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2023
‘Searching for the lost home in the labyrinth: Set design in Tinker Tailor Soldier Spy’, Barnwell, J. 2023. ‘Searching for the lost home in the labyrinth: Set design in Tinker Tailor Soldier Spy’,. in: Histories, Adaptations and Legacies of Tinker, Tailor, Soldier, Spy New York Routledge.
2022
The Hero’s Journey: The Quest for Home in Paddington 2 (2017, Dir. Paul King, PD Gary Williamson) Jane Barnwell 2022. The Hero’s Journey: The Quest for Home in Paddington 2 (2017, Dir. Paul King, PD Gary Williamson). in: Production Design & the Cinematic Home Springer Nature. pp. 151-170
2022
Finding Your Way Through the Maze: Navigating the Public and Private Spaces of Downing Street in Darkest Hour (2017 Joe Wright, PD Sarah Greenwood) Jane Barnwell 2022. Finding Your Way Through the Maze: Navigating the Public and Private Spaces of Downing Street in Darkest Hour (2017 Joe Wright, PD Sarah Greenwood). in: Production Design & the Cinematic Home Springer Nature. pp. 129-150
2022
Secret Homes: How Are the Themes of Espionage Reflected in the Construction of Home in Tinker Tailor Soldier Spy (2011, Tomas Alfredson, PD Maria Djurkovic)? Jane Barnwell 2022. Secret Homes: How Are the Themes of Espionage Reflected in the Construction of Home in Tinker Tailor Soldier Spy (2011, Tomas Alfredson, PD Maria Djurkovic)? in: Production Design & the Cinematic Home Springer Nature. pp. 111-128
2022
Bridget Jones’s Diary (2001, Sharon Maguire, PD Gemma Jackson): A Wild Unconventional Space Bursting with Potential Jane Barnwell 2022. Bridget Jones’s Diary (2001, Sharon Maguire, PD Gemma Jackson): A Wild Unconventional Space Bursting with Potential. in: Production Design & the Cinematic Home Springer Nature. pp. 89-110
2022
Returning Home: How the Byers’ Home in Stranger Things (2016—Duffer Brothers, PD Chris Trujillo) Reflects Narrative and Character Interior Landscape Jane Barnwell 2022. Returning Home: How the Byers’ Home in Stranger Things (2016—Duffer Brothers, PD Chris Trujillo) Reflects Narrative and Character Interior Landscape. in: Production Design & the Cinematic Home Springer Nature. pp. 67-87
2022
Vertical Hierarchy and the Home in Parasite (2019, Dir. Bong Joon Ho, PD Lee Ha-Jun) Jane Barnwell 2022. Vertical Hierarchy and the Home in Parasite (2019, Dir. Bong Joon Ho, PD Lee Ha-Jun). in: Production Design & the Cinematic Home Springer Nature. pp. 23-44
2022
Racial Prejudice, the Ghosts of Colonialism and Spatial Segregation in Get Out (2017, Jordan Peele, PD Rusty Smith) Jane Barnwell 2022. Racial Prejudice, the Ghosts of Colonialism and Spatial Segregation in Get Out (2017, Jordan Peele, PD Rusty Smith). in: Production Design & the Cinematic Home Springer Nature. pp. 45-65
2020
How does the design of the Byers’ home in Stranger Things (2016-2019 Netflix) reflect notions of nostalgia for a particular space in time? Barnwell, J. 2020. How does the design of the Byers’ home in Stranger Things (2016-2019 Netflix) reflect notions of nostalgia for a particular space in time? in: Investigating Stranger Things: Upside Down in the World of Mainstream Cult Entertainment London Palgrave Macmillan.
2020
How Does the Design of the Prison in Paddington 2 (2017) Convey Character, Story and Visual Concept? Barnwell, J. 2020. How Does the Design of the Prison in Paddington 2 (2017) Convey Character, Story and Visual Concept? in: Harmes, M., Harmes, M. and Harmes, B. (ed.) The Palgrave Handbook of Incarceration in Popular Culture Australia Palgrave Macmillan. pp. 223-242 Other (Non-text)
2012
Axed Barnwell, J. 2012. Axed. Book review
2011
British Film Design: A History, Laurie Ede Barnwell, J. 2011. British Film Design: A History, Laurie Ede . Historical Journal of Film, Radio and Television. 31 (3), pp. 419-421. https://doi.org/10.1080/01439685.2011.597997
