Focusing on Jumu’ah (Friday) prayers, a film made one week was typically played back for the congregation after prayers the following Friday. As in camera mode, the device again moves back and forth, between the entrance and the Mihrab – but this time projecting footage of the congregation down into the hall. The result is uncanny: mapped precisely to the mosque floor, the projected image of the carpet disappears into the real carpet. And the congregation, returning as observers, watch ghostly illusions of themselves at prayer moving slowly across the hall. As the image moves through the physical space, the controlled motorisation creates an effect of only the frame moving, revealing and concealing the architectural site below. There is never a point of fixed representation as the work is continuously in the process of being made.
Assembly was exhibited internationally as part of the Three British Mosques exhibition, V&A Pavilion for La Biennale di Venezia 2021. Curated by architect Shahed Saleem and the V&A, the exhibition looked at the self-built and often undocumented world of adapted mosques. The outputs will enter the V&A collection as permanent digital artefacts, each representing a stage in the evolutionary journey of the British Mosque. Visit the V&A website: https://www.vam.ac.uk/articles/la-biennale-di-venezia-2021
Assembly was also featured in the publication British Mosques (eds. Shahed Saleem, Christopher Turner and Ella Kilgallon). Commissioned by V&A Applied Arts Pavilion Special Project, Volkswagen Group.
Virtual Assembly is an interactive virtual space for Old Kent Road Mosque and MANUK (Muslim Association of Nigeria UK) due to the demolition and redevelopment of their mosque on Old Kent Road in Southwark. Built using 3D software and immersive technologies (VR/AR), the space combines spatial scanning technologies with drawings, audio, film, and speculative design. The content was co-created by the Old Kent Road Mosque community through a series of workshops bringing together different narratives of identity to interact, communicate and learn from each other and carry the community (in its diversity) forward. The project also explores the potential of new technologies in the creation of virtual communal spaces/archives, providing a platform for wider engagement on a local and national scale. The Muslim Council of Britain are project partners.
Creators | Marsh, J. |
---|---|
Description | Made in collaboration with the different mosque congregations, Assembly uses a programmed device mounted on a six-metre motorised rig. Gliding back and forth on the rig, the device is both “recorder” and “player”: at the end of a shoot, the camera is replaced by a projector and the “film” is ready for playback. The work does more than reproduce prayer: it also “performs” the social and religious structures of the site, making evocative use of 5.1 surround sound to create an uncanny experience. Mapped precisely to the mosque floor, the projected image of the carpet disappears into the real carpet. And the congregation, returning as observers, watch ghostly illusions of themselves at prayer. |
Portfolio items | Site-integrity: a dynamic exchange between site, artist, device and audience |
Assembly: Performing the materiality of Muslim prayer spaces | |
Virtual Assembly | |
2021 Venice Architecture Biennale - Three British Mosques/Assembly | |
British Mosques | |
Year | 2020 |
Publisher | University of Westminster |
Web address (URL) | https://vimeo.com/showcase/8120594/ |
Keywords | CREAM Portfolio |
Digital Object Identifier (DOI) | https://doi.org/10.34737/v844y |