Risky Business - Music Creator's Earnings In The Digital Era – A Discussion Of Comments

Boon, H. 2021. Risky Business - Music Creator's Earnings In The Digital Era – A Discussion Of Comments. London

TitleRisky Business - Music Creator's Earnings In The Digital Era – A Discussion Of Comments
CreatorsBoon, H.
Description

In this video, I discuss some of the research participant comments in the Music Creators’ Earnings in the Digital Era, which is a recently published report by the Intellectual Property Office (IPO). Any personal details have been redacted from the comments to ensure participant anonymity.

Participant comments are important because these provide are a good indicator of music creator's thinking. Some will see streaming as the bad guy, and others that governments should step in to regulate the market. Others say they’re not making the same money as they did pre-streaming, and new artists are experiencing more difficulty in establishing their economies and fan bases. These comments hold an important pedagogic value for institutions, especially University degree courses. They reveal the degree to which many music practitioners are unprepared for these difficult conditions, especially post-COVID 19. Whilst some will argue that there is a sense of entitlement in the comments, the ambition of this video is to provide some of the underpinning that appears to be missing from many of these practitioner's understanding of streaming markets.

This video can assist music courses in understanding the gap between taught content and practical expoerience. The video also provides some example solutions and strategies that practitioners could undertake, if they wish to.

Date04 Oct 2021
Keywordsmusic business
spotify
royalties
music income
Intellectual Property
How Music Works
Place of publicationLondon
Web address (URL)https://youtu.be/L90t7_Dwrmc

Related outputs

Songwriting, Visuality and Technological Determinism – Exploring Artistic Responses to Perceived Negative Effects of Streaming on Songwriting and Production
Boon, H. 2022. Forthcoming. Songwriting, Visuality and Technological Determinism – Exploring Artistic Responses to Perceived Negative Effects of Streaming on Songwriting and Production. in: The Handbook on Music Business and Creative Industries in Education Equinox Publishing.

Music Creator's Earnings In The Digital Era - A Discussion Of The Findings
Boon, H. 2021. Music Creator's Earnings In The Digital Era - A Discussion Of The Findings. London

The Space Between The Stars - Parts 1, 2 and 3
Boon, H. 2021. The Space Between The Stars - Parts 1, 2 and 3. London

The Condition of My Existence
Boon, H. 2021. The Condition of My Existence. Riffs Journal. https://doi.org/10.34737/v4y82

Improvising Songwriting and Composition Within A Hybrid Modular Synthesis System
Boon, H. 2021. Improvising Songwriting and Composition Within A Hybrid Modular Synthesis System. in: Hepworth-Sawyer, R., Paterson, J. and Toulson, R. (ed.) Innovation in Music Future Opportunities Focal Press.

Improvising Songwriting and Composition Within A Hybrid Modular Synthesis System
Boon, H. 2021. Improvising Songwriting and Composition Within A Hybrid Modular Synthesis System. in: Hepworth-Sawyer, R., Paterson, J. and Toulson, R. (ed.) Innovation in Music Future Opportunities London Focal Press. pp. 162-173

Skyline Melody - Modular Synthesiser Proof of Concept
Boon, H. 2020. Skyline Melody - Modular Synthesiser Proof of Concept. London

Sonic Recursion - Sound Based Music
Boon, H. 2020. Sonic Recursion - Sound Based Music. London

Music for a Non-Comported Reality Project
Boon, H. 2020. Music for a Non-Comported Reality Project. London

Not From Round Here
Boon, H. 2020. Not From Round Here. London

Symbolic Violence (Critical Theory)
Boon, H. 2020. Symbolic Violence (Critical Theory). London

Modular Synth as Lab - Complexity and the Single Oscillator
Boon, H. 2020. Modular Synth as Lab - Complexity and the Single Oscillator. London

Simulating A Complex Oscillator - Patching Techniques and Walkthrough - Proof of Concept
Boon, H. 2020. Simulating A Complex Oscillator - Patching Techniques and Walkthrough - Proof of Concept. London

Improvisation Demonstration Number 1
Boon, H. 2020. Improvisation Demonstration Number 1.

The Condition of My Existence
Boon, H. 2020. The Condition of My Existence.

The Ways of Making, Dissemination and Reception Have Changed, So What Should We Do About It?
Boon, H. 2020. The Ways of Making, Dissemination and Reception Have Changed, So What Should We Do About It? Equality, Diversity and Inclusion in Music Higher Education. City University - Senate House 24 Jan 2020

Observations on the Utility of Square Waves and Their Applicability in Generative Melodic Applications
Boon, H. 2019. Observations on the Utility of Square Waves and Their Applicability in Generative Melodic Applications. SEMPRE Autumn Conference. Bath Spa 08 - 08 Nov 2019

Improvising Songwriting and Composition Within A Hybrid Modular Synthesis System
Boon, H. 2019. Improvising Songwriting and Composition Within A Hybrid Modular Synthesis System. InMusic19. University of West London 05 - 07 Dec 2019

Creativity, Collaboration and Workflow in Ableton
Boon, H., Gooderson, M. and Hermes, K. 2017. Creativity, Collaboration and Workflow in Ableton. Truman Brewery 29 - 31 Jan 2021

Permalink - https://westminsterresearch.westminster.ac.uk/item/v8024/risky-business-music-creator-s-earnings-in-the-digital-era-a-discussion-of-comments


Share this
Tweet
Email

Usage statistics

4 total views
0 total downloads
1 views this month
0 downloads this month
These values are for the period from September 2nd 2018, when this repository was created

Export as