Beck, J. and Cornford, M. 2024. The Art School and the Everyday: No Life Without Art. in: Co-operative Education, Politics, and Art: Creative, Critical, and Community Resistance to Corporate Higher Education London Routledge.
Beck, J. 2024. The Art Schools of the Midlands. Martin Hall Gallery, University of Loughborough 16 May - 28 Jun 2024
Dominici, S. 2024. Guest editorial: Locating the Darkroom. Special issue on "The Darkroom: Chemical, Cultural, Industrial". PhotoResearcher. 41, pp. 4-15.
Beck, J. and Cornford, M. 2023. The Art Schools of the West Midlands. The New Art Gallery Walsall 17 Feb - 02 Jul 2023
Dominici, S. 2023. Photography and Early Motor Touring in Britain. History of Photography. 47 (3), pp. 234-255. https://doi.org/10.1080/03087298.2024.2338610
Beck, J. and Cornford, M. 2023. The Art Schools of the East Midlands. Bonington Gallery, Nottingham Trent University 22 Sep - 02 Dec 2023
Dominici, S. 2023. Wish You Were Here? Source Magazine. Spring (110), pp. 14-17.
Wilson, L. 2023. C.K. Ogden, I.A. Richards and ‘Word Magic’: Rethinking the Relation of Language to Myth. in: Edinburgh Companion to Modernism, Myth and Reigion Edinburgh Edinburgh University Press. pp. 151-165
Dominici, S. 2022. Sonata by Aaron Schuman. Source Magazine. Autumn (109), p. 81.
Dominici, S. 2022. Early Photographic Federations and the Pursuit of Collaborative Education. Early Popular Visual Culture. 20 (4), pp. 388-411. https://doi.org/10.1080/17460654.2022.2087710
Wilson, L. 2022. Talking about Ann Quin: An Interview with Claire-Louise Bennett. Women: A Cultural Review. 33 (1), pp. 114-130. https://doi.org/10.1080/09574042.2022.2020013
Beck, J. and Cornford, M. 2021. Harmony, Contrast & Discord: Rochdale and the Art Schools of the North West. Touchstones Rochdale 18 May - 03 Jul 2021
Dominici, S. 2021. The Tricycle and the Camera: New Technologies for Self-Determination. The PhotoHistorian. 189 (Spring), pp. 5-8.
Dominici, S. 2021. The Tricycle and the Camera: New Technologies for Self-Determination. Journal of Victorian Culture Online.
Dominici, S. 2021. DARKROOM NETWORKS: Mundane subversiveness for photographic autonomy, 1880s-1900s. Photographies. 14 (2), pp. 265-286. https://doi.org/10.1080/17540763.2021.1877186
Wilson, L. 2021. Whose sister? ‘Convenient pigeonholes’, Peter Owen and the publishing of Anna Kavan. in: British Experimental Women's Fiction, 1945-75: 'Slipping Through the Labels' Basingstoke Palgrave Macmillan. pp. 83-101
Beck, J. 2021. On the Beach. Cultural Politics. 17 (1), pp. 135-144. https://doi.org/10.1215/17432197-8797627
Beck, J. 2021. Landscape as Weapon: Cultures of Exhaustion and Refusal. London Reaktion Press.
Dominici, S. 2020. The Postal Service, Circulating Portfolios and the Cultural Production of Modern Networked Identities. History of Photography. 44 (2-3), pp. 111-127. https://doi.org/10.1080/03087298.2021.1907959
Taylor, E. 2020. The Problem of Hope: Orwell’s Workers. in: Waddell, N. (ed.) The Cambridge Companion to Nineteen Eighty-Four Cambridge Cambridge University Press. pp. 155-167
Wilson, L., Colby, G. and Marczewska, K. (ed.) 2020. The Contemporary Small Press: Making Publishing Visible. Basingstoke Palgrave Macmillan.
Wilson, L. 2020. Acts of Judgment and the Small Press: Learning from F.R. Leavis. in: Colby, G. and Marczewska, K. (ed.) The Contemporary Small Press: Making Publishing Visible Basingstoke Palgrave Macmillan. pp. 219-236
Beck, J. and Bishop, R. 2020. Technocrats of the Imagination: Art, Technology, and the Military-Industrial Avant-Garde. Durham, North Carolina Duke University Press.
Dominici, S. 2020. From the Proliferation of the Photographic to the Nullification of Truth: Personal and Commercial Narratives of Travel in Britain, 1890s-1930s. Image [&] Narrative. 21 (2), pp. 26-43.
Beck, J. and Dorrian, M. 2020. The Time Capsule and the Cut Up: Negotiating Temporality, Anticipating Catastrophe. Theory, Culture & Society. 37 (7-8), pp. 95-114. https://doi.org/10.1177/0263276420958049
Wilson, L.G. 2020. Should We Believe? The Fictional, The Virtual and the Real in the Contemporary Novel. Textual Practice. 34 (2), pp. 215-233. https://doi.org/10.1080/0950236X.2018.1508063
Beck, J. and Cornford, M. 2019. The North West Art School Record Machine. Bury Art Museum 12 Oct 2019 - 25 Jan 2020
Wilson, L.G. 2019. Post-millennial Literature. in: Boxall, P. (ed.) The Cambridge Companion to British Fiction 1980-2018 Cambridge Cambridge University Press. pp. 47-66
Beck, J. and Cornford, M. 2018. The Art Schools of North West England. Bluecoat, Liverpool 17 Nov 2018 - 31 Mar 2019
Beck, J. and Bishop, R. 2018. The Return of the Art and Technology Lab. Cultural Politics. 14 (2), pp. 225-243. https://doi.org/10.1215/17432197-6609102
Charles, M. 2018. Secret Signals from Another World: Walter Benjamin’s Concept of Innervation. New German Critique. 45 (3(135)), pp. 39-72. https://doi.org/10.1215/0094033X-6977791
Taylor, E. 2018. The Popular Front Novel in Britain, 1934-1940. Leiden Brill.
Charles, M. 2018. Erziehung: the critical theory of education and counter-education. in: Best, B., Bonefeld, W. and O'Kane, C. (ed.) The Sage Handbook of Frankfurt School Critical Theory London Sage. pp. 988-1005
Charles, M. 2018. Teaching, In Spite of Excellence: Recovering a Practice of Teaching-led Research. Studies in Philosophy and Education. 37 (1), pp. 15-29. https://doi.org/10.1007/s11217-017-9568-1
Wilson, L.G. 2017. Anna Kavan's Ice and Alan Burns' Europe After the Rain: Repetition With A Difference. Women: A Cultural Review. 28 (4), pp. 327-342. https://doi.org/10.1080/09574042.2017.1388582
Taylor, E. 2017. ‘The voice speaking, desired, awaited’: Jack Lindsay’s 1649, Textual Form and Communist Historiography. Twentieth Century Communism . 12, pp. 15-36.
Colby, G. 2016. Death and the Contemporary (Special double issue of New Formations journal). New Formations. 89/90, pp. 5-278. https://doi.org/10.3898/NEWF:89/90.INTRODUCTION.2016
Cunningham, D.I. and Beck, J. 2016. Photography and Abstraction [Special Issue of Photographies journal]. Photographies. 9 (2), pp. 129-228.