Music for a Non-Comported Reality Project : WestminsterResearch

Title	Music for a Non-Comported Reality Project
Creators	Boon, H.
Description	A music composition output using prepared audio recordings played back using extreme audio rate settings. Current observations using this novel composition process are the emergence and development of figurations over time that demonstrate phase differences between the various compositional elements. As an approach there are similarities to the tape based explorations of Cage and Reich, of which Reich's pieces 'It's Gonna Rain' (1965) and 'Come Out' (1966). Cage's williams Mix (1959) is also an influence here though the procedural methods used are very different. The process is not real time and requires the preparation of a number of self generated/composed audio files. Future compositions are planned where the process is extended to include additional modulation sources that vary both amplitude and spatial locations.
Date	07 Aug 2020
Keywords	Composition, Audio, Technology, Computer Music
Place of publication	London
Web address (URL)	https://youtu.be/9zdzOQ0mVs4

Related outputs

Music Income, Self Authoring and the Digitally Mediated Career - Video
Boon, H. 2022. Music Income, Self Authoring and the Digitally Mediated Career - Video. London

In The Future
Boon, H. 2022. In The Future . RIFFS Journal. Special Issue – Riffs ft. IASPM Canada.

Music Income, Self Authoring and the Digitally Mediated Career
Boon, H. 2022. Music Income, Self Authoring and the Digitally Mediated Career. Music and the University - History, Models, Prospects. City University 07 - 09 Jul 2022

Songwriting, Visuality and Technological Determinism – Exploring Artistic Responses to Perceived Negative Effects of Streaming on Songwriting and Production
Boon, H. 2022. Songwriting, Visuality and Technological Determinism – Exploring Artistic Responses to Perceived Negative Effects of Streaming on Songwriting and Production. in: The Handbook on Music Business and Creative Industries in Education Equinox Publishing.

Risky Business - Music Creator's Earnings In The Digital Era – A Discussion Of Comments
Boon, H. 2021. Risky Business - Music Creator's Earnings In The Digital Era – A Discussion Of Comments. London

Music Creator's Earnings In The Digital Era - A Discussion Of The Findings
Boon, H. 2021. Music Creator's Earnings In The Digital Era - A Discussion Of The Findings. London

The Space Between The Stars
Boon, H. 2021. The Space Between The Stars.

The Space Between The Stars - Parts 1, 2 and 3
Boon, H. 2021. The Space Between The Stars - Parts 1, 2 and 3. London

Using DAWs as modelling tools for learning design sound-based applications in education
Boon, H. 2021. Using DAWs as modelling tools for learning design sound-based applications in education. Journal of Music, Technology & Education. 13 (2-3), pp. 305-322. https://doi.org/10.1386/jmte_00028_1

The Condition of My Existence
Boon, H. 2021. The Condition of My Existence. Riffs Journal. https://doi.org/10.34737/v4y82

Improvising Songwriting and Composition Within A Hybrid Modular Synthesis System
Boon, H. 2021. Improvising Songwriting and Composition Within A Hybrid Modular Synthesis System. in: Hepworth-Sawyer, R., Paterson, J. and Toulson, R. (ed.) Innovation in Music Future Opportunities Focal Press.

Skyline Melody - Modular Synthesiser Proof of Concept
Boon, H. 2020. Skyline Melody - Modular Synthesiser Proof of Concept. London

Sonic Recursion - Sound Based Music
Boon, H. 2020. Sonic Recursion - Sound Based Music. London

Not From Round Here
Boon, H. 2020. Not From Round Here. London

Symbolic Violence (Critical Theory)
Boon, H. 2020. Symbolic Violence (Critical Theory). London

Modular Synth as Lab - Complexity and the Single Oscillator
Boon, H. 2020. Modular Synth as Lab - Complexity and the Single Oscillator. London

Simulating A Complex Oscillator - Patching Techniques and Walkthrough - Proof of Concept
Boon, H. 2020. Simulating A Complex Oscillator - Patching Techniques and Walkthrough - Proof of Concept. London

Improvisation Demonstration Number 1
Boon, H. 2020. Improvisation Demonstration Number 1.

The Condition of My Existence
Boon, H. 2020. The Condition of My Existence.

The Ways of Making, Dissemination and Reception Have Changed, So What Should We Do About It?
Boon, H. 2020. The Ways of Making, Dissemination and Reception Have Changed, So What Should We Do About It? Equality, Diversity and Inclusion in Music Higher Education. City University - Senate House 24 Jan 2020

Observations on the Utility of Square Waves and Their Applicability in Generative Melodic Applications
Boon, H. 2019. Observations on the Utility of Square Waves and Their Applicability in Generative Melodic Applications. SEMPRE Autumn Conference. Bath Spa 08 - 08 Nov 2019

Improvising Songwriting and Composition Within A Hybrid Modular Synthesis System
Boon, H. 2019. Improvising Songwriting and Composition Within A Hybrid Modular Synthesis System. InMusic19. University of West London 05 - 07 Dec 2019

Creativity, Collaboration and Workflow in Ableton
Boon, H., Gooderson, M. and Hermes, K. 2017. Creativity, Collaboration and Workflow in Ableton. Truman Brewery 29 - 31 Jan 2021

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