Performing Electronic Music Live

Hermes, K. 2021. Performing Electronic Music Live. Abingdon, UK Routledge.

TitlePerforming Electronic Music Live
AuthorsHermes, K.
Abstract

Performing Electronic Music Live lays out conceptual approaches, tools, and techniques for electronic music performance, from DJing, DAWs, MIDI controllers, traditional instruments, live sound design, hardware setups, custom software and hardware, to live visuals, venue acoustics, and live show promotion. Through case studies and contrasting tutorials by successful artists, Kirsten Hermes explores the many different ways in which you can create memorable experiences on stage. Featuring interviews with highly accomplished musicians and practitioners, readers can also expand on their knowledge with hands-on video tutorials for each chapter via the companion website, performingelectronicmusic.live.

Performing Electronic Music Live is an essential, all-encompassing resource for professionals, students of music production courses, and researchers in the field of creative-focused performance technology.

Keywordsperformance
technology
music production
Year2021
PublisherRoutledge
Publication dates
Published29 Dec 2021
Place of publicationAbingdon, UK
ISBN9780367340735
9780367340742
9780367340759
Digital Object Identifier (DOI)https://doi.org/10.4324/9780367340759
Web address (URL)https://performingelectronicmusic.live

Related outputs

Research methods in live electronic music and audio-visual performance
Hermes, K. Forthcoming. Research methods in live electronic music and audio-visual performance. in: Dylan-Smith, G., Dines, M. and Rambarran, S. (ed.) Handbook of Popular Music Methodologies London, UK Intellect.

Blender for Musicians
Hermes, K. 2024. Blender for Musicians. University of Westminster CreaTech Conference. London 10 Jun 2024

Creative Cyborgs: virtual 3D characters as artist identities for musicians
Hermes, K. 2024. Creative Cyborgs: virtual 3D characters as artist identities for musicians. in: Gullö, Jan-Olof, Hepworth-Sawyer, Russ, Hook, Dave, Marrington, Mark, Paterson, Justin and Toulson, Rob (ed.) Innovation in Music: Adjusting Perspectives Routledge.

Levelling up chiptune: nostalgic retro games console sounds for the ROLI Seaboard
Hermes, K. 2024. Levelling up chiptune: nostalgic retro games console sounds for the ROLI Seaboard. in: Jan-Olof Gullö, Russ Hepworth-Sawyer, Justin Paterson, Rob Toulson and Mark Marrington (ed.) Innovation in Music: Technology and Creativity Focal Press. pp. 237-251

An Unbiased View of AI
Hermes, K. 2023. An Unbiased View of AI. Music and Gaming Festival 2023 (MAGFEST). Maryland, United States 05 - 08 Jan 2023 MAGFest, Inc..

Machines on Stage: Approaches to Performing Electronic Music Live
Hermes, K. 2022. Machines on Stage: Approaches to Performing Electronic Music Live. Audio Engineering Society.

8-bit Music on Twitch: How the Chiptune Scene Thrived During the Pandemic
Hermes, K. 2022. 8-bit Music on Twitch: How the Chiptune Scene Thrived During the Pandemic. Dancecult: Journal of Electronic Dance Music Culture. 14 (1). https://doi.org/10.12801/1947-5403.2022.14.01.07

Performing Electronic Music Live - video tutorial series
Hermes, K. 2021. Performing Electronic Music Live - video tutorial series.

8-BIT MUSIC ON TWITCH: How the Chiptune Scene is Overcoming the Pandemic
Hermes, K. 2021. 8-BIT MUSIC ON TWITCH: How the Chiptune Scene is Overcoming the Pandemic . Dancecult Conference 2021. Online 15 - 17 Sep 2021

Creative Considerations for On-Screen Visuals in Popular Electronic Music Performances
Hermes, K. 2021. Creative Considerations for On-Screen Visuals in Popular Electronic Music Performances. in: Hepworth-Sawyer, R., Paterson, J. and Toulson, R. (ed.) Innovation In Music: Future Opportunities London, UK Routledge.

Factors influencing the spectral clarity of vocals in music mixes
Hermes, K. 2019. Factors influencing the spectral clarity of vocals in music mixes. Loughran, R. and Angus-Whiteoak, J. (ed.) Audio Engineering Society 146th Convention. Dublin 20 - 23 Mar 2019 Audio Engineering Society. https://doi.org/10.17743/aesconv.2019.978-1-942220-26-8

Enhancing creativity through automatic mixing research: testing spectral clarity predictors in the mix process
Hermes, K. 2019. Enhancing creativity through automatic mixing research: testing spectral clarity predictors in the mix process. in: Gullö, J.O. (ed.) Proceedings of the 12th Art of Record Production Conference Mono: Stereo: Multi – Stockholm 2017 Stockholm, Sweden Royal College of Music (KMH) & Art of Record Production. pp. 155-170

Optimizing vocal clarity in the mix
Hermes, K. 2019. Optimizing vocal clarity in the mix. in: Hepworth-Sawyer, R., Hodgson, J., Paterson, J. and Toulson, R. (ed.) Innovation in Music: Performance, Production, Technology, and Business UK Routledge.

Creativity, Collaboration and Workflow in Ableton
Boon, H., Gooderson, M. and Hermes, K. 2017. Creativity, Collaboration and Workflow in Ableton. Truman Brewery 29 - 31 Jan 2021

Parameters of high quality mixes: EQ and spectral clarity
Hermes, K. 2017. Parameters of high quality mixes: EQ and spectral clarity.

Parameters of high quality mixes: EQ and spectral clarity
Hermes, K. 2017. Parameters of high quality mixes: EQ and spectral clarity.

Creativity, Collaboration and Workflow in Ableton
Hermes, K., Boon, H. and Gooderson, M. 2017. Creativity, Collaboration and Workflow in Ableton.

The harmonic centroid as predictor of single sound spectral clarity
Hermes, K. 2016. The harmonic centroid as predictor of single sound spectral clarity.

The harmonic centroid as a predictor of string instrument timbral clarity
Hermes, K., Brookes, T. and Hummersone, C. 2016. The harmonic centroid as a predictor of string instrument timbral clarity. Audio Engineering Society Convention. Paris, France 04 - 07 Jun 2016 Audio Engineering Society.

The harmonic centroid as predictor of single sound spectral clarity
Hermes, K., Brookes, T. and Hummersone, C. 2015. The harmonic centroid as predictor of single sound spectral clarity.

The Influence of Dumping Bias on Timbral Clarity Ratings
Hermes, K., Brookes, T. and Hummersone, C. 2015. The Influence of Dumping Bias on Timbral Clarity Ratings. 139th Audio Engineering Society Convention. New York, USA 29 Oct - 01 Nov 2015 Audio Engineering Society.

Permalink - https://westminsterresearch.westminster.ac.uk/item/vqz00/performing-electronic-music-live


Share this

Usage statistics

98 total views
0 total downloads
These values cover views and downloads from WestminsterResearch and are for the period from September 2nd 2018, when this repository was created.