Creativity, Collaboration and Workflow in Ableton

The Sweeney – Library Music Use, Re-use and Cultural Association in the British TV Police Procedural
Boon, H. 2025. Forthcoming. The Sweeney – Library Music Use, Re-use and Cultural Association in the British TV Police Procedural. in: Nessa Johnston, Jamie Sexton and Elodie A. Roy (ed.) Anonymous Sounds: Library Music and Screen Cultures in the 1960s and 1970s London Bloomsbury Academic.

Songwriting, Visuality and Technological Determinism – Exploring Artistic Responses to Perceived Negative Effects of Streaming on Songwriting and Production
Boon, H. 2025. Forthcoming. Songwriting, Visuality and Technological Determinism – Exploring Artistic Responses to Perceived Negative Effects of Streaming on Songwriting and Production. in: The Handbook on Music Business and Creative Industries in Education Equinox Publishing.

The Old, The New, And The Dangerous
Boon, H. 2024. The Old, The New, And The Dangerous. Commercial Electronic Musical Instruments in 21st Century Music Practice. University of West London 09 - 10 Sep 2024

The Old, The New, And The Dangerous - [PRESENTATION] - 2024
Boon, H. 2024. The Old, The New, And The Dangerous - [PRESENTATION] - 2024. London

Solving What Problem: AI’s Reconfiguring Music Production Practices
Boon, H. 2024. Solving What Problem: AI’s Reconfiguring Music Production Practices. Critical & Creative Digital Dynamics: A Symposium on AI & Digital Innovations for Inter-art Chamber Music Practices. Senate House, Malet Street, London WC1E 7HU 24 Jun 2024

Single Tonality Chord Songwriting
Boon, H. 2024. Single Tonality Chord Songwriting. Innovation in Music Conference 2024. Kristiania University College, Oslo 21 - 23 Jun 2024

Research methods in live electronic music and audio-visual performance
Hermes, K. Forthcoming. Research methods in live electronic music and audio-visual performance. in: Dylan-Smith, G., Dines, M. and Rambarran, S. (ed.) Handbook of Popular Music Methodologies London, UK Intellect.

Blender for Musicians
Hermes, K. 2024. Blender for Musicians. University of Westminster CreaTech Conference. London 10 Jun 2024

AI Music Arts and Creativity - [PRESENTATION] - 2024
Boon, H. 2024. AI Music Arts and Creativity - [PRESENTATION] - 2024.

Electronic Music Production: Kate Bush Running up that Hill
Boon, H. 2024. Electronic Music Production: Kate Bush Running up that Hill. Change and Continuity: Traditions, Tensions and Transformations in Music Production - SMPR Conference 2024. Leeds Beckett University, Leeds School of Arts 12 - 14 Sep 2024

Creative Cyborgs: virtual 3D characters as artist identities for musicians
Hermes, K. 2024. Creative Cyborgs: virtual 3D characters as artist identities for musicians. in: Gullö, Jan-Olof, Hepworth-Sawyer, Russ, Hook, Dave, Marrington, Mark, Paterson, Justin and Toulson, Rob (ed.) Innovation in Music: Adjusting Perspectives Routledge.

Levelling up chiptune: nostalgic retro games console sounds for the ROLI Seaboard
Hermes, K. 2024. Levelling up chiptune: nostalgic retro games console sounds for the ROLI Seaboard. in: Jan-Olof Gullö, Russ Hepworth-Sawyer, Justin Paterson, Rob Toulson and Mark Marrington (ed.) Innovation in Music: Technology and Creativity Focal Press. pp. 237-251

An introduction to neo-Riemannian operations and their application in music production
Boon, H. 2024. An introduction to neo-Riemannian operations and their application in music production. in: Chapkanov, B. (ed.) Transformational analysis in practice: Music-analytical studies on composers and musicians from around the world Delaware, United States Vernon Press. pp. 301-320

Two Production Strategies for Music Synchronisation As Speculative Entrepreneurship
Boon, H. 2024. Two Production Strategies for Music Synchronisation As Speculative Entrepreneurship. in: Gullo, J.O., Hepworth-Sawyer, R., Paterson, J., Toulson, R., Hook, D. and Marrington, M. (ed.) Innovation in Music: Cultures and Contexts Focal Press.

Deliberate Practice and Unintended Consequences in Music Production as Practice and Pedagogy
Boon, H. 2023. Deliberate Practice and Unintended Consequences in Music Production as Practice and Pedagogy. Innovation In Music Conference 2023. Edinburgh Napier University 30 Jun - 02 Jul 2023

The Implications of Loraine James’s Production Approach as Real-time Production Performance Practice
Boon, H. 2023. The Implications of Loraine James’s Production Approach as Real-time Production Performance Practice. Practice Research in 21st Century Music. University of West London 20 May 2023

In The Future
Boon, H. 2023. In The Future.

Artificial Intelligence and Music Ecosystem
Boon, H. 2023. Artificial Intelligence and Music Ecosystem. Pulse: the Journal of Science and Culture. 10, pp. 1-4. https://doi.org/10.5281/zenodo.12600925

An Unbiased View of AI
Hermes, K. 2023. An Unbiased View of AI. Music and Gaming Festival 2023 (MAGFEST). Maryland, United States 05 - 08 Jan 2023 MAGFest, Inc..

Suzanne Ciani – The Diva of the Diode
Boon, H. 2023. Suzanne Ciani – The Diva of the Diode. Technoetic Arts: A Journal of Speculative Research. Volume 21 (Issue 2, Women in Art and Science), pp. 193-209. https://doi.org/10.1386/tear_00116_1

Sonic Futures: Short Fiction Storytelling: Artificial Intelligence in Popular Music Studies
Boon, H. 2023. Sonic Futures: Short Fiction Storytelling: Artificial Intelligence in Popular Music Studies . Westminster Annual learning and Teaching Symposium 2023. Marylebone 04 Sep 2023

Alien power chords
Boon, H. 2023. Alien power chords. The Sociological Review Magazine. (2023, June 6). https://doi.org/10.51428/tsr.tyjl5030

Exploring Art Schema and their Relevance to DAW Teaching and Pedagogy – Examples of Artistic Practice in the Field of Music Production
Boon, H. 2023. Exploring Art Schema and their Relevance to DAW Teaching and Pedagogy – Examples of Artistic Practice in the Field of Music Production. Journal of Popular Music Education. 7, pp. 285-302. https://doi.org/10.1386/jpme_00126_1

Live Coding and Music Production as Hybrid Practice
Boon, H. 2023. Live Coding and Music Production as Hybrid Practice. Organised Sound. 28 (2), pp. 253-263. https://doi.org/10.1017/S1355771823000419

Writing Popular Music Fiction
Boon, H. 2023. Writing Popular Music Fiction. Short Fiction in Theory & Practice. 13 (1), pp. 37-51. https://doi.org/10.1386/fict_00072_1

Working for the AI Man: Algorithmic Rents, Accumulation by Dispossession and Alien Power
Boon, H. 2022. Working for the AI Man: Algorithmic Rents, Accumulation by Dispossession and Alien Power. London

Working for the AI Man: Algorithmic Rents, Accumulation by Dispossession and Alien Power
Boon, H. 2022. Working for the AI Man: Algorithmic Rents, Accumulation by Dispossession and Alien Power. DMRN+17: Digital Music Research Network One-day Workshop 2022. Queen Mary University London 20 - 20 Dec 2022

Cyborg Composers: AI as Collaborative Assistant, as Creator and as Competitor
Boon, H. 2022. Cyborg Composers: AI as Collaborative Assistant, as Creator and as Competitor. Library Music in Audiovisual Media - RMA. University of Leeds 15 - 16 Sep 2022

Cyborg Composers: AI as Collaborative Assistant, as Creator and as Competitor
Boon, H. 2022. Cyborg Composers: AI as Collaborative Assistant, as Creator and as Competitor. London

Learning and Designing Sound Based Music: Enhancing Music Production Pedagogy in HE - Video
Boon, H. 2022. Learning and Designing Sound Based Music: Enhancing Music Production Pedagogy in HE - Video. London

Sound Based Music Design Demonstration
Boon, H. 2022. Sound Based Music Design Demonstration. London

Music Income, Self Authoring and the Digitally Mediated Career - Video
Boon, H. 2022. Music Income, Self Authoring and the Digitally Mediated Career - Video. London

Machines on Stage: Approaches to Performing Electronic Music Live
Hermes, K. 2022. Machines on Stage: Approaches to Performing Electronic Music Live. Audio Engineering Society.

8-bit Music on Twitch: How the Chiptune Scene Thrived During the Pandemic
Hermes, K. 2022. 8-bit Music on Twitch: How the Chiptune Scene Thrived During the Pandemic. Dancecult: Journal of Electronic Dance Music Culture. 14 (1). https://doi.org/10.12801/1947-5403.2022.14.01.07

Student and Tutor Life Worlds and Impossible Standards in Higher Popular Music Education
Boon, H. 2022. Student and Tutor Life Worlds and Impossible Standards in Higher Popular Music Education. in: Powell, B. and Smith, G.D. (ed.) Places and Purposes of Popular Music Education: Perspectives from the Field Bristol Intellect. pp. 261-266

Learning and Designing Sound Based Music: Enhancing Music Production Pedagogy in HE
Boon, H. 2022. Learning and Designing Sound Based Music: Enhancing Music Production Pedagogy in HE . Equalise. The Institute of Contemporary Music Performance, London 08 Sep 2022

In The Future
Boon, H. 2022. In The Future . RIFFS Journal. Special Issue – Riffs ft. IASPM Canada.

Music Income, Self Authoring and the Digitally Mediated Career
Boon, H. 2022. Music Income, Self Authoring and the Digitally Mediated Career. Music and the University - History, Models, Prospects. City University 07 - 09 Jul 2022

Two Production Strategies for Music Synchronisation As Speculative Entrepreneurship.
Boon, H. 2022. Two Production Strategies for Music Synchronisation As Speculative Entrepreneurship. InMusic2022. Royal College of Music Stockholm 24 - 26 Mar 2022

Risky Business - Music Creator's Earnings In The Digital Era – A Discussion Of Comments
Boon, H. 2021. Risky Business - Music Creator's Earnings In The Digital Era – A Discussion Of Comments. London

Music Creator's Earnings In The Digital Era - A Discussion Of The Findings
Boon, H. 2021. Music Creator's Earnings In The Digital Era - A Discussion Of The Findings. London

Performing Electronic Music Live - video tutorial series
Hermes, K. 2021. Performing Electronic Music Live - video tutorial series.

The Space Between The Stars
Boon, H. 2021. The Space Between The Stars.

The Space Between The Stars - Parts 1, 2 and 3
Boon, H. 2021. The Space Between The Stars - Parts 1, 2 and 3. London

8-BIT MUSIC ON TWITCH: How the Chiptune Scene is Overcoming the Pandemic
Hermes, K. 2021. 8-BIT MUSIC ON TWITCH: How the Chiptune Scene is Overcoming the Pandemic . Dancecult Conference 2021. Online 15 - 17 Sep 2021

Performing Electronic Music Live
Hermes, K. 2021. Performing Electronic Music Live. Abingdon, UK Routledge.

Using DAWs as modelling tools for learning design sound-based applications in education
Boon, H. 2021. Using DAWs as modelling tools for learning design sound-based applications in education. Journal of Music, Technology & Education. 13 (2-3), pp. 305-322. https://doi.org/10.1386/jmte_00028_1

The Condition of My Existence
Boon, H. 2021. The Condition of My Existence. Riffs Journal. https://doi.org/10.34737/v4y82

Improvising Songwriting and Composition Within A Hybrid Modular Synthesis System
Boon, H. 2021. Improvising Songwriting and Composition Within A Hybrid Modular Synthesis System. in: Hepworth-Sawyer, R., Paterson, J. and Toulson, R. (ed.) Innovation in Music Future Opportunities Focal Press.

Improvising Songwriting and Composition Within A Hybrid Modular Synthesis System
Boon, H. 2021. Improvising Songwriting and Composition Within A Hybrid Modular Synthesis System. in: Hepworth-Sawyer, R., Paterson, J. and Toulson, R. (ed.) Innovation in Music Future Opportunities London Focal Press. pp. 162-173

Creative Considerations for On-Screen Visuals in Popular Electronic Music Performances
Hermes, K. 2021. Creative Considerations for On-Screen Visuals in Popular Electronic Music Performances. in: Hepworth-Sawyer, R., Paterson, J. and Toulson, R. (ed.) Innovation In Music: Future Opportunities London, UK Routledge.

Skyline Melody - Modular Synthesiser Proof of Concept
Boon, H. 2020. Skyline Melody - Modular Synthesiser Proof of Concept. London

Sonic Recursion - Sound Based Music
Boon, H. 2020. Sonic Recursion - Sound Based Music. London

Music for a Non-Comported Reality Project
Boon, H. 2020. Music for a Non-Comported Reality Project. London

Not From Round Here
Boon, H. 2020. Not From Round Here. London

Symbolic Violence (Critical Theory)
Boon, H. 2020. Symbolic Violence (Critical Theory). London

WaveScape
Gooderson, M. and Greenwood., C 2020. WaveScape. Online 12 Jun 2020 - 03 Jul 2021

Modular Synth as Lab - Complexity and the Single Oscillator
Boon, H. 2020. Modular Synth as Lab - Complexity and the Single Oscillator. London

Simulating A Complex Oscillator - Patching Techniques and Walkthrough - Proof of Concept
Boon, H. 2020. Simulating A Complex Oscillator - Patching Techniques and Walkthrough - Proof of Concept. London

Improvisation Demonstration Number 1
Boon, H. 2020. Improvisation Demonstration Number 1.

The Condition of My Existence
Boon, H. 2020. The Condition of My Existence.

The Ways of Making, Dissemination and Reception Have Changed, So What Should We Do About It?
Boon, H. 2020. The Ways of Making, Dissemination and Reception Have Changed, So What Should We Do About It? Equality, Diversity and Inclusion in Music Higher Education. City University - Senate House 24 Jan 2020

Observations on the Utility of Square Waves and Their Applicability in Generative Melodic Applications
Boon, H. 2019. Observations on the Utility of Square Waves and Their Applicability in Generative Melodic Applications. SEMPRE Autumn Conference. Bath Spa 08 - 08 Nov 2019

Improvising Songwriting and Composition Within A Hybrid Modular Synthesis System
Boon, H. 2019. Improvising Songwriting and Composition Within A Hybrid Modular Synthesis System. InMusic19. University of West London 05 - 07 Dec 2019

Factors influencing the spectral clarity of vocals in music mixes
Hermes, K. 2019. Factors influencing the spectral clarity of vocals in music mixes. Loughran, R. and Angus-Whiteoak, J. (ed.) Audio Engineering Society 146th Convention. Dublin 20 - 23 Mar 2019 Audio Engineering Society. https://doi.org/10.17743/aesconv.2019.978-1-942220-26-8

Enhancing creativity through automatic mixing research: testing spectral clarity predictors in the mix process
Hermes, K. 2019. Enhancing creativity through automatic mixing research: testing spectral clarity predictors in the mix process. in: Gullö, J.O. (ed.) Proceedings of the 12th Art of Record Production Conference Mono: Stereo: Multi – Stockholm 2017 Stockholm, Sweden Royal College of Music (KMH) & Art of Record Production. pp. 155-170

Optimizing vocal clarity in the mix
Hermes, K. 2019. Optimizing vocal clarity in the mix. in: Hepworth-Sawyer, R., Hodgson, J., Paterson, J. and Toulson, R. (ed.) Innovation in Music: Performance, Production, Technology, and Business UK Routledge.

Professional Songwriting: Creativity, the Creative Process and tensions between higher education songwriting and industry practice in the U.K.
Gooderson, M. and Henley, J. 2017. Professional Songwriting: Creativity, the Creative Process and tensions between higher education songwriting and industry practice in the U.K. in: Smith, G.D., Moir, Z., Rambarran, S., Kirkman, P. and Brennan, M., (ed.) The Routledge Research Companion to Popular Music Education Routledge. pp. 257

Parameters of high quality mixes: EQ and spectral clarity
Hermes, K. 2017. Parameters of high quality mixes: EQ and spectral clarity.

Parameters of high quality mixes: EQ and spectral clarity
Hermes, K. 2017. Parameters of high quality mixes: EQ and spectral clarity.

Creativity, Collaboration and Workflow in Ableton
Hermes, K., Boon, H. and Gooderson, M. 2017. Creativity, Collaboration and Workflow in Ableton.

The harmonic centroid as predictor of single sound spectral clarity
Hermes, K. 2016. The harmonic centroid as predictor of single sound spectral clarity.

The harmonic centroid as a predictor of string instrument timbral clarity
Hermes, K., Brookes, T. and Hummersone, C. 2016. The harmonic centroid as a predictor of string instrument timbral clarity. Audio Engineering Society Convention. Paris, France 04 - 07 Jun 2016 Audio Engineering Society.

The harmonic centroid as predictor of single sound spectral clarity
Hermes, K., Brookes, T. and Hummersone, C. 2015. The harmonic centroid as predictor of single sound spectral clarity.

The Influence of Dumping Bias on Timbral Clarity Ratings
Hermes, K., Brookes, T. and Hummersone, C. 2015. The Influence of Dumping Bias on Timbral Clarity Ratings. 139th Audio Engineering Society Convention. New York, USA 29 Oct - 01 Nov 2015 Audio Engineering Society.