Prof Gregory Sporton

Prof Gregory Sporton

2015

Digital Creativity: Something From Nothing
Sporton, G. 2015. Digital Creativity: Something From Nothing. London Palgrave Macmillan.

2023

Models of knowledge
Sporton, G. 2023. Models of knowledge. Scene. 11 (1&2), pp. 77-86. https://doi.org/10.1386/scene_00053_1

2018

Ballet and the Soviet body
Sporton, G. 2018. Ballet and the Soviet body. Scene. 6 (2), pp. 153-164. https://doi.org/10.1386/scene_00015_1

2018

What constitutes the arts?
Gregory Sporton 2018. What constitutes the arts? Scene. 6 (2), pp. 103-105. https://doi.org/10.1386/scene_00011_2

2018

The Life of a Dance: Double Take Part II
Sporton, Gregory 2018. The Life of a Dance: Double Take Part II. Proceedings from the Document Academy. 5 (1). https://doi.org/10.35492/docam/5/1/9

2017

The body and the intellectual
Gregory Sporton 2017. The body and the intellectual. Scene. 5 (2), pp. 115-126. https://doi.org/10.1386/scene.5.2.115_1

2013

Reviews: Eugene Onegin, Playing Cards 1, In the Beginning was the End
Sporton, Gregory 2013. Reviews: Eugene Onegin, Playing Cards 1, In the Beginning was the End. Scene. 1 (2), pp. 313 - 319. https://doi.org/10.1386/scene.1.2.313_5

2012

The conservative revolution: the Bolshoi archives
Gregory Sporton 2012. The conservative revolution: the Bolshoi archives. Scene. 1 (1), pp. 85-98. https://doi.org/10.1386/scene.1.1.85_1

2010

Natural selection and the audition process: Dance science in context. Monaco Dance Forum/Association Danse Médecine Recherche Colloquium, Monaco, 1-4 April 2010
Sporton, Gregory 2010. Natural selection and the audition process: Dance science in context. Monaco Dance Forum/Association Danse Médecine Recherche Colloquium, Monaco, 1-4 April 2010. Research in Dance Education. 11 (2), pp. 139-142. https://doi.org/10.1080/14647893.2010.488291

2009

The “e” Prefix: e-Science, e-Art & the New Creativity
Sporton, Gregory 2009. The “e” Prefix: e-Science, e-Art & the New Creativity. Digital Humanities Quarterly. 3 (4).

2008

The Ballet Called ‘Siegfried’: the Enigmatic Prince of Swan Lake
Sporton, Gregory 2008. The Ballet Called ‘Siegfried’: the Enigmatic Prince of Swan Lake. New Theatre Quarterly. 24 (3), pp. 281 - 293. https://doi.org/10.1017/s0266464x0800033x

2006

Capturing the Space Doppëlganger @ the New Art Gallery Walsall
Sporton, Gregory 2006. Capturing the Space Doppëlganger @ the New Art Gallery Walsall. Body, Space & Technology. 6 (1). https://doi.org/10.16995/bst.181

2006

Power as nostalgia: the Bolshoi Ballet in the New Russia
Sporton, Gregory 2006. Power as nostalgia: the Bolshoi Ballet in the New Russia. New Theatre Quarterly. 22 (4), pp. 379 - 386. https://doi.org/10.1017/s0266464x0600056x

2004

Dance culture and statuary politics: Chiang Kai-Shek and the myth of primitivism
Sporton, Gregory 2004. Dance culture and statuary politics: Chiang Kai-Shek and the myth of primitivism. New Theatre Quarterly. 20 (3), pp. 280 - 285. https://doi.org/10.1017/s0266464x04000168

2004

Dance as Cultural Understanding: Ideas, Policy, and Practice
Sporton, G. 2004. Dance as Cultural Understanding: Ideas, Policy, and Practice. Dance Research Journal. 36 (2), pp. 80-90. https://doi.org/10.2307/20444593

2017

Double Take Live Performance
Sporton, G. 2017. Double Take Live Performance. London

2022

Focussing on the Critical: Film Pedagogy in the Modern University
Sporton, G. and Allen, E. 2022. Focussing on the Critical: Film Pedagogy in the Modern University. 3rd Kyoto Conference on Arts, Media and Culture (KAMC2022). Kyoto, Japan, and online 17 - 20 Oct 2022 International Academic Forum. https://doi.org//10.22492/issn.2436-0503.2022.15

2018

Double Take: Looking Back at Yourself...
Sporton, G., Sandra Norman, Janet Tovey and Andrew Knight-Hill 2018. Double Take: Looking Back at Yourself... Digital Research in Arts and Humanities. Spazju Kreattiv Castille Place, Valletta, VLT 1060 Malta 09 - 12 Sep 2018

2017

The Life of a Dance: Double Take, Part II
Sporton, G. 2017. The Life of a Dance: Double Take, Part II. DocPerform2: Documenting Performance. City University, London 06 - 07 Nov 2017 IdeaExchange@UAkron.

2010

Creative identity theft: issues for artists in collaborative online environments
Sporton, Gregory 2010. Creative identity theft: issues for artists in collaborative online environments. Electronic Visualisation and the Arts (EVA 2010) (EVA). London, UK 05 - 07 Jul 2010 BCS Learning and Development Ltd. https://doi.org/10.14236/ewic/eva2010.26

2020

Reviews for Scene 2015-
Sporton, G. 2020. Reviews for Scene 2015-. Intellect.

2018

Double Take: A Second Look at a Dance
Sporton, G., Sandra Norman, Janet Tovey and Andrew Knight-Hill 2018. Double Take: A Second Look at a Dance.

2023

Review: Medea, Dominic Cooke (dir.) (2023), Robinson Jeffers After Euripides, Soho Place Theatre, London, 16 March 2023
Sporton, G. 2023. Review: Medea, Dominic Cooke (dir.) (2023), Robinson Jeffers After Euripides, Soho Place Theatre, London, 16 March 2023. Scene. 11 (1-2), pp. 99-101. https://doi.org/10.1386/scene_00055_5

2023

Review: The Red Shoes, M. Powell and E. Pressburger (dirs) (2023), 75th Anniversary Release, UK: Archers BFI Southbank, London, 29 November 2023
Sporton, G. 2023. Review: The Red Shoes, M. Powell and E. Pressburger (dirs) (2023), 75th Anniversary Release, UK: Archers BFI Southbank, London, 29 November 2023. Scene. 11 (1-2), pp. 106-110. https://doi.org/10.1386/scene_00057_5

2023

Review: 7 Deaths of Maria Callas, Marina Abramović (dir.) (2023) English National Opera, 8 November 2023
Sporton, G. 2023. Review: 7 Deaths of Maria Callas, Marina Abramović (dir.) (2023) English National Opera, 8 November 2023. Scene. 11 (1-2), pp. 102-105. https://doi.org/10.1386/scene_00057_5

2022

Review: Dance, Lucinda Childs
Gregory Sporton 2022. Review: Dance, Lucinda Childs. Scene. 10 (Issue Performance in the Pandemic), pp. 145-147. https://doi.org/10.1386/scene_00047_5

2022

Review: Don Pasquale, Opera by Gaetano Donizetti, Damiano Michieletto (dir.)
Gregory Sporton 2022. Review: Don Pasquale, Opera by Gaetano Donizetti, Damiano Michieletto (dir.). Scene. 10 (Issue Performance in the Pandemic), pp. 141-144. https://doi.org/10.1386/scene_00046_5

2019

Reviews: Bolshoi 'Bright Stream', ENB 'Giselle', Review of 'Agency: A Partial History of Live Art'.
Sporton, G. 2019. Reviews: Bolshoi 'Bright Stream', ENB 'Giselle', Review of 'Agency: A Partial History of Live Art'. Scene. 7 (1&2), pp. 87-94. https://doi.org/10.1386/scene_00009_5

2018

Reviews: ENO's Luisa Miller/ Pure Dance, Natalia Osipova
Sporton, G. 2018. Reviews: ENO's Luisa Miller/ Pure Dance, Natalia Osipova. Scene. 6 (2), pp. 177-182. https://doi.org/10.1386/scene_00017_5

2018

Reviews: Life and Fate, Life is a Dream, New Work/New Music
Gregory Sporton 2018. Reviews: Life and Fate, Life is a Dream, New Work/New Music. Scene. 6 (1), pp. 91-97. https://doi.org/10.1386/scene.6.1.91_5

2017

Reviews: The Nose, The Red Shoes, Les Enfants Terrible
Sporton, G. 2017. Reviews: The Nose, The Red Shoes, Les Enfants Terrible. Scene. 5 (1), pp. 83-88. https://doi.org/10.1386/scene.5.1.83_5

2017

Review: Michael Clark Company
Sporton, G. 2017. Review: Michael Clark Company. Scene. 5 (2), pp. 139-140. https://doi.org/10.1386/scene.5.2.139_5

2016

Reviews: Swan Lake, Swan Lake, Trinity
Sporton, G. 2016. Reviews: Swan Lake, Swan Lake, Trinity. Scene. 4 (2), pp. 173-178. https://doi.org/10.1386/scene.4.2.173_5

2016

Review: Dark Circus, Stereoptik
Gregory Sporton 2016. Review: Dark Circus, Stereoptik. Scene. 4 (1), pp. 89-90. https://doi.org/10.1386/scene.4.1.89_5

2015

Review: Cirkopolis
Sporton, G. 2015. Review: Cirkopolis. Scene. 3 (1 & 2), pp. 149-155. https://doi.org/10.1386/scene.3.1-2.149_5

2013

Reviews, Scene Vol 1 No 3
Gregory Sporton, Simonian Bean, Nicola Donovan and Iryna Kuksa 2013. Reviews, Scene Vol 1 No 3. Scene. 1 (3), pp. 457-473. https://doi.org/10.1386/scene.1.3.457_5

2009

In the Service of the State
Sporton, Gregory 2009. In the Service of the State. The International Journal of the Arts in Society: Annual Review. 3 (6), pp. 27-36. https://doi.org/10.18848/1833-1866/cgp/v03i06/35535

2014

Book Review: Swans of the Kremlin: Ballet and Power in the Soviet Russia
Sporton, G. 2014. Book Review: Swans of the Kremlin: Ballet and Power in the Soviet Russia. The Soviet and Post Soviet Review. 41 (1), pp. 105-108. https://doi.org/https://doi.org/10.1163/18763324-04101010

2023

Artistic research: Methods that work
Gregory Sporton and Natalie Álvarez 2023. Artistic research: Methods that work. Scene. 11 (1-2), pp. 3-6. https://doi.org/10.1386/scene_00062_2

2022

Performance in the Pandemic
Sporton, G. 2022. Performance in the Pandemic. Scene. 10 (1&2).

2022

Performance in the Pandemic
Sporton, G. 2022. Performance in the Pandemic. Scene. 10 (1-2), pp. 3-6. https://doi.org/10.1386/scene_00043_2

Motion Capture Apparatus
Sporton, G. Forthcoming. Motion Capture Apparatus. 13145754

2011

The Watertower: Gaming for Heritage
Sporton, Gregory 2011. The Watertower: Gaming for Heritage. in: Museums at Play: Games, Interaction and Learning MuseumsEtc.

2009

The active audience: The network as a performance environment
Sporton, Gregory 2009. The active audience: The network as a performance environment. in: Modes of Spectating Intellect Books and Orient Blackswan. pp. 61-72

2009

Design as action: Jean cocteau and the ballets russes
Sporton, Gregory 2009. Design as action: Jean cocteau and the ballets russes. in: Directors and Designers University of Chicago Press. pp. 230-240


Usage Statistics
2495 total views of outputs
1177 total downloads of outputs
These values cover views and downloads from WestminsterResearch and are for the period from September 2nd 2018, when this repository was created.