| Abstract | Recent decades have seen a welcome expansion in the geographical scope of animation studies, beyond the confines of Disney and other Anglophone studios. However, some subsequent studies of East Asian animations have conveyed an essentialist assumption of absolute difference between “East” and “West”, including a celebration of East Asian animators as conceptualizing a more harmonious relationship between humans and other animals. In contrast, this paper’s examination of animation from 1950s-80s China reveals complexities in the representation of nonhuman animals. While nonhuman animals and nature were treated with reverence in certain high-profile works, such as The Nine-Colored Deer (1981), a thorough examination of animation from this period reveals a wider tendency to positively depict the conquest of nature, as humans struggled against and killed wild animal foes, often in graphically violent ways. |
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