A Speculative Approach to the Archive: Itinerant Imaginaries #3 : WestminsterResearch

Title	A Speculative Approach to the Archive: Itinerant Imaginaries #3
Creators	Kempadoo, R.
Description	A long table discussion (online/in person). This long discussion was conceived and convened by Roshini Kempadoo and Lola Olufemi. Using the speculative mode to explore four key themes: If we think against the weight of History and the temporality of sequential “events” that constitute it, how else would we engage with Narrative, Institutions, Historical Objects and Monuments under liberated material conditions? What happens if we think together beyond the limitations of indexing, taxonomy and classification that haunt archival practice? How would material appear, be understood and engaged with if culture were not held hostage by current collection practices, distinctions and audiences? Invited contributions were made by Françoise Vergès, Ego Ahaiwe Sowinski, Kaitlene Koranteng and Belinda Kazeem-Kamiński. https://cream.ac.uk/events/a-speculative-approach-to-the-archive/ https://creatinginterference.org/a-speculative-approach-to-the-archi...
Collaborators	Olufemi, O. (Conference organizer) and Kempadoo, R. (Conference organizer)
Date	27 Jun 2023
Files	Social media graphicsII#3EAS.jpg Social media graphicsII#3FV.jpg Social media graphicsII#3KK.jpg Social media graphicsII#BK.jpg File Access Level Open (open metadata and files)

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Kempadoo, R. 2023. Provoking Us to Change the World. NACLA Report on the Americas. 55 (3), pp. 327-331. https://doi.org/10.1080/10714839.2023.2247778

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Kempadoo, Roshini 2021. Itinerant Imaginaries: Seminar series published online. British Art Network.

Ghosting (2004) in Life Between Islands: Caribbean-British Art 1950s – Now
Kempadoo, Roshini 2021. Ghosting (2004) in Life Between Islands: Caribbean-British Art 1950s – Now . Tate Britain, London, United Kingdom 01 Dec 2021 - 03 Apr 2022

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Kempadoo, Roshini 2021. Digital Media Practice as Critique: Roshini Kempadoo's Installations: Ghosting and Endless Prospects. in: Bailey, D.A. and Thompson, A. (ed.) Liberation Begins In The Imagination: Writings on Caribbean-British Art London Tate Publishing in partnership with International Curators Forum (ICF). pp. 280 - 286

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Kempadoo, Roshini 2021. Life Between Islands: Caribbean-British Art 1950s–Now exhibition book. Tate Publishing.

Defining Women Subjects: Photographs in Trinidad (1860s – 1960s)
Kempadoo, Roshini 2021. Defining Women Subjects: Photographs in Trinidad (1860s – 1960s). in: Kempadoo, K. and Deshong, H. (ed.) Methodologies in Caribbean Research on Gender and Sexuality Kingston Ian Randle Publishers. pp. 351-369

Imagining Activism: Black, Gold, Dust
Kempadoo, Roshini 2021. Imagining Activism: Black, Gold, Dust. Kunstlicht. 42 (3/4), pp. 63-68.

Virtual Exiles (2000) and Mooove[s] (2020)
Kempadoo, R. 2020. Virtual Exiles (2000) and Mooove[s] (2020). Herbert Art Gallery & Museum, Coventry 13 Oct - 13 Dec 2020

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Like Gold Dust (2019)
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Creating Interference & Cream Screen event - Go Back and Get it: Seeking Sankofa, 28 June 2019
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Roshini Kempadoo - Ghosting: INDIA - Contemporary Photographic and New Media Art
Kempadoo, Roshini 2018. Roshini Kempadoo - Ghosting: INDIA - Contemporary Photographic and New Media Art. Silver Street Studios, 2000 Edwards Street, Houston, USA TX 77007 10 Mar - 22 Apr 2018

Roshini Kempadoo - Ghosting Portfolio pages in the 2018 Fotofest Biennial Catalogue - INDIA: Contemporary Photographic and New Media Art
Kempadoo, Roshini 2018. Roshini Kempadoo - Ghosting Portfolio pages in the 2018 Fotofest Biennial Catalogue - INDIA: Contemporary Photographic and New Media Art. in: Gupta, S. and Evans, S. (ed.) INDIA: Contemporary Photographic and New Media Art Houston, USA and Amsterdam, The Netherlands Fotofest Inc. Houston and Schilt Publishing, Amsterdam.

Ghosting: Visualising a Caribbean. FotoFest's INDIA Symposium, 23/24 March 2018
Kempadoo, Roshini 2018. Ghosting: Visualising a Caribbean. FotoFest's INDIA Symposium, 23/24 March 2018. FotoFest's INDIA Symposium. Asia Society Texas Center, 1370 Southmore Blvd, Houston TX 77004 22 - 23 Mar 2018

Creating Interference Project (CIP) online
Kempadoo, Roshini 2018. Creating Interference Project (CIP) online. Creating Interference Project (CIP).

Troubling an Unjust Present: Kareem Mortimer’s Filmmaking ambition for The Bahamas
Kempadoo, Roshini 2017. Troubling an Unjust Present: Kareem Mortimer’s Filmmaking ambition for The Bahamas. Small Axe Net: Visualities.

After Indenture: Three Photo Stories Roshini Kempadoo; Sharlene Khan; Wendy Nanan
Kempadoo, R. 2017. After Indenture: Three Photo Stories Roshini Kempadoo; Sharlene Khan; Wendy Nanan. Duke University Press. https://doi.org/10.1215/07990537-4156846

Spectres in the Postcolonies: Reimagining Violence and Resistance
Kempadoo, R. 2016. Spectres in the Postcolonies: Reimagining Violence and Resistance. in: Bernier, C.M. and Durkin, H. (ed.) Visualising Slavery: Art Across the African Diaspora Liverpool Liverpool University Press. pp. 48-61

Creole in the Archive: Imagery, Presence and Location of the Caribbean Figure
Kempadoo, R. 2016. Creole in the Archive: Imagery, Presence and Location of the Caribbean Figure. London Rowman & Littlefield.

Face Up (2015)
Kempadoo, R. 2015. Face Up (2015). University of Westminster. https://doi.org/10.34737/qq895

Ghosts: Keith Piper/Roshini Kempadoo
Kempadoo, R. 2015. Ghosts: Keith Piper/Roshini Kempadoo.

Timings, Canon, and Art History
Kempadoo, R. 2015. Timings, Canon, and Art History. Small Axe: A Caribbean Journal of Criticism. 19 (2 47), pp. 167-176. https://doi.org/10.1215/07990537-3139298

Gazing Outwards and Looking Back: Configuring Caribbean Visual Culture
Kempadoo, R. 2013. Gazing Outwards and Looking Back: Configuring Caribbean Visual Culture. Small Axe: A Caribbean Journal of Criticism. 17 (2 (41)), pp. 136-153. https://doi.org/10.1215/07990537-2323364

Imagining Her(story): Engendering archives
Kempadoo, R. 2013. Imagining Her(story): Engendering archives. in: Thornham, H. and Weissmann, E. (ed.) Renewing Feminisms: Radical Narratives, Fantasies and Futures in Media Studies London & New York I.B. Tauris. pp. 84-103

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A Speculative Approach to the Archive: Itinerant Imaginaries #3

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