Kempadoo, Roshini 2021. Digital Media Practice as Critique: Roshini Kempadoo's Installations: Ghosting and Endless Prospects. in: Bailey, D.A. and Thompson, A. (ed.) Liberation Begins In The Imagination: Writings on Caribbean-British Art London Tate Publishing in partnership with International Curators Forum (ICF). pp. 280 - 286
| Chapter title | Digital Media Practice as Critique: Roshini Kempadoo's Installations: Ghosting and Endless Prospects |
|---|---|
| Authors | Kempadoo, Roshini |
| Editors | Bailey, D.A. and Thompson, A. |
| Abstract | Kempadoo's chapter was first published (2009) in the publication Black British Aesthetics Today, edited by Victoria Arana, Cambridge Scholars Publishing, Newcastle. I reflect on two interactive artworks/installations created take their starting point from Caribbean historical characters and events to engender an imagined creolised experience. |
| Book title | Liberation Begins In The Imagination: Writings on Caribbean-British Art |
| Page range | 280 - 286 |
| Year | 2021 |
| Publisher | Tate Publishing in partnership with International Curators Forum (ICF) |
| Publication dates | |
| Published | 2021 |
| Place of publication | London |
| ISBN | 1849767661 |
| 9781849767668 | |
| Funder | Tate Publishing in partnership with International Curators Forum (ICF) |
| File | |
| Web address (URL) | https://shop.tate.org.uk/liberation-begins-in-the-imagination-writings-on-caribbean-british-art/26147.html |
