When Is China: Playing with History in Tales of Qianlong and Towards the Republic

Disarming the Knight-Errant: Remaking Wuxia in My Own Swordsman
How Wee Ng 2026. Disarming the Knight-Errant: Remaking Wuxia in My Own Swordsman. in: How Wee Ng (ed.) The Chinese Censorship Discourse on Television Dramas: Worrying about the Audience in Postsocialist China Routledge.

The Bane of Chinese Civilisation: Pruning Gangtai Dramas and Meteor Garden
How Wee Ng 2026. The Bane of Chinese Civilisation: Pruning Gangtai Dramas and Meteor Garden. in: How Wee Ng (ed.) The Chinese Censorship Discourse on Television Dramas: Worrying about the Audience in Postsocialist China Routledge.

The Tremulous Hand Lifting Spirits: Contending Tongsu and Vulgarisation in Yearnings
How Wee Ng 2026. The Tremulous Hand Lifting Spirits: Contending Tongsu and Vulgarisation in Yearnings. in: How Wee Ng (ed.) The Chinese Censorship Discourse on Television Dramas: Worrying about the Audience in Postsocialist China Routledge.

Who's Afraid of the Big Bad Youth: Disciplining Foreign Influences in Garrison's Gorillas
How Wee Ng 2026. Who's Afraid of the Big Bad Youth: Disciplining Foreign Influences in Garrison's Gorillas. in: How Wee Ng (ed.) The Chinese Censorship Discourse on Television Dramas: Worrying about the Audience in Postsocialist China Routledge.

Historical Context: Worrying about the Television Audience in Postsocialist China
How Wee Ng 2026. Historical Context: Worrying about the Television Audience in Postsocialist China. in: How Wee Ng (ed.) The Chinese Censorship Discourse on Television Dramas: Worrying about the Audience in Postsocialist China Routledge.

Introduction: Rethinking Censorship as Discourse, Articulatory Practices, Performance, and Dialogic
How Wee Ng 2026. Introduction: Rethinking Censorship as Discourse, Articulatory Practices, Performance, and Dialogic. in: How Wee Ng (ed.) The Chinese Censorship Discourse on Television Dramas: Worrying about the Audience in Postsocialist China Routledge.

Decolonising China on screen: curating cinemas of the Sinosphere for the university classroom
How Wee Ng 2025. Decolonising China on screen: curating cinemas of the Sinosphere for the university classroom. Media Practice and Education. Advanced online publication. https://doi.org/10.1080/25741136.2025.2600057

Working-class Masculinities in Postsocialist Chinese Television: Mediating (Im)potency and Reproducing Transnational and Localised Inequalities
Ng, H. 2024. Working-class Masculinities in Postsocialist Chinese Television: Mediating (Im)potency and Reproducing Transnational and Localised Inequalities. in: Border Masculinities in Literary and Visual Cultures London Palgrave Macmillan.

Queer Singapore Chinese Theatre: Staging Homosexuality, AIDS and Familial Acceptance
Ng, H. 2024. Queer Singapore Chinese Theatre: Staging Homosexuality, AIDS and Familial Acceptance. in: Queer Literature in the Sinosphere London Bloomsbury Academic. pp. 221-243

Performing Fear in Television Production: Practices of an Illiberal Democracy, by Siao Yuong Fong
Ng, H. 2023. Performing Fear in Television Production: Practices of an Illiberal Democracy, by Siao Yuong Fong. Television & New Media. 25 (4), pp. 405 - 408. https://doi.org/10.1177/15274764231215760

Articulating Silences around Death in Both Sides, Now: Medical Professionals Grappling with Grief
Ng, H. 2022. Articulating Silences around Death in Both Sides, Now: Medical Professionals Grappling with Grief. in: Rajendran, C. and Gough, R. (ed.) Changing Places: Drama Box and the Politics of Space Aberystwyth Performance Research. pp. 164-174

Mainstream Theatre
Ng, H. 2022. Mainstream Theatre. in: Drama Box: 30 Keywords Singapore Drama Box. pp. 48-55

Multilingual
Ng, H. 2022. Multilingual. in: Drama Box: 30 Keywords Singapore Drama Box. pp. 98-105

Dialectics as Creative Process and Decentring China: Zuni Icosahedron and Drama Box’s One Hundred Years of Solitude 10.0: Cultural Revolution
Ng, H. 2021. Dialectics as Creative Process and Decentring China: Zuni Icosahedron and Drama Box’s One Hundred Years of Solitude 10.0: Cultural Revolution. in: Asian City Crossings: Pathways of Performance through Hong Kong and Singapore London Routledge.

K. Rajagopal on making films for and on the ethnic minority in Singapore
Ng, H. 2020. K. Rajagopal on making films for and on the ethnic minority in Singapore. Asian Cinema. 31 (1), pp. 139-142. https://doi.org/10.1386/ac_00019_7

Boo Junfeng on funding, festivals and Chinese privilege
Ng, H. 2020. Boo Junfeng on funding, festivals and Chinese privilege. Asian Cinema. 31 (1), pp. 131-137. https://doi.org/10.1386/ac_00018_7

Unpacking the 'Singapore New Wave'
Fong, S.Y. and Ng, H. 2020. Unpacking the 'Singapore New Wave'. Asian Cinema. 31 (1), pp. 3-15. https://doi.org/10.1386/ac_00010_2

Taipei Golden Horse film awards and Singapore cinema: Prestige, privilege and disarticulation
Ng, H. 2020. Taipei Golden Horse film awards and Singapore cinema: Prestige, privilege and disarticulation. Asian Cinema. 31 (1), pp. 99-122. https://doi.org/10.1386/ac_00015_1

Drawing from Grotowski and Beyond: Kuo Pao Kun’s Discourse on Audiences in Singapore in the 1980s
Ng, H. 2020. Drawing from Grotowski and Beyond: Kuo Pao Kun’s Discourse on Audiences in Singapore in the 1980s. Inter-Asia Cultural Studies. 21 (2), pp. 238-250. https://doi.org/10.1080/14649373.2020.1759879

The Liminality of Decolonization, De-Cold War and Deimperialization: Boal’s Newspaper Theater and East Asian Popular Culture as Method in Drama Box’s Community Commedia Dell’Arte News Busters!
Ng, H.W. 2019. The Liminality of Decolonization, De-Cold War and Deimperialization: Boal’s Newspaper Theater and East Asian Popular Culture as Method in Drama Box’s Community Commedia Dell’Arte News Busters! Router: A Journal of Cultural Studies. (29), pp. 123-160. https://doi.org/10.6752/JCS.201906_(28).0002

Rethinking Censorship in China: The Case of "Snail House (Woju)"
Ng, H. 2015. Rethinking Censorship in China: The Case of "Snail House (Woju)". in: Bai, R. and Song, G. (ed.) Chinese Television in the Twenty–First Century: Entertaining the Nation Routledge. pp. 87-103