Like Gold Dust (2019) (selection) in the exhibition Intersectional Geographies
Kempadoo, Roshini 2022. Like Gold Dust (2019) (selection) in the exhibition Intersectional Geographies. Bristol 27 Jan - 03 Apr 2022
| Creators | Kempadoo, Roshini |
|---|---|
| Collaborators | |
| Curator | Ennis Cole, Jacqueline |
| Description | In 2021 Martin Parr Foundation held an open call for a UK-based curator to present a photographic exhibition in the MPF gallery and Jacqueline Ennis Cole has been selected for her proposed group show, Intersectional Geographies. Intersectional Geographies brings together a diverse selection of photographers whose works address inclusion within society at a time of climate crisis, social distancing and human rights violations. Each photographer highlights a concern that resonates with them. Participating artists |
| Year | 27 Jan 2022 |
| Files | Image credit Roshini Kempadoo (2019) Like Gold Dust Rights Courtesy of the Artist Media type Image |
| Web address (URL) | https://www.martinparrfoundation.org/exhibitions/intersectional-geographies/ |
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Kempadoo, R. 2019. Urban Candy: Screens, Selfies and Imaginings. in: Willis, Deborah, Toscano, Ellyn and Brooks Nelson, Kalia (ed.) Women and Migration: Responses in Art and History Cambridge, UK OpenBook Publishers. pp. 301 - 322
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Kempadoo, Roshini 2018. Roshini Kempadoo - Ghosting Portfolio pages in the 2018 Fotofest Biennial Catalogue - INDIA: Contemporary Photographic and New Media Art. in: Gupta, S. and Evans, S. (ed.) INDIA: Contemporary Photographic and New Media Art Houston, USA and Amsterdam, The Netherlands Fotofest Inc. Houston and Schilt Publishing, Amsterdam.
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Kempadoo, R. 2017. After Indenture: Three Photo Stories Roshini Kempadoo; Sharlene Khan; Wendy Nanan. Duke University Press. https://doi.org/10.1215/07990537-4156846
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Kempadoo, R. 2016. Spectres in the Postcolonies: Reimagining Violence and Resistance. in: Bernier, C.M. and Durkin, H. (ed.) Visualising Slavery: Art Across the African Diaspora Liverpool Liverpool University Press. pp. 48-61
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Kempadoo, R. 2016. Creole in the Archive: Imagery, Presence and Location of the Caribbean Figure. London Rowman & Littlefield.
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Kempadoo, R. 2015. Face Up (2015). University of Westminster. https://doi.org/10.34737/qq895
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Kempadoo, R. 2013. Gazing Outwards and Looking Back: Configuring Caribbean Visual Culture. Small Axe: A Caribbean Journal of Criticism. 17 (2 (41)), pp. 136-153. https://doi.org/10.1215/07990537-2323364
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Kempadoo, R. 2013. Imagining Her(story): Engendering archives. in: Thornham, H. and Weissmann, E. (ed.) Renewing Feminisms: Radical Narratives, Fantasies and Futures in Media Studies London & New York I.B. Tauris. pp. 84-103
Gazing Outwards and Looking Back: Configuring Caribbean Visual Culture
Kempadoo, R. 2013. Gazing Outwards and Looking Back: Configuring Caribbean Visual Culture. Small Axe: A Caribbean Journal of Criticism. 17 (2 41), pp. 136-153. https://doi.org/10.1215/07990537-2323364
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