Introduction: Rethinking Censorship as Discourse, Articulatory Practices, Performance, and Dialogic

How Wee Ng 2026. Introduction: Rethinking Censorship as Discourse, Articulatory Practices, Performance, and Dialogic. in: How Wee Ng (ed.) The Chinese Censorship Discourse on Television Dramas: Worrying about the Audience in Postsocialist China Routledge.

Chapter titleIntroduction: Rethinking Censorship as Discourse, Articulatory Practices, Performance, and Dialogic
AuthorsHow Wee Ng
EditorsHow Wee Ng
Abstract

This chapter accounts for the methodology, scope, and organisation of the book. It goes beyond approaching censorship as repression, that is, as discourse, articulatory practice, performance, and dialogic process shaped by entangled moral, commercial, and political logics. Centring on the discourse of worrying—the articulations of concern by censors, teachers, television professionals, students, and academics over the moral susceptibility of imagined audiences, it situates censorship within the suzhi discourse and expands it to examine how television viewers are constructed through assumptions about morality and civic responsibility. Audiences are treated not as empirically real entities but as discursive constructs mobilised to justify censorship. Drawing on Bakhtinian dialogism, this chapter proposes analysing officially endorsed and censored dramas in relation to one another, and within broader disciplinary regimes. By analysing the discourse surrounding censored dramas alongside popular and overlooked ones, this chapter positions the monograph as a contribution to the growing fields of Chinese television studies, media studies, censorship studies, cultural studies, audience studies, memory studies, and social history, offering insight into how moral anxieties shape cultural governance in postsocialist China.

Book titleThe Chinese Censorship Discourse on Television Dramas: Worrying about the Audience in Postsocialist China
Year2026
PublisherRoutledge
Publication dates
Published22 Jan 2026
ISBN9781003471684
9781032749549
Digital Object Identifier (DOI)https://doi.org/10.4324/9781003471684-1
Web address (URL)https://doi.org/10.4324/9781003471684-1

Related outputs

Disarming the Knight-Errant: Remaking Wuxia in My Own Swordsman
How Wee Ng 2026. Disarming the Knight-Errant: Remaking Wuxia in My Own Swordsman. in: How Wee Ng (ed.) The Chinese Censorship Discourse on Television Dramas: Worrying about the Audience in Postsocialist China Routledge.

The Bane of Chinese Civilisation: Pruning Gangtai Dramas and Meteor Garden
How Wee Ng 2026. The Bane of Chinese Civilisation: Pruning Gangtai Dramas and Meteor Garden. in: How Wee Ng (ed.) The Chinese Censorship Discourse on Television Dramas: Worrying about the Audience in Postsocialist China Routledge.

The Tremulous Hand Lifting Spirits: Contending Tongsu and Vulgarisation in Yearnings
How Wee Ng 2026. The Tremulous Hand Lifting Spirits: Contending Tongsu and Vulgarisation in Yearnings. in: How Wee Ng (ed.) The Chinese Censorship Discourse on Television Dramas: Worrying about the Audience in Postsocialist China Routledge.

When Is China: Playing with History in Tales of Qianlong and Towards the Republic
How Wee Ng 2026. When Is China: Playing with History in Tales of Qianlong and Towards the Republic. in: How Wee Ng (ed.) The Chinese Censorship Discourse on Television Dramas: Worrying about the Audience in Postsocialist China Routledge.

Who's Afraid of the Big Bad Youth: Disciplining Foreign Influences in Garrison's Gorillas
How Wee Ng 2026. Who's Afraid of the Big Bad Youth: Disciplining Foreign Influences in Garrison's Gorillas. in: How Wee Ng (ed.) The Chinese Censorship Discourse on Television Dramas: Worrying about the Audience in Postsocialist China Routledge.

Historical Context: Worrying about the Television Audience in Postsocialist China
How Wee Ng 2026. Historical Context: Worrying about the Television Audience in Postsocialist China. in: How Wee Ng (ed.) The Chinese Censorship Discourse on Television Dramas: Worrying about the Audience in Postsocialist China Routledge.

Decolonising China on screen: curating cinemas of the Sinosphere for the university classroom
How Wee Ng 2025. Decolonising China on screen: curating cinemas of the Sinosphere for the university classroom. Media Practice and Education. Advanced online publication. https://doi.org/10.1080/25741136.2025.2600057

Working-class Masculinities in Postsocialist Chinese Television: Mediating (Im)potency and Reproducing Transnational and Localised Inequalities
Ng, H. 2024. Working-class Masculinities in Postsocialist Chinese Television: Mediating (Im)potency and Reproducing Transnational and Localised Inequalities. in: Border Masculinities in Literary and Visual Cultures London Palgrave Macmillan.

Queer Singapore Chinese Theatre: Staging Homosexuality, AIDS and Familial Acceptance
Ng, H. 2024. Queer Singapore Chinese Theatre: Staging Homosexuality, AIDS and Familial Acceptance. in: Queer Literature in the Sinosphere London Bloomsbury Academic. pp. 221-243

Performing Fear in Television Production: Practices of an Illiberal Democracy, by Siao Yuong Fong
Ng, H. 2023. Performing Fear in Television Production: Practices of an Illiberal Democracy, by Siao Yuong Fong. Television & New Media. 25 (4), pp. 405 - 408. https://doi.org/10.1177/15274764231215760

Articulating Silences around Death in Both Sides, Now: Medical Professionals Grappling with Grief
Ng, H. 2022. Articulating Silences around Death in Both Sides, Now: Medical Professionals Grappling with Grief. in: Rajendran, C. and Gough, R. (ed.) Changing Places: Drama Box and the Politics of Space Aberystwyth Performance Research. pp. 164-174

Mainstream Theatre
Ng, H. 2022. Mainstream Theatre. in: Drama Box: 30 Keywords Singapore Drama Box. pp. 48-55

Multilingual
Ng, H. 2022. Multilingual. in: Drama Box: 30 Keywords Singapore Drama Box. pp. 98-105

Dialectics as Creative Process and Decentring China: Zuni Icosahedron and Drama Box’s One Hundred Years of Solitude 10.0: Cultural Revolution
Ng, H. 2021. Dialectics as Creative Process and Decentring China: Zuni Icosahedron and Drama Box’s One Hundred Years of Solitude 10.0: Cultural Revolution. in: Asian City Crossings: Pathways of Performance through Hong Kong and Singapore London Routledge.

K. Rajagopal on making films for and on the ethnic minority in Singapore
Ng, H. 2020. K. Rajagopal on making films for and on the ethnic minority in Singapore. Asian Cinema. 31 (1), pp. 139-142. https://doi.org/10.1386/ac_00019_7

Boo Junfeng on funding, festivals and Chinese privilege
Ng, H. 2020. Boo Junfeng on funding, festivals and Chinese privilege. Asian Cinema. 31 (1), pp. 131-137. https://doi.org/10.1386/ac_00018_7

Unpacking the 'Singapore New Wave'
Fong, S.Y. and Ng, H. 2020. Unpacking the 'Singapore New Wave'. Asian Cinema. 31 (1), pp. 3-15. https://doi.org/10.1386/ac_00010_2

Taipei Golden Horse film awards and Singapore cinema: Prestige, privilege and disarticulation
Ng, H. 2020. Taipei Golden Horse film awards and Singapore cinema: Prestige, privilege and disarticulation. Asian Cinema. 31 (1), pp. 99-122. https://doi.org/10.1386/ac_00015_1

Drawing from Grotowski and Beyond: Kuo Pao Kun’s Discourse on Audiences in Singapore in the 1980s
Ng, H. 2020. Drawing from Grotowski and Beyond: Kuo Pao Kun’s Discourse on Audiences in Singapore in the 1980s. Inter-Asia Cultural Studies. 21 (2), pp. 238-250. https://doi.org/10.1080/14649373.2020.1759879

The Liminality of Decolonization, De-Cold War and Deimperialization: Boal’s Newspaper Theater and East Asian Popular Culture as Method in Drama Box’s Community Commedia Dell’Arte News Busters!
Ng, H.W. 2019. The Liminality of Decolonization, De-Cold War and Deimperialization: Boal’s Newspaper Theater and East Asian Popular Culture as Method in Drama Box’s Community Commedia Dell’Arte News Busters! Router: A Journal of Cultural Studies. (29), pp. 123-160. https://doi.org/10.6752/JCS.201906_(28).0002

Rethinking Censorship in China: The Case of "Snail House (Woju)"
Ng, H. 2015. Rethinking Censorship in China: The Case of "Snail House (Woju)". in: Bai, R. and Song, G. (ed.) Chinese Television in the Twenty–First Century: Entertaining the Nation Routledge. pp. 87-103

Permalink - https://westminsterresearch.westminster.ac.uk/item/x4y83/introduction-rethinking-censorship-as-discourse-articulatory-practices-performance-and-dialogic


Share this

Usage statistics

47 total views
0 total downloads
These values cover views and downloads from WestminsterResearch and are for the period from September 2nd 2018, when this repository was created.