Boon, H. 2025. The Conferralist Framework: Method and Application in Popular Music Studies. in: Mike Dines, Shara Rambarran and Gareth Dylan Smith (ed.) The Intellect Handbook of Popular Music Methodologies Bristol Intellect Books.
| Chapter title | The Conferralist Framework: Method and Application in Popular Music Studies |
|---|---|
| Authors | Boon, H. |
| Editors | Mike Dines, Shara Rambarran and Gareth Dylan Smith |
| Abstract | The features vital to the study of popular music can, at times, be elusive to pinpoint. Scholars such as Tara Rodgers have criticised academic writing on sampling as generally misrepresenting or misunderstanding the practice, and Dave Harker has criticised popular music studies academics for their focus upon Rock and Punk as popular, focused on White males, thereby neglecting the popular 'other'. The question that this chapter is directed towards is what sorts of tools could be deployed to guard against issues of exclusion. This chapter outlines Ásta's conferralist framework applied to the study of popular music. Whilst this framework should not be viewed as solving all research problems, it is particularly useful in areas of gender, race, and class, revealing areas of exclusion that can arise when academics redefine existing categories or make 'new' ones as an act of rehistoricisation. |
| Keywords | Ásta |
| exclusion | |
| gender bias | |
| songwriting | |
| music production | |
| Missy Elliott | |
| Taylor Swift | |
| Book title | The Intellect Handbook of Popular Music Methodologies |
| Year | 2025 |
| Publisher | Intellect Books |
| Publication dates | |
| Published | 13 Jun 2025 |
| Place of publication | Bristol |
| ISBN | 9781835951033 |
| Web address (URL) | https://www.intellectbooks.com/the-intellect-handbook-of-popular-music-methodologies |
Artists, Creator Tools and the Dichotomy of AI as Assistant and as Competitor
Boon, H. Forthcoming. Artists, Creator Tools and the Dichotomy of AI as Assistant and as Competitor. in: Chris Anderton and Sergio Pisfil (ed.) The Intellect Handbook of Global Music Industries Bristol Intellect Books.
As Spotify moves to video, the environmental footprint of music streaming hits the high notes
Boon, H. 2025. As Spotify moves to video, the environmental footprint of music streaming hits the high notes. The Conversation.
We have always used music to express our love – we can now use AI too
Boon, H. 2025. We have always used music to express our love – we can now use AI too. The Conversation.
Not From Round Here – Racial Framing and the Paradox of Choice
Boon, H. 2025. Not From Round Here – Racial Framing and the Paradox of Choice. National Identities . Advanced online publication. https://doi.org/10.1080/14608944.2025.2497405
Bridging Gaps in Black Music Research: A Conversation on Experimental Sound by the BMRU
Boon, H., Christodoulou, C., Toppin, J. and Riley, M. 2025. Bridging Gaps in Black Music Research: A Conversation on Experimental Sound by the BMRU. Organised Sound. 30 (1), pp. 6-14. https://doi.org/10.1017/S1355771825000032
The Sweeney – Library Music Use, Re-use and Cultural Association in the British TV Police Procedural
Boon, H. 2025. The Sweeney – Library Music Use, Re-use and Cultural Association in the British TV Police Procedural. in: Nessa Johnston, Jamie Sexton and Elodie A. Roy (ed.) Anonymous Sounds: Library Music and Screen Cultures in the 1960s and 1970s London Bloomsbury Academic.
Songwriting, Visuality and Technological Determinism – Exploring Artistic Responses to Perceived Negative Effects of Streaming on Songwriting and Production
Boon, H. 2025. Songwriting, Visuality and Technological Determinism – Exploring Artistic Responses to Perceived Negative Effects of Streaming on Songwriting and Production. in: The Handbook on Music Business and Creative Industries in Education Equinox Publishing.
The Old, The New, And The Dangerous
Boon, H. 2024. The Old, The New, And The Dangerous. Commercial Electronic Musical Instruments in 21st Century Music Practice. University of West London 09 - 10 Sep 2024
The Old, The New, And The Dangerous - [PRESENTATION] - 2024
Boon, H. 2024. The Old, The New, And The Dangerous - [PRESENTATION] - 2024. London
Single Tonality Chord Songwriting
Boon, H. 2024. Single Tonality Chord Songwriting. Innovation in Music Conference 2024. Kristiania University College, Oslo 21 - 23 Jun 2024
AI Music Arts and Creativity - [PRESENTATION] - 2024
Boon, H. 2024. AI Music Arts and Creativity - [PRESENTATION] - 2024.
Electronic Music Production: Kate Bush Running up that Hill
Boon, H. 2024. Electronic Music Production: Kate Bush Running up that Hill. Change and Continuity: Traditions, Tensions and Transformations in Music Production - SMPR Conference 2024. Leeds Beckett University, Leeds School of Arts 12 - 14 Sep 2024
Solving What Problem: AI’s Reconfiguring Music Production Practices
Boon, H. 2024. Solving What Problem: AI’s Reconfiguring Music Production Practices. Critical & Creative Digital Dynamics: A Symposium on AI & Digital Innovations for Inter-art Chamber Music Practices. Senate House, Malet Street, London WC1E 7HU 24 Jun 2024
An introduction to neo-Riemannian operations and their application in music production
Boon, H. 2024. An introduction to neo-Riemannian operations and their application in music production. in: Chapkanov, B. (ed.) Transformational analysis in practice: Music-analytical studies on composers and musicians from around the world Delaware, United States Vernon Press. pp. 301-320
Two Production Strategies for Music Synchronisation As Speculative Entrepreneurship
Boon, H. 2024. Two Production Strategies for Music Synchronisation As Speculative Entrepreneurship. in: Gullo, J.O., Hepworth-Sawyer, R., Paterson, J., Toulson, R., Hook, D. and Marrington, M. (ed.) Innovation in Music: Cultures and Contexts Focal Press.
The Implications of Loraine James’s Production Approach as Real-time Production Performance Practice
Boon, H. 2023. The Implications of Loraine James’s Production Approach as Real-time Production Performance Practice. Practice Research in 21st Century Music. University of West London 20 May 2023
In The Future
Boon, H. 2023. In The Future.
Artificial Intelligence and Music Ecosystem
Boon, H. 2023. Artificial Intelligence and Music Ecosystem. Pulse: the Journal of Science and Culture. 10, pp. 1-4. https://doi.org/10.5281/zenodo.12600925
Suzanne Ciani – The Diva of the Diode
Boon, H. 2023. Suzanne Ciani – The Diva of the Diode. Technoetic Arts: A Journal of Speculative Research. Volume 21 (Issue 2, Women in Art and Science), pp. 193-209. https://doi.org/10.1386/tear_00116_1
Sonic Futures: Short Fiction Storytelling: Artificial Intelligence in Popular Music Studies
Boon, H. 2023. Sonic Futures: Short Fiction Storytelling: Artificial Intelligence in Popular Music Studies . Westminster Annual learning and Teaching Symposium 2023. Marylebone 04 Sep 2023
Deliberate Practice and Unintended Consequences in Music Production as Practice and Pedagogy
Boon, H. 2023. Deliberate Practice and Unintended Consequences in Music Production as Practice and Pedagogy. Innovation In Music Conference 2023. Edinburgh Napier University 30 Jun - 02 Jul 2023
Alien power chords
Boon, H. 2023. Alien power chords. The Sociological Review Magazine. (2023, June 6). https://doi.org/10.51428/tsr.tyjl5030
Exploring Art Schema and their Relevance to DAW Teaching and Pedagogy – Examples of Artistic Practice in the Field of Music Production
Boon, H. 2023. Exploring Art Schema and their Relevance to DAW Teaching and Pedagogy – Examples of Artistic Practice in the Field of Music Production. Journal of Popular Music Education. 7 (3), pp. 285-302. https://doi.org/10.1386/jpme_00126_1
Live Coding and Music Production as Hybrid Practice
Boon, H. 2023. Live Coding and Music Production as Hybrid Practice. Organised Sound. 28 (2), pp. 253-263. https://doi.org/10.1017/S1355771823000419
Writing Popular Music Fiction
Boon, H. 2023. Writing Popular Music Fiction. Short Fiction in Theory & Practice. 13 (1), pp. 37-51. https://doi.org/10.1386/fict_00072_1
Working for the AI Man: Algorithmic Rents, Accumulation by Dispossession and Alien Power
Boon, H. 2022. Working for the AI Man: Algorithmic Rents, Accumulation by Dispossession and Alien Power. London
Working for the AI Man: Algorithmic Rents, Accumulation by Dispossession and Alien Power
Boon, H. 2022. Working for the AI Man: Algorithmic Rents, Accumulation by Dispossession and Alien Power. DMRN+17: Digital Music Research Network One-day Workshop 2022. Queen Mary University London 20 - 20 Dec 2022
Cyborg Composers: AI as Collaborative Assistant, as Creator and as Competitor
Boon, H. 2022. Cyborg Composers: AI as Collaborative Assistant, as Creator and as Competitor. Library Music in Audiovisual Media - RMA. University of Leeds 15 - 16 Sep 2022
Cyborg Composers: AI as Collaborative Assistant, as Creator and as Competitor
Boon, H. 2022. Cyborg Composers: AI as Collaborative Assistant, as Creator and as Competitor. London
Learning and Designing Sound Based Music: Enhancing Music Production Pedagogy in HE - Video
Boon, H. 2022. Learning and Designing Sound Based Music: Enhancing Music Production Pedagogy in HE - Video. London
Sound Based Music Design Demonstration
Boon, H. 2022. Sound Based Music Design Demonstration. London
Music Income, Self Authoring and the Digitally Mediated Career - Video
Boon, H. 2022. Music Income, Self Authoring and the Digitally Mediated Career - Video. London
Student and Tutor Life Worlds and Impossible Standards in Higher Popular Music Education
Boon, H. 2022. Student and Tutor Life Worlds and Impossible Standards in Higher Popular Music Education. in: Powell, B. and Smith, G.D. (ed.) Places and Purposes of Popular Music Education: Perspectives from the Field Bristol Intellect. pp. 261-266
Learning and Designing Sound Based Music: Enhancing Music Production Pedagogy in HE
Boon, H. 2022. Learning and Designing Sound Based Music: Enhancing Music Production Pedagogy in HE . Equalise. The Institute of Contemporary Music Performance, London 08 Sep 2022
In The Future
Boon, H. 2022. In The Future . RIFFS Journal. Special Issue – Riffs ft. IASPM Canada.
Music Income, Self Authoring and the Digitally Mediated Career
Boon, H. 2022. Music Income, Self Authoring and the Digitally Mediated Career. Music and the University - History, Models, Prospects. City University 07 - 09 Jul 2022
Two Production Strategies for Music Synchronisation As Speculative Entrepreneurship.
Boon, H. 2022. Two Production Strategies for Music Synchronisation As Speculative Entrepreneurship. InMusic2022. Royal College of Music Stockholm 24 - 26 Mar 2022
Risky Business - Music Creator's Earnings In The Digital Era – A Discussion Of Comments
Boon, H. 2021. Risky Business - Music Creator's Earnings In The Digital Era – A Discussion Of Comments. London
Music Creator's Earnings In The Digital Era - A Discussion Of The Findings
Boon, H. 2021. Music Creator's Earnings In The Digital Era - A Discussion Of The Findings. London
The Space Between The Stars
Boon, H. 2021. The Space Between The Stars.
The Space Between The Stars - Parts 1, 2 and 3
Boon, H. 2021. The Space Between The Stars - Parts 1, 2 and 3. London
Using DAWs as modelling tools for learning design sound-based applications in education
Boon, H. 2021. Using DAWs as modelling tools for learning design sound-based applications in education. Journal of Music, Technology & Education. 13 (2-3), pp. 305-322. https://doi.org/10.1386/jmte_00028_1
The Condition of My Existence
Boon, H. 2021. The Condition of My Existence. Riffs Journal. https://doi.org/10.34737/v4y82
Improvising Songwriting and Composition Within A Hybrid Modular Synthesis System
Boon, H. 2021. Improvising Songwriting and Composition Within A Hybrid Modular Synthesis System. in: Hepworth-Sawyer, R., Paterson, J. and Toulson, R. (ed.) Innovation in Music Future Opportunities Focal Press.
Improvising Songwriting and Composition Within A Hybrid Modular Synthesis System
Boon, H. 2021. Improvising Songwriting and Composition Within A Hybrid Modular Synthesis System. in: Hepworth-Sawyer, R., Paterson, J. and Toulson, R. (ed.) Innovation in Music Future Opportunities London Focal Press. pp. 162-173
Skyline Melody - Modular Synthesiser Proof of Concept
Boon, H. 2020. Skyline Melody - Modular Synthesiser Proof of Concept. London
Sonic Recursion - Sound Based Music
Boon, H. 2020. Sonic Recursion - Sound Based Music. London
Music for a Non-Comported Reality Project
Boon, H. 2020. Music for a Non-Comported Reality Project. London
Not From Round Here
Boon, H. 2020. Not From Round Here. London
Symbolic Violence (Critical Theory)
Boon, H. 2020. Symbolic Violence (Critical Theory). London
Modular Synth as Lab - Complexity and the Single Oscillator
Boon, H. 2020. Modular Synth as Lab - Complexity and the Single Oscillator. London
Simulating A Complex Oscillator - Patching Techniques and Walkthrough - Proof of Concept
Boon, H. 2020. Simulating A Complex Oscillator - Patching Techniques and Walkthrough - Proof of Concept. London
Improvisation Demonstration Number 1
Boon, H. 2020. Improvisation Demonstration Number 1.
The Condition of My Existence
Boon, H. 2020. The Condition of My Existence.
The Ways of Making, Dissemination and Reception Have Changed, So What Should We Do About It?
Boon, H. 2020. The Ways of Making, Dissemination and Reception Have Changed, So What Should We Do About It? Equality, Diversity and Inclusion in Music Higher Education. City University - Senate House 24 Jan 2020
Observations on the Utility of Square Waves and Their Applicability in Generative Melodic Applications
Boon, H. 2019. Observations on the Utility of Square Waves and Their Applicability in Generative Melodic Applications. SEMPRE Autumn Conference. Bath Spa 08 - 08 Nov 2019
Improvising Songwriting and Composition Within A Hybrid Modular Synthesis System
Boon, H. 2019. Improvising Songwriting and Composition Within A Hybrid Modular Synthesis System. InMusic19. University of West London 05 - 07 Dec 2019
Creativity, Collaboration and Workflow in Ableton
Boon, H., Gooderson, M. and Hermes, K. 2017. Creativity, Collaboration and Workflow in Ableton. Truman Brewery 29 - 31 Jan 2021
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