Centre for Research and Education in Arts and Media

Granziol-fornera, M. 2017. The Fragmented Body and the Artwork of Berlinde De Bruyckere. PhD thesis University of Westminster Centre for Research and Education in Arts and Media https://doi.org/10.34737/q0923

Nikolic, M. 2017. minoritarian ecologies: performance before a more-than-human world. PhD thesis University of Westminster Centre for Research and Education in Arts and Media https://doi.org/10.34737/9zyyy

Angeli, S. 2017. Catholicism in Italian cinema in the age of ‘the new secularisation’ (1958-1978). PhD thesis University of Westminster Centre for Research and Education in Arts and Media https://doi.org/10.34737/9zwvz

Shinkle, E. 2017. The Feminine Awkward: Graceless Bodies and the Performance of Femininity in Fashion Photographs. Fashion Theory. 21 (2), pp. 201-217. https://doi.org/10.1080/1362704X.2016.1252524

Goddard, M. 2017. Audiovision and Gesamtkunstwerk: The Aesthetics of First and Second Generation Industrial Music Video. in: Arnold, G., Cookney, D., Fairclough, K. and Goddard, M. (ed.) Music/Video: Histories , Aesthetics, Media London Bloomsbury Academic. pp. 163-180

Arnold, G., Cookney, D., Fairclough, K. and Goddard, M. (ed.) 2017. Music/Video: Histories, Aesthetics, Media. London Bloomsbury Academic.

Corby, T., Baily, G. and Sabbata, S 2017. CODEX: mapping co-created data for speculative geographies. Leonardo. 50 (1), pp. 70-71. https://doi.org/10.1162/LEON_a_01347

Boehnert, J. 2017. Ecological Theory in Design: Participant Designers in an Age of Entanglement. in: Egenhoefer, R.B. (ed.) Routledge Handbook of Sustainable Design London Routledge.

Ingawanij, M.A. 2016. Southern Collectives screening programmes and discussion . Buenos Aires 29 Oct - 13 Nov 2016

Cummings, P. 2016. Early Ornament. Montreal

Pucill, S. 2016. BFI London Film Festival Premiere of Confessions To The Mirror (16mm col, 68min). BFI Southbank, London 05 - 16 Oct 2016

Twomey, C. 2016. Humanity Is In Our Hands. Westminster Bridge, London 27 2015 - 27 Jan 2016

Maziere, M. 2016. Akerman_Maziere Rear Window - TV Interview . Broadcast

Clark, G. 2016. On Correct Colour: On Margaret Honda's films. in: Moshayedi, A and Walker, H (ed.) Made In LA: a, the, through, only Hammer Museum / UCLA.

Clark, G. 2016. To Pour Milk Into a Glass: Film, Video and Conceptual Art in Britain 1964–1979. in: Wilson, A. (ed.) Conceptual Art in Britain 1964–1979 London Tate Publishing.

Sporton, G. 2016. Reviews: Swan Lake, Swan Lake, Trinity. Scene. 4 (2), pp. 173-178. https://doi.org/10.1386/scene.4.2.173_5

Pucill, S. 2016. Confessions to the Mirror (16mm, col, 68min, 2016). University of Westminster. https://doi.org/10.34737/qvq82

Maziere, M. 2016. AFTER CHANTAL: An International Conference. After Chantal: An International Conference. University of Westminster 04 - 06 Nov 2016

Wright, A. and Carnie, Andrew 2016. Art/Sci Nexus, 9 Evenings Revisited. 9 Evenings Revisited, in Theory as in Practice. KKW, Leipzig, Germany

Wright, A. 2016. Visual Narratives of Embodied Experience at RPsych Conference. Royal College of Psychiatrists Annual Conference. Cardiff 25 - 27 Apr 2016

Soutter, L. 2016. Showing and Telling: Narrative Photography from Pictures to Parafictions. in: Telling Tales: Contemporary Narrative Photography Seattle, Washington McNay Museum (San Antonio, Texas).

Marsh, J. 2016. Assembly: performing the materiality of Muslim prayer spaces. University of Westminster.

Fusari, M. 2016. Representing the Bektashis - Exploring Epistemologies in Visual Anthropology. in: Guidetti , M. and Mondini , S. (ed.) A mari usque ad mare Venice, Italy Edizioni Ca’ Foscari - Digital Publishing. pp. 399-409

Fusari, M. 2016. The Tentmakers of Islamic Cairo.

Dawood, S. 2016. Dances with Cryptids. in: Palestra, C. (ed.) Kalimpong London Sternberg Press. pp. 54-62

Dawood, S. 2016. Kalimpong. Timothy Taylor, London 16 Sep 2016 - 22 Oct 2017

Triscott, N. 2016. Critical Art and Outer Space: a curatorial inquiry into space as a global commons. Association of American Geographers Annual Meeting 2016. San Francisco 29 Mar - 02 Apr 2016

Triscott, N., Harwood, G., Kurtz, S. and Lastra, C. 2016. Graveyard of Lost Species - Critical Art Ensemble / YoHa. Site specific, Leigh-on-Sea marshes, Southend, Essex. Ordinance survey grid ref: TQ 82738 85478 07 Jul 2016 - 31 Dec 2018

Triscott, N. 2016. Transmissions from the Noosphere: Contemporary art and outer space. in: The Palgrave Handbook of Society, Culture & Outer Space Palgrave Macmillan.

Sprio, Margherita 2016. Performing history: girlhood and the apple (Samira Makhmalbaf, 1998). in: Handyside, F. and Taylor-Jones, K. (ed.) International Cinema and the Girl: Local Issues, Transnational Contexts Houndmills, Basingstoke Palgrave Macmillan. pp. 165-177

Tabrizian, M. 2016. ‘You don’t know what nights are like?’ – public art project.

Soutter, L. 2016. Expanded Photography: Persistence of the Photographic. PhotoResearcher. 26, pp. 36-43.

Soutter, L. 2016. Expanding Photography circa 1970: Photographic Objects and Conceptual Art. in: Statzer, Mary (ed.) The Photographic Object 1970 University of California Press. pp. 70-78

Koksal, O. 2016. Aesthetics of Displacement: Turkey and its Minorities on Screen. Bloomsbury Academic.

Stehlikova, T. 2016. TRIESTE: In-between states.

Oppenheimer, J. 2016. Joshua Oppenheimer Early Works.

Corby, T. and Baily, G. 2016. Northern Polar Studies. 9656w.

Wyver, J. 2016. An Intimate and Intermedial Form: Early Television Shakespeare from the BBC, 1937-39. in: Shakespeare Survey 69: Shakespeare and Rome Cambridge Cambridge University Press. pp. 347-360

Wyver, J. 2016. ‘A profound commentary on kingship’: the monarchy and Shakespeare’s Histories on television 1957-65 . in: Morra, I. and Gossedge, R. (ed.) The New Elizabethan Age: Culture, Society and National Identity after World War II London I.B. Tauris. pp. 267-288

Brown, C., Stair, J. and Twomey, C. (ed.) 2016. Contemporary Clay and Museum Culture. Abingdon, Oxon Routledge.