Project narrative

Focusing on Jumu’ah (Friday) prayers, a film made one week was typically played back for the congregation after prayers the following Friday. As in camera mode, the device again moves back and forth, between the entrance and the Mihrab – but this time projecting footage of the congregation down into the hall. The result is uncanny: mapped precisely to the mosque floor, the projected image of the carpet disappears into the real carpet. And the congregation, returning as observers, watch ghostly illusions of themselves at prayer moving slowly across the hall. As the image moves through the physical space, the controlled motorisation creates an effect of only the frame moving, revealing and concealing the architectural site below. There is never a point of fixed representation as the work is continuously in the process of being made.

V&A special project at Venice Architecture Biennale 2021

Assembly was exhibited internationally as part of the Three British Mosques exhibition, V&A Pavilion for La Biennale di Venezia 2021. Curated by architect Shahed Saleem and the V&A, the exhibition looked at the self-built and often undocumented world of adapted mosques. The outputs will enter the V&A collection as permanent digital artefacts, each representing a stage in the evolutionary journey of the British Mosque. Visit the V&A website: https://www.vam.ac.uk/articles/la-biennale-di-venezia-2021

Assembly was also featured in the publication British Mosques (eds. Shahed Saleem, Christopher Turner and Ella Kilgallon). Commissioned by V&A Applied Arts Pavilion Special Project, Volkswagen Group.

Virtual Assembly

Virtual Assembly is an interactive virtual space for Old Kent Road Mosque and MANUK (Muslim Association of Nigeria UK) due to the demolition and redevelopment of their mosque on Old Kent Road in Southwark. Built using 3D software and immersive technologies (VR/AR), the space combines spatial scanning technologies with drawings, audio, film, and speculative design. The content was co-created by the Old Kent Road Mosque community through a series of workshops bringing together different narratives of identity to interact, communicate and learn from each other and carry the community (in its diversity) forward. The project also explores the potential of new technologies in the creation of virtual communal spaces/archives, providing a platform for wider engagement on a local and national scale. The Muslim Council of Britain are project partners.

Realisation of the work involved: 

  • Production of four site-specific artworks to test ideas and develop a working methodology and contextual framework for the project
  • Collaboration with mosque communities and other experts to develop a knowledge base during each site-specific residency
  • Sustained technical research into the recording/ playback device through liaison with technical engineers, computational developers and coders in order to develop the necessary knowledge base to deliver practice 
  • Development of qualitative research methods as a form of data collection and archive from each site residency and performance
CreatorsMarsh, J.
Description

Made in collaboration with the different mosque congregations, Assembly uses a programmed device mounted on a six-metre motorised rig. Gliding back and forth on the rig, the device is both “recorder” and “player”: at the end of a shoot, the camera is replaced by a projector and the “film” is ready for playback. The work does more than reproduce prayer: it also “performs” the social and religious structures of the site, making evocative use of 5.1 surround sound to create an uncanny experience. Mapped precisely to the mosque floor, the projected image of the carpet disappears into the real carpet. And the congregation, returning as observers, watch ghostly illusions of themselves at prayer.
Created and projected in each one of four mosques, Assembly enhanced the congregation’s self-awareness of the act of worship. The project highlights the social and architectural diversity of mosques in Britain, raising questions about social boundaries, while creating an opportunity for mosques to connect with the wider community.
The Venice installation of Assembly will include five films and interviews generated by the Assembly project, plus detailed 3D scans of Old Kent Road and Brick Lane mosques. Both films and scans will enter the V&A collection as permanent digital artefacts as a record of a significant period of informal religious architecture.

Portfolio itemsSite-integrity: a dynamic exchange between site, artist, device and audience
Assembly: Performing the materiality of Muslim prayer spaces
Virtual Assembly
2021 Venice Architecture Biennale - Three British Mosques/Assembly
British Mosques
Year2020
PublisherUniversity of Westminster
Web address (URL)https://vimeo.com/showcase/8120594/
KeywordsCREAM Portfolio
Digital Object Identifier (DOI)https://doi.org/10.34737/v844y

Portfolio items

Site-integrity: a dynamic exchange between site, artist, device and audience
Marsh, J. 2019. Site-integrity: a dynamic exchange between site, artist, device and audience. Journal for Artistic Research. Issue 19 19. https://doi.org/10.22501/jar.596787

Assembly: Performing the materiality of Muslim prayer spaces
Marsh, J. 2018. Assembly: Performing the materiality of Muslim prayer spaces. Scene. 6 (2), pp. 133-151. https://doi.org/10.1386/scene_00014_1

Virtual Assembly
Marsh, J. 2021. Virtual Assembly .

2021 Venice Architecture Biennale - Three British Mosques/Assembly
Marsh, J. 2020. 2021 Venice Architecture Biennale - Three British Mosques/Assembly. VENICE ARCHITECTURE BIENNALE May - Sep 2021

British Mosques
Marsh, J. Saleem, S., Turner, C. and Kilgallon, E. (ed.) 2021. British Mosques. Foolscap Editions.

Related outputs

Assembly
Marsh, Julie 2024. Assembly. Architecture and Culture. 10 (4), pp. 559-561. https://doi.org/10.1080/20507828.2023.2337456

Performing the Symbiotic Relationship Between the Adapted Mosque and its Congregation
Marsh, J. 2024. Performing the Symbiotic Relationship Between the Adapted Mosque and its Congregation. in: Lamb, T. and Wang, C. (ed.) Negotiating Identities, Language and Migration in Global London: Bridging Borders, Creating Spaces London Multilingual Matters. pp. 170-186

Site-integrity: An embedded and embodied approach to practice-based research
Marsh, J. 2023. Site-integrity: An embedded and embodied approach to practice-based research. Scene. 11 (1-2), pp. 7-20. https://doi.org/10.1386/scene_00061_1

Assembly: Investigating the Role That Artist Fieldwork Can Play in Islamic Sites of Worship
Marsh, Julie 2022. Assembly: Investigating the Role That Artist Fieldwork Can Play in Islamic Sites of Worship. Architecture and Culture. 10 (4), pp. 753-770. https://doi.org/10.1080/20507828.2024.2336325

Virtual Assembly
Marsh, J. 2021. Virtual Assembly .

British Mosques
Marsh, J. Saleem, S., Turner, C. and Kilgallon, E. (ed.) 2021. British Mosques. Foolscap Editions.

Jamaat at Harrow Mosque (2020)
Marsh, J. 2020. Jamaat at Harrow Mosque (2020). Harrow Mosque 16 - 16 Oct 2020

Jamaat at Old Kent Road Mosque (2019-20)
Marsh, J. 2020. Jamaat at Old Kent Road Mosque (2019-20) . 20 Jun 2020

2021 Venice Architecture Biennale - Three British Mosques/Assembly
Marsh, J. 2020. 2021 Venice Architecture Biennale - Three British Mosques/Assembly. VENICE ARCHITECTURE BIENNALE May - Sep 2021

Site-integrity: a dynamic exchange between site, artist, device and audience
Marsh, J. 2019. Site-integrity: a dynamic exchange between site, artist, device and audience. Journal for Artistic Research. Issue 19 19. https://doi.org/10.22501/jar.596787

Assembly: catalogue of research findings
Marsh, J. 2019. Assembly: catalogue of research findings. London Shelter Press, France.

Jamaat at Brick Lane Mosque (2018-9)
Marsh, J. 2018. Jamaat at Brick Lane Mosque (2018-9) . Brick Lane Mosque Oct - Nov 2018

Assembly: Performing the materiality of Muslim prayer spaces
Marsh, J. 2018. Assembly: Performing the materiality of Muslim prayer spaces. Scene. 6 (2), pp. 133-151. https://doi.org/10.1386/scene_00014_1

Assembly: Artist Talk at Closeup Film Centre
Marsh, J. 2018. Assembly: Artist Talk at Closeup Film Centre. Julie Marsh.

Salat at Birmingham Central Mosque (2016-17)
Marsh, J. 2017. Salat at Birmingham Central Mosque (2016-17). Birmingham Central Mosque 06 - 06 May 2016

Lokomotywownia (2016)
Marsh, J. 2017. Lokomotywownia (2016). Płaszów, Poland 10 - 24 Feb 2017

Assembly: performing the materiality of Muslim prayer spaces
Marsh, J. 2016. Assembly: performing the materiality of Muslim prayer spaces. University of Westminster.

Pestera (2015)
Marsh, J. 2015. Pestera (2015). Atelier Contemporary Art Space, Bucharest 21 - 28 Jul 2017

Permalink - https://westminsterresearch.westminster.ac.uk/portfolio/v844y/assembly


Jamaat, Assembly at Brick Lane Mosque, Main Prayer Hall, London, UK, 2018, Site-specific installation.
Jamaat, Assembly at Brick Lane Mosque, Main Prayer Hall, London, UK, 2018, Site-specific installation.
Female congregation members look down on moving projection in main prayer hall at Brick Lane Mosque
Female congregation members look down on moving projection in main prayer hall at Brick Lane Mosque

Image credit: David Monteith-Hodge

Three British Mosques Exhibition at Venice Biennale 2021
Three British Mosques Exhibition at Venice Biennale 2021
Virtual Assembly, a 3D model and virtual site of Old Kent Road Mosque
Virtual Assembly, a 3D model and virtual site of Old Kent Road Mosque