English, Linguistics and Cultural Studies

Horton, E., Tew, P. and Wilson, L.G. (ed.) 2014. The 1980s: a decade of contemporary British fiction. London Bloomsbury.

Mays, S. (ed.) 2014. Libraries, literatures, and archives. Abingdon, Oxon Routledge.

Smith, M. 2013. Theses on the philosophy of history: the work of research in the age of digital searchability and distributability. Journal of Visual Culture. 12 (3), pp. 375-403. https://doi.org/10.1177/1470412913507505

Mays, S. 2013. Between Pandora and Diogenes: Fox Talbot and the gender of archives. Journal of Visual Culture. 13 (3), pp. 450-471. https://doi.org/10.1177/1470412913506008

Peckham, A. 2013. Cataloguing architecture: the library of the architect. in: Mays, S. (ed.) Libraries, literatures, and archives Routledge. pp. 202-223

Mays, S. 2013. Witnessing the archive: art, capitalism and memory. in: Vaknin, J., Stuckey, K. and Lane, V. (ed.) All this stuff: archiving the artist Faringdon Libri Publishing. pp. 141-156

Germanà, M. 2013. ‘The Uncanny can happen’: Desire and Belief in Ali Smith’s The Seer’. in: Germanà, M. and Horton, E. (ed.) Contemporary Critical Perspectives: Ali Smith London Bloomsbury. pp. 115-129

Germanà, M. and Horton, E. (ed.) 2013. Contemporary Critical Perspectives: Ali Smith. London Bloomsbury Press.

Marczewska, K. 2013. Heritage North N8/AHRC Consortium report. Durham University, Durham Research in English at Durham (READ) .

Wilson, L.G. 2013. "Miraculous constellations in real material”: spiritualist phenomena, dada photomontage and magic. in: Mays, S. and Matheson, N. (ed.) The machine and the ghost: technology and spiritualism in 19th to 21st century art and culture Manchester Manchester University Press.

Willis, M., Waddington, K. and Marsden, R. 2013. Imaginary investments: illness narratives beyond the gaze. Journal of Literature and Science. 6 (1), pp. 55-73. https://doi.org/10.12929/jls.06.1.04

Wargen, J. 2013. Subjugated scientific knowledges : detecting the Victorian female scientist. PhD thesis University of Westminster School of Social Sciences, Humanities and Languages https://doi.org/10.34737/8z200

Smith, M. 2013. The erotic doll: a modern fetish. New Haven Yale University Press.

Mays, S. and Matheson, N. 2013. Technologies, spiritualisms, and modernities. in: Mays, S. and Matheson, N. (ed.) The machine and the ghost: technology and spiritualism in 19th to 21st century art and culture Manchester Manchester University Press.

Mays, S. 2013. Literary digital humanities and the politics of the infinite. New Formations. 78, pp. 7-21. https://doi.org/10.3898/neWF.78.06.2013

Mays, S. 2013. From the premodern to the postmodern: mnemotechnics and the ghost of "the folk". in: Mays, S. and Matheson, N. (ed.) The machine and the ghost: technology and spiritualism in 19th to 21st century art and culture Manchester Manchester University Press.

Daley, C. 2013. British science fiction and the Cold War, 1945-1969. PhD thesis University of Westminster School of Social Sciences, Humanities and Languages https://doi.org/10.34737/8yz67

Mays, S. and Matheson, N. (ed.) 2013. The machine and the ghost: technology and spiritualism in 19th to 21st century art and culture. Manchester Manchester University Press.

Germanà, M. and Horton, E. (ed.) 2013. Ali Smith: contemporary critical perspectives. London Continuum.

Pons-Sanz, S.M. 2012. The lexical effects of Anglo-Scandinavian linguistic contact on old English. Turnhout Brepols.

Pons-Sanz, S.M. 2012. Does order matter? a study of Aldred’s multiple glosses to the Lindisfarne Gospels. 3rd International Conference of Language, Culture, and Society in Russian and English Studies. Senate House, University of London, London 10 Jul 2012

Pons-Sanz, S.M. 2012. Aldred's multiple glosses: a study of ordering preferences. 17th International Conference on English Historical Linguistics. University of Zurich, Switzerland 21 Aug 2012

Willis, M. 2012. Victorian realism and the gothic: objects of terror transformed. in: Hughes, W. and Smith, A. (ed.) The Victorian gothic: an Edinburgh companion Edinburgh University Press. pp. 15-28

Willis, M. 2012. On wonder: situating the spectacle in spiritualism and performance magic. in: Kember, J., Plunkett, J. and Sullivan, J.A. (ed.) Popular exhibitions, science and showmanship, 1840-1910 Pickering & Chatto. pp. 167-182

Willis, M. 2012. Objects of terror transformed: Victorian realism and the gothic. in: Smith, A. and Hughes, W. (ed.) The Victorian gothic: an Edinburgh companion Edinburgh Edinburgh University Press. pp. 15-28

Szczelkun, S. 2012. Oral history video. Brixton Art Gallery 2012

Szczelkun, S. 2012. Agit disco. London Mute Books.

Lichtenstein, R. 2012. Diamond Street: the hidden world of Hatton Garden. Hamish Hamilton.

Krzanowski, M. 2012. Current developments in English for work and the workplace: approaches, curricula and materials. Garnet Education.

Gray, B. and Krzanowski, M. (ed.) 2012. Time for change: developing English language teaching at tertiary level in Sudan. Garnet Education.

Willis, M. 2011. Vision, science and literature, 1870-1920: ocular horizons. Pickering & Chatto.

Smith, M. 2011. Visual culture studies. in: Encyclopedia of literature and cultural theory Chichester Wiley.

Pons-Sanz, S.M. 2011. The etymology of the OE hōre word-field and the lexico-cultural climate of eleventh-century England. Nottingham Medieval Studies. 55, pp. 32-48.

Smith, M. 2010. Web 3.0: metadata r us. Paperweight: a newspaper of visual and material culture. 1 (1).

Szczelkun, S. 2010. On edge: an interview with Alexa Wright. Mute. 2 (16).

Szczelkun, S. 2010. Voice-over on Graham Harwood's 'Steam powered computer' video.

Smith, M. 2009. Visual culture studies: questions of history, theory, and practice. in: Methodologies of art history in transcultural era Korean Association of Modern and Contemporary Art. pp. 163-208

Smith, M. 2006. Visual culture studies: questions of history, theory, and practice. in: Jones, A. (ed.) A companion to contemporary art since 1945 Oxford Blackwell. pp. 470-489

Smith, M. 2006. The vulnerable articulate: prosthetics, aesthetics, and erotics in James Gillingham, Aimee Mullins, and Matthew Barney. in: Davis, L. (ed.) The disability studies reader. 2nd edition London Routledge. pp. 736-755

Smith, M. 2005. The vulnerable articulate: prosthetics, aesthetics, and erotics in James Gillingham, Aimee Mullins, and Matthew Barney. in: Smith, M. and Morra, J. (ed.) The prosthetic impulse: from a posthuman present to a biocultural future Cambridge, Mass MIT Press. pp. 43-72