Music Research Group

Group leaderDr Chris Kennett
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Modular Synth as Lab - Complexity and the Single Oscillator

Digital or visual media

Boon, H. 2020. Modular Synth as Lab - Complexity and the Single Oscillator. London

Simulating A Complex Oscillator - Patching Techniques and Walkthrough - Proof of Concept

Digital or visual media

Boon, H. 2020. Simulating A Complex Oscillator - Patching Techniques and Walkthrough - Proof of Concept. London

The Ways of Making, Dissemination and Reception Have Changed, So What Should We Do About It?

Conference paper

Boon, H. 2020. The Ways of Making, Dissemination and Reception Have Changed, So What Should We Do About It? Equality, Diversity and Inclusion in Music Higher Education. City University - Senate House 24 Jan 2020

The beginning of a beautiful relationship: A case study on an immersive filmmaking process

Book chapter

Patel, S., Toulson, R. and Azuaje, L. 2020. The beginning of a beautiful relationship: A case study on an immersive filmmaking process. in: Batty, C., Berry, M., Dooley, K, Kerrigan, S. and Frankham, B. (ed.) The Palgrave Handbook of Screen Production Palgrave Macmillan.

Changing Technologies of Music Distribution

Book chapter

Toulson, R. 2020. Changing Technologies of Music Distribution. in: Zagorski-Thomas, S. and Bourbon, A. (ed.) Bloomsbury Handbook on Music Production Bloomsbury.

A Pocketful of Posies by Mediaeval Baebes

Artefact

Toulson, R. and Blake, K 2019. A Pocketful of Posies by Mediaeval Baebes.

Observations on the Utility of Square Waves and Their Applicability in Generative Melodic Applications

Conference paper

Boon, H. 2019. Observations on the Utility of Square Waves and Their Applicability in Generative Melodic Applications. SEMPRE Autumn Conference. Bath Spa 08 - 08 Nov 2019

Improvising Songwriting and Composition Within A Hybrid Modular Synthesis System

Conference paper

Boon, H. 2019. Improvising Songwriting and Composition Within A Hybrid Modular Synthesis System. InMusic19. University of West London 05 - 07 Dec 2019

Piano Ombre - Album App

Software

Toulson, R. and Shakhovskoy, J 2019. Piano Ombre - Album App. Apple App Store Apple App Store.

User-Influenced/Machine-Controlled Playback: The variPlay Music App Format for Interactive Recorded Music

Journal article

Paterson, J., Toulson, R. and Hapworth-Sayer, R. 2019. User-Influenced/Machine-Controlled Playback: The variPlay Music App Format for Interactive Recorded Music. Arts. 8 (3), p. 112. doi:10.3390/arts8030112

Ofenbach variPlay - Rock It

Software

Toulson, R. and Paterson, J. 2019. Ofenbach variPlay - Rock It. Apple App Store Apple App Store.

Connected Learning Journeys in Music Production Education

Journal article

Toulson, R. and Hepworth-Sawyer, R. 2019. Connected Learning Journeys in Music Production Education . Journal of Music, Technology & Education.

Evaluating white noise degradation on Sonic Quick Response Code (SQRC) decode efficacy

Conference paper

Toulson, R. and Sheppard, M. 2019. Evaluating white noise degradation on Sonic Quick Response Code (SQRC) decode efficacy. Loughran, R. and Angus-Whiteoak, J. (ed.) Audio Engineering Society 146th Convention. Dublin 20 - 23 Mar 2019 Audio Engineering Society. doi:10.17743/aesconv.2019.978-1-942220-26-8

Quantitative analysis of streaming protocols for enabling Internet of Things (IoT) audio hardware

Conference paper

Toulson, R. and Hardin, M. 2019. Quantitative analysis of streaming protocols for enabling Internet of Things (IoT) audio hardware. Loughran, R. and Angus-Whiteoak, J. (ed.) Audio Engineering Society 146th Convention. Dublin 20 - 23 Mar 2019 Audio Engineering Society. doi:10.17743/aesconv.2019.978-1-942220-26-8

Innovation in Music: Performance, Production, Technology, and Business

Book

Hepworth-Sawyer, R., Hodgson, J., Paterson, J. and Toulson, R. (ed.) 2019. Innovation in Music: Performance, Production, Technology, and Business. New York Routledge.

Acoustic transmission of metadata in audio files using Sonic Quick Response Codes (SQRC)

Book chapter

Sheppard, M., Toulson, R. and Fachner, J. 2019. Acoustic transmission of metadata in audio files using Sonic Quick Response Codes (SQRC). in: Hepworth-Sawyer, R., Hodgson, J., Paterson, J. and Toulson, R. (ed.) Innovation in Music: Performance, Production, Technology, and Business New York Routledge. pp. 399-410

Evaluating analog reconstruction performance of transient digital audio workstation signals at high- and standard- resolution sample frequencies

Book chapter

Toulson, R. 2019. Evaluating analog reconstruction performance of transient digital audio workstation signals at high- and standard- resolution sample frequencies. in: Hepworth-Sawyer, R., Hodgson, J., Paterson, J. and Toulson, R. (ed.) Innovation in Music: Performance, Production, Technology, and Business New York Routledge. pp. 385-398

Victoriana by Mediaeval Baebes

Artefact

Toulson, R. and Blake, K 2018. Victoriana by Mediaeval Baebes.

Chasing Infinity by Asympt Man

Artefact

Toulson, R. 2018. Chasing Infinity by Asympt Man.

Interactive Recorded Music: Past, Present and Future

Conference paper

Toulson, R. and Paterson, J 2018. Interactive Recorded Music: Past, Present and Future. Audio Engineering Society 145th Convention. New York 17 - 20 Oct 2018 Audio Engineering Society.

Ximena Sariñana variPlay

Software

Toulson, R. and Paterson, J. 2018. Ximena Sariñana variPlay. Apple App Store Apple App Store.

Plan - Defab1 & Vanessa Knight

Software

Toulson, R. and Paterson, J. 2018. Plan - Defab1 & Vanessa Knight. Apple App Store Apple App Store.

Asympt Man - Chasing Infinity

Software

Toulson, R. and Paterson, J. 2018. Asympt Man - Chasing Infinity. Apple App Store Apple App Store.

Hip-Hop pedagogy as production practice: Reverse-engineering the sample-based aesthetic

Journal article

Exarchos, M. 2018. Hip-Hop pedagogy as production practice: Reverse-engineering the sample-based aesthetic . Journal of Popular Music Education. 2 (1-2), pp. 45-63. doi:10.1386/jpme.2.1-2.45_1

Waltzing by Daisy and The Dark

Artefact

Toulson, R. and Foster, S. K. 2016. Waltzing by Daisy and The Dark.

Circus by Daisy and The Dark

Artefact

Toulson, R. and Foster, S. K. 2016. Circus by Daisy and The Dark.

Sonic Necessity and Compositional Invention in #Blues-Hop: Composing the Blues for Sample-Based Hip-Hop

Conference paper

Exarchos, M. 2016. Sonic Necessity and Compositional Invention in #Blues-Hop: Composing the Blues for Sample-Based Hip-Hop. New Zealand Musicological Society Annual Conference. Hamilton, New Zealand 19 - 20 Nov 2016

Synth Sonics as Stylistic Signifiers in Sample-Based Hip-Hop: Synthetic Aesthetics from ‘Old-Skool’ to Trap

Conference paper

Exarchos, M. 2016. Synth Sonics as Stylistic Signifiers in Sample-Based Hip-Hop: Synthetic Aesthetics from ‘Old-Skool’ to Trap. 2nd Annual Synthposium. Melbourne, Australia 14 Nov 2016

From The Deep by From The Deep

Artefact

Toulson, R., Blake, K. and Marsh, N. 2015. From The Deep by From The Deep.

Red Planet by Daisy and The Dark

Artefact

Toulson, R. and Foster, S. K. 2015. Red Planet by Daisy and The Dark.

Face To Face by Ethan Ash

Artefact

Toulson, R. and Ash, E. 2015. Face To Face by Ethan Ash.

Of Kings and Angels by Mediaeval Baebes

Artefact

Toulson, R. and Blake, K 2014. Of Kings and Angels by Mediaeval Baebes.


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Ball, Graham

Assistant Head of School


Hermes, Kirsten

Senior Lecturer