Skip to content Outputs by Type Book chapter
2026
Disarming the Knight-Errant: Remaking Wuxia in My Own Swordsman How Wee Ng 2026. Disarming the Knight-Errant: Remaking Wuxia in My Own Swordsman. in: How Wee Ng (ed.) The Chinese Censorship Discourse on Television Dramas: Worrying about the Audience in Postsocialist China Routledge.
2026
The Bane of Chinese Civilisation: Pruning Gangtai Dramas and Meteor Garden How Wee Ng 2026. The Bane of Chinese Civilisation: Pruning Gangtai Dramas and Meteor Garden. in: How Wee Ng (ed.) The Chinese Censorship Discourse on Television Dramas: Worrying about the Audience in Postsocialist China Routledge.
2026
The Tremulous Hand Lifting Spirits: Contending Tongsu and Vulgarisation in Yearnings How Wee Ng 2026. The Tremulous Hand Lifting Spirits: Contending Tongsu and Vulgarisation in Yearnings. in: How Wee Ng (ed.) The Chinese Censorship Discourse on Television Dramas: Worrying about the Audience in Postsocialist China Routledge.
2026
When Is China: Playing with History in Tales of Qianlong and Towards the Republic How Wee Ng 2026. When Is China: Playing with History in Tales of Qianlong and Towards the Republic. in: How Wee Ng (ed.) The Chinese Censorship Discourse on Television Dramas: Worrying about the Audience in Postsocialist China Routledge.
2026
Who's Afraid of the Big Bad Youth: Disciplining Foreign Influences in Garrison's Gorillas How Wee Ng 2026. Who's Afraid of the Big Bad Youth: Disciplining Foreign Influences in Garrison's Gorillas. in: How Wee Ng (ed.) The Chinese Censorship Discourse on Television Dramas: Worrying about the Audience in Postsocialist China Routledge.
2026
Historical Context: Worrying about the Television Audience in Postsocialist China How Wee Ng 2026. Historical Context: Worrying about the Television Audience in Postsocialist China. in: How Wee Ng (ed.) The Chinese Censorship Discourse on Television Dramas: Worrying about the Audience in Postsocialist China Routledge.
2026
Introduction: Rethinking Censorship as Discourse, Articulatory Practices, Performance, and Dialogic How Wee Ng 2026. Introduction: Rethinking Censorship as Discourse, Articulatory Practices, Performance, and Dialogic. in: How Wee Ng (ed.) The Chinese Censorship Discourse on Television Dramas: Worrying about the Audience in Postsocialist China Routledge.
2024
Queer Singapore Chinese Theatre: Staging Homosexuality, AIDS and Familial Acceptance Ng, H. 2024. Queer Singapore Chinese Theatre: Staging Homosexuality, AIDS and Familial Acceptance. in: Queer Literature in the Sinosphere London Bloomsbury Academic. pp. 221-243
2024
Working-class Masculinities in Postsocialist Chinese Television: Mediating (Im)potency and Reproducing Transnational and Localised Inequalities Ng, H. 2024. Working-class Masculinities in Postsocialist Chinese Television: Mediating (Im)potency and Reproducing Transnational and Localised Inequalities. in: Border Masculinities in Literary and Visual Cultures London Palgrave Macmillan.
2022
Articulating Silences around Death in Both Sides, Now: Medical Professionals Grappling with Grief Ng, H. 2022. Articulating Silences around Death in Both Sides, Now: Medical Professionals Grappling with Grief. in: Rajendran, C. and Gough, R. (ed.) Changing Places: Drama Box and the Politics of Space Aberystwyth Performance Research. pp. 164-174
2022
Mainstream Theatre Ng, H. 2022. Mainstream Theatre. in: Drama Box: 30 Keywords Singapore Drama Box. pp. 48-55
2022
Multilingual Ng, H. 2022. Multilingual. in: Drama Box: 30 Keywords Singapore Drama Box. pp. 98-105
2021
Dialectics as Creative Process and Decentring China: Zuni Icosahedron and Drama Box’s One Hundred Years of Solitude 10.0: Cultural Revolution Ng, H. 2021. Dialectics as Creative Process and Decentring China: Zuni Icosahedron and Drama Box’s One Hundred Years of Solitude 10.0: Cultural Revolution. in: Asian City Crossings: Pathways of Performance through Hong Kong and Singapore London Routledge.
2015
Rethinking Censorship in China: The Case of "Snail House (Woju)" Ng, H. 2015. Rethinking Censorship in China: The Case of "Snail House (Woju)". in: Bai, R. and Song, G. (ed.) Chinese Television in the Twenty–First Century: Entertaining the Nation Routledge. pp. 87-103 Journal article
2025
Decolonising China on screen: curating cinemas of the Sinosphere for the university classroom How Wee Ng 2025. Decolonising China on screen: curating cinemas of the Sinosphere for the university classroom. Media Practice and Education. Advanced online publication. https://doi.org/10.1080/25741136.2025.2600057
2020
Drawing from Grotowski and Beyond: Kuo Pao Kun’s Discourse on Audiences in Singapore in the 1980s Ng, H. 2020. Drawing from Grotowski and Beyond: Kuo Pao Kun’s Discourse on Audiences in Singapore in the 1980s. Inter-Asia Cultural Studies. 21 (2), pp. 238-250. https://doi.org/10.1080/14649373.2020.1759879
2020
K. Rajagopal on making films for and on the ethnic minority in Singapore Ng, H. 2020. K. Rajagopal on making films for and on the ethnic minority in Singapore. Asian Cinema. 31 (1), pp. 139-142. https://doi.org/10.1386/ac_00019_7
2020
Boo Junfeng on funding, festivals and Chinese privilege Ng, H. 2020. Boo Junfeng on funding, festivals and Chinese privilege. Asian Cinema. 31 (1), pp. 131-137. https://doi.org/10.1386/ac_00018_7
2020
Taipei Golden Horse film awards and Singapore cinema: Prestige, privilege and disarticulation Ng, H. 2020. Taipei Golden Horse film awards and Singapore cinema: Prestige, privilege and disarticulation. Asian Cinema. 31 (1), pp. 99-122. https://doi.org/10.1386/ac_00015_1
2019
The Liminality of Decolonization, De-Cold War and Deimperialization: Boal’s Newspaper Theater and East Asian Popular Culture as Method in Drama Box’s Community Commedia Dell’Arte News Busters! Ng, H.W. 2019. The Liminality of Decolonization, De-Cold War and Deimperialization: Boal’s Newspaper Theater and East Asian Popular Culture as Method in Drama Box’s Community Commedia Dell’Arte News Busters! Router: A Journal of Cultural Studies. (29), pp. 123-160. https://doi.org/10.6752/JCS.201906_(28).0002
