is truly subjectivized, and this embodiment passes into the active remembrance of the film’s subsequent flashback sequence.

JournalFilm Criticism
Journal citation41 (1)
ISSN0163-5069
2471-4364
Year2017
PublisherMichigan Publishing
Publisher's version
License
CC BY 3.0
File Access Level
Open (open metadata and files)
Digital Object Identifier (DOI)https://doi.org/10.3998/fc.13761232.0041.101
Web address (URL)http://dx.doi.org/10.3998/fc.13761232.0041.101
Publication dates
Published10 Mar 2017

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