Skip to content Outputs by Type Journal article
2024
The Tragedy of the Knight of Faith Sticchi, Francesco and Angeli, Silvia 2024. The Tragedy of the Knight of Faith. Film and Philosophy. 28, pp. 91-110. https://doi.org/10.5840/filmphil202382124
2023
Confirmations That Were Not Meant to Be: Religion, Violence and the Female Body in Un poison violent (2010), Corpo celeste (2011), and Kreuzweg (2014) Angeli, S. and Quaranta, C. 2023. Confirmations That Were Not Meant to Be: Religion, Violence and the Female Body in Un poison violent (2010), Corpo celeste (2011), and Kreuzweg (2014). Studies in European Cinema. 20 (1), pp. 20-35. https://doi.org/10.1080/17411548.2021.1921931
2022
The Ultimate Freedom? Suicide as ‘Exit Strategy’ in Marco Bellocchio’s Il regista di matrimoni (2006) and Sorelle Mai (2010) Angeli, S. 2022. The Ultimate Freedom? Suicide as ‘Exit Strategy’ in Marco Bellocchio’s Il regista di matrimoni (2006) and Sorelle Mai (2010). The Italianist. 42 (2), pp. 229-245. https://doi.org/10.1080/02614340.2021.2010020
2021
Olmi and Pasolini: Industrialisation, the underdog and ‘ecological eschatology’ in Manon finestra 2 (1956) and Grigio (1957) Angeli, S. 2021. Olmi and Pasolini: Industrialisation, the underdog and ‘ecological eschatology’ in Manon finestra 2 (1956) and Grigio (1957). Forum Italicum: A Journal of Italian Studies. 55 (3), pp. 850-864. https://doi.org/10.1177/00145858211025486
2021
‘A polyphonic tale’: Arendt, Cavarero and storytelling in Sarah Polley’s Stories We Tell (2012) Angeli, S. 2021. ‘A polyphonic tale’: Arendt, Cavarero and storytelling in Sarah Polley’s Stories We Tell (2012). Empedocles: European Journal for the Philosophy of Communication. 12 (1), pp. 75-89. https://doi.org/10.1386/ejpc_00029_1
2021
A Miraculous Materialism: Lines of Flight in We Have a Pope and Corpo Celeste Angeli, S. 2021. A Miraculous Materialism: Lines of Flight in We Have a Pope and Corpo Celeste. Film-Philosophy. 25 (1), pp. 1-17. https://doi.org/10.3366/film.2021.0154
2020
From the margins: Alice Rohrwacher’s liminal adolescents Angeli, S. 2020. From the margins: Alice Rohrwacher’s liminal adolescents. Journal of Italian Cinema & Media Studies. 8 (3), pp. 339-356. https://doi.org/10.1386/jicms_00026_1
2018
Caught in between: Profanation and Re-Sacralization in Marco Bellocchio’s Nel nome del padre (1971) Angeli, S. 2018. Caught in between: Profanation and Re-Sacralization in Marco Bellocchio’s Nel nome del padre (1971). Religions. 9 (9) 252. https://doi.org/10.3390/rel9090252
2017
Still Banned After All These Years- Retracing the Journey of Cavani’s ‘Revolutionary’ Galileo (1968) Angeli, S. 2017. Still Banned After All These Years- Retracing the Journey of Cavani’s ‘Revolutionary’ Galileo (1968). Journal of Religion & Film. 21 (2) 16.
2017
An unfinished mourning: Kenneth Lonergan’s Manchester by the Sea (2016) Angeli, S. 2017. An unfinished mourning: Kenneth Lonergan’s Manchester by the Sea (2016). New Cinemas: Journal of Contemporary Film. 15 (2), pp. 141-155. https://doi.org/10.1386/ncin.15.2.141_1
