Imagining Her(story): Engendering archives

Like Gold Dust (2019) (selection) in the exhibition Intersectional Geographies
Kempadoo, Roshini 2022. Like Gold Dust (2019) (selection) in the exhibition Intersectional Geographies. Bristol 27 Jan - 03 Apr 2022

28. Being Woke
Kempadoo, Roshini 2022. 28. Being Woke. in: Women and Migration(s) II OpenBook Publishers. pp. 203–210

Itinerant Imaginaries: Seminar series published online
Kempadoo, Roshini 2021. Itinerant Imaginaries: Seminar series published online. British Art Network.

Ghosting (2004) in Life Between Islands: Caribbean-British Art 1950s – Now
Kempadoo, Roshini 2021. Ghosting (2004) in Life Between Islands: Caribbean-British Art 1950s – Now . Tate Britain, London, United Kingdom 01 Dec 2021 - 03 Apr 2022

Ghosting (2004) in Fragments of Epic Memory
Kempadoo, Roshini 2021. Ghosting (2004) in Fragments of Epic Memory. Toronto, Ontario, Canada 01 Sep 2021 - 21 Feb 2022

Digital Media Practice as Critique: Roshini Kempadoo's Installations: Ghosting and Endless Prospects
Kempadoo, Roshini 2021. Digital Media Practice as Critique: Roshini Kempadoo's Installations: Ghosting and Endless Prospects. in: Bailey, D.A. and Thompson, A. (ed.) Liberation Begins In The Imagination: Writings on Caribbean-British Art London Tate Publishing in partnership with International Curators Forum (ICF). pp. 280 - 286

Life Between Islands: Caribbean-British Art 1950s–Now exhibition book
Kempadoo, Roshini 2021. Life Between Islands: Caribbean-British Art 1950s–Now exhibition book. Tate Publishing.

Defining Women Subjects: Photographs in Trinidad (1860s – 1960s)
Kempadoo, Roshini 2021. Defining Women Subjects: Photographs in Trinidad (1860s – 1960s). in: Kempadoo, K. and Deshong, H. (ed.) Methodologies in Caribbean Research on Gender and Sexuality Kingston Ian Randle Publishers. pp. 351-369

Imagining Activism: Black, Gold, Dust
Kempadoo, Roshini 2021. Imagining Activism: Black, Gold, Dust. Kunstlicht. 42 (3/4), pp. 63-68.

Virtual Exiles (2000) and Mooove[s] (2020)
Kempadoo, R. 2020. Virtual Exiles (2000) and Mooove[s] (2020). Herbert Art Gallery & Museum, Coventry 13 Oct - 13 Dec 2020

Photobook Review: Maud Sulter: Passion
Kempadoo, R. 2020. Photobook Review: Maud Sulter: Passion. Aperture: the PhotoBook Review. 018.

Like Gold Dust (2019)
Kempadoo, R. 2019. Like Gold Dust (2019). San Antonio, Texas, USA 21 Mar - 20 May 2019

Urban Candy: Screens, Selfies and Imaginings
Kempadoo, R. 2019. Urban Candy: Screens, Selfies and Imaginings. in: Willis, Deborah, Toscano, Ellyn and Brooks Nelson, Kalia (ed.) Women and Migration: Responses in Art and History Cambridge, UK OpenBook Publishers. pp. 301 - 322

Creating Interference & Cream Screen event - Go Back and Get it: Seeking Sankofa, 28 June 2019
Asante, Barby and Kempadoo, Roshini 2018. Creating Interference & Cream Screen event - Go Back and Get it: Seeking Sankofa, 28 June 2019.

Roshini Kempadoo - Ghosting: INDIA - Contemporary Photographic and New Media Art
Kempadoo, Roshini 2018. Roshini Kempadoo - Ghosting: INDIA - Contemporary Photographic and New Media Art. Silver Street Studios, 2000 Edwards Street, Houston, USA TX 77007 10 Mar - 22 Apr 2018

Roshini Kempadoo - Ghosting Portfolio pages in the 2018 Fotofest Biennial Catalogue - INDIA: Contemporary Photographic and New Media Art
Kempadoo, Roshini 2018. Roshini Kempadoo - Ghosting Portfolio pages in the 2018 Fotofest Biennial Catalogue - INDIA: Contemporary Photographic and New Media Art. in: Gupta, S. and Evans, S. (ed.) INDIA: Contemporary Photographic and New Media Art Houston, USA and Amsterdam, The Netherlands Fotofest Inc. Houston and Schilt Publishing, Amsterdam.

Ghosting: Visualising a Caribbean. FotoFest's INDIA Symposium, 23/24 March 2018
Kempadoo, Roshini 2018. Ghosting: Visualising a Caribbean. FotoFest's INDIA Symposium, 23/24 March 2018. FotoFest's INDIA Symposium. Asia Society Texas Center, 1370 Southmore Blvd, Houston TX 77004 22 - 23 Mar 2018

Creating Interference Project (CIP) online
Kempadoo, Roshini 2018. Creating Interference Project (CIP) online. Creating Interference Project (CIP).

Troubling an Unjust Present: Kareem Mortimer’s Filmmaking ambition for The Bahamas
Kempadoo, Roshini 2017. Troubling an Unjust Present: Kareem Mortimer’s Filmmaking ambition for The Bahamas. Small Axe Net: Visualities.

After Indenture: Three Photo Stories Roshini Kempadoo; Sharlene Khan; Wendy Nanan
Kempadoo, R. 2017. After Indenture: Three Photo Stories Roshini Kempadoo; Sharlene Khan; Wendy Nanan. Duke University Press. https://doi.org/10.1215/07990537-4156846

Spectres in the Postcolonies: Reimagining Violence and Resistance
Kempadoo, R. 2016. Spectres in the Postcolonies: Reimagining Violence and Resistance. in: Bernier, C.M. and Durkin, H. (ed.) Visualising Slavery: Art Across the African Diaspora Liverpool Liverpool University Press. pp. 48-61

Creole in the Archive: Imagery, Presence and Location of the Caribbean Figure
Kempadoo, R. 2016. Creole in the Archive: Imagery, Presence and Location of the Caribbean Figure. London Rowman & Littlefield.

Face Up (2015)
Kempadoo, R. 2015. Face Up (2015). University of Westminster. https://doi.org/10.34737/qq895

Ghosts: Keith Piper/Roshini Kempadoo
Kempadoo, R. 2015. Ghosts: Keith Piper/Roshini Kempadoo.

Timings, Canon, and Art History
Kempadoo, R. 2015. Timings, Canon, and Art History. Small Axe: A Caribbean Journal of Criticism. 19 (2 47), pp. 167-176. https://doi.org/10.1215/07990537-3139298

Gazing Outwards and Looking Back: Configuring Caribbean Visual Culture
Kempadoo, R. 2013. Gazing Outwards and Looking Back: Configuring Caribbean Visual Culture. Small Axe: A Caribbean Journal of Criticism. 17 (2 (41)), pp. 136-153. https://doi.org/10.1215/07990537-2323364

Gazing Outwards and Looking Back: Configuring Caribbean Visual Culture
Kempadoo, R. 2013. Gazing Outwards and Looking Back: Configuring Caribbean Visual Culture. Small Axe: A Caribbean Journal of Criticism. 17 (2 41), pp. 136-153. https://doi.org/10.1215/07990537-2323364