The Living Library
Seadog Theatre, Harrison, L., Bridges, L, Slade, E. and Trower, S. 2020. The Living Library.
Seadog Theatre, Harrison, L., Bridges, L, Slade, E. and Trower, S. 2020. The Living Library.
| Title | The Living Library |
|---|---|
| Creators | Seadog Theatre, Harrison, L., Bridges, L, Slade, E. and Trower, S. |
| Description | These soundscapes were created with Seadog Theatre as a response to research from Professor Shelley Trower at the University of Roehampton about people’s experiences of libraries. Each soundscape uses a different technique from minimalism bringing in found sound from libraries and combining Foley with compositional practices. |
| Keywords | Libraries |
| soundscapes | |
| minimalism | |
| Year | 2020 |
| Funder | AHRC (Arts & Humanities Research Council) |
| Web address (URL) | https://www.livinglibraries.uk/seadog-theatre |
Where now for interactive sound and music?
Harrison, L. 2025. Forthcoming. Where now for interactive sound and music? in: Routledge.
Can we create an artefact of a piece of interactive audio?
Harrison, L. 2025. Forthcoming. Can we create an artefact of a piece of interactive audio? in: Routledge.
Is interactive sound and music ever finished?
Lucy Ann Harrison and Harrison, L. 2025. Forthcoming. Is interactive sound and music ever finished? in: Interactive Sound and Music: Beyond Pressing Play Routledge.
How can you make interaction a meaningful part of the work?
Harrison, L. 2025. Forthcoming. How can you make interaction a meaningful part of the work? in: Interactive Sound and Music: Beyond Pressing Play Routledge.
How do you compose for multiple possibilities?
Harrison, L. 2025. Forthcoming. How do you compose for multiple possibilities? in: Interactive Sound and Music: Beyond Pressing Play Routledge.
How do audience expectations change in an interactive space?
Harrison, L. 2025. Forthcoming. How do audience expectations change in an interactive space? in: Interactive Sound and Music: Beyond Pressing Play Routledge.
Is it actually interactive and does it actually matter?
Harrison, L. 2025. Forthcoming. Is it actually interactive and does it actually matter? in: Interactive Sound and Music: Beyond Pressing Play Routledge.
Introduction
Harrison, L. 2025. Forthcoming. Introduction. in: Interactive Sound and Music: Beyond Pressing Play Routledge.
Interactive Sound and Music: Beyond Pressing Play
Harrison, L.A. 2025. Forthcoming. Interactive Sound and Music: Beyond Pressing Play. Focal Press.
Still Lives
Lost Text/Found Space, Harrison, L., McCutcheon, R. and Rebellato, D. 2024. Still Lives. The Old Waiting Room, Peckham Rye 02 - 13 Jul 2024
Still Lives (Workshop)
Lost Text/Found Space, Harrison, L., McCutcheon, R. and Rebellato, D. 2023. Still Lives (Workshop). The Old Waiting Room, Peckham Rye 17 - 18 Nov 2023
Creating Interactive Sound
Harrison, L. 2022. Creating Interactive Sound. Lighthouse (ed.) Women in Music: Arte Sônica Amplificada. Online across Brazil Apr 2022
Bridging the Technical Divide: Techniques for effective communication with artists
Harrison, L., Britton, N., Chatterley, A. and Russell, M. 2021. Bridging the Technical Divide: Techniques for effective communication with artists. AES Spring Show. Online 25 - 28 May 2021 Audio Engineering Society.
Guiding Audiences with Sound: Techniques for interactive and games audio.
Harrison, L. 2021. Guiding Audiences with Sound: Techniques for interactive and games audio. AES Spring Show. Online 25 - 28 May 2021 Audio Engineering Society.
Music and Sound in Virtual/Augmented Realities-Questions, Challenges and Approaches A Multidisciplinary Roundtable
Summer, T., Cook, J., Famer, W., Ferrè, E.R., Harrison, L., Hemming, R., Nescu, A.I., Reed, L., Roberts, F., Stevens, R., Tatlow, S. and Whittaker, L. 2021. Music and Sound in Virtual/Augmented Realities-Questions, Challenges and Approaches A Multidisciplinary Roundtable. Journal of Sound and Music in Games. 2 (2), pp. 63-83. https://doi.org/10.1525/jsmg.2021.2.2.63
Teaching Principles of Interactive Sound
Harrison, L A. 2021. Teaching Principles of Interactive Sound. in: Stevens, B. (ed.) Teaching Electronic Music Routledge. pp. 90-102
Guiding Audiences with Sound
Harrison, L. 2020. Guiding Audiences with Sound. Lighthouse (ed.) The Space in Sound. Online Sep 2020
The Living Library
Seadog Theatre, Harrison, L., Bridges, L., Slade, E. and Trower, S. 2020. The Living Library. Sinespace
Principles of gaming sound in interactive and immersive theatre
Harrison, L. 2019. Principles of gaming sound in interactive and immersive theatre. Ludo2019. Leeds Beckett 26 - 28 Apr 2019
Memories of Fiction: The Living Library
Harrison, L. 2018. Memories of Fiction: The Living Library.
Control, collaboration and audience engagement in interactive sound installations
Harrison, L. 2018. Control, collaboration and audience engagement in interactive sound installations. PhD thesis Royal Holloway, University of London Music
Til We Meet in England
Lost Text/Found Space, McCutcheon, R. and Harrison, L. 2017. Til We Meet in England.
A Testimony and a Silence
Lost Text/Found Space, McCutcheon, R. and Harrison, L. 2016. A Testimony and a Silence.
Lives, loves and loss: Traces at Fenton House
Traces and Harrison, L. 2016. Lives, loves and loss: Traces at Fenton House.
That I will do my best...
Harrison, L. 2014. That I will do my best... Alexandra Palace 22 - 23 Feb 2014
The Wind Singer
Harrison, L. 2013. The Wind Singer. Girlguiding ICANDO, London Apr 2013
Mariam at Burford: Youth and Young Girlhood
Lost Text/Found Space, McCutcheon, R. and Harrison, L. 2013. Mariam at Burford: Youth and Young Girlhood.
Cary: The Mariam Cycles
Lost Text/Found Space, McCutcheon, R. and Harrison, L. 2013. Cary: The Mariam Cycles.
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