Centre for Research and Education in Arts and Media

Cummings, P. 2016. Early Ornament. Montreal

Pucill, S. 2016. BFI London Film Festival Premiere of Confessions To The Mirror (16mm col, 68min). BFI Southbank, London 05 - 16 Oct 2016

Twomey, C. 2016. Humanity Is In Our Hands. Westminster Bridge, London 27 2015 - 27 Jan 2016

Maziere, M. 2016. Akerman_Maziere Rear Window - TV Interview . Broadcast

Clark, G. 2016. On Correct Colour: On Margaret Honda's films. in: Moshayedi, A and Walker, H (ed.) Made In LA: a, the, through, only Hammer Museum / UCLA.

Clark, G. 2016. To Pour Milk Into a Glass: Film, Video and Conceptual Art in Britain 1964–1979. in: Wilson, A. (ed.) Conceptual Art in Britain 1964–1979 London Tate Publishing.

Sporton, G. 2016. Reviews: Swan Lake, Swan Lake, Trinity. Scene. 4 (2), pp. 173-178. https://doi.org/10.1386/scene.4.2.173_5

Pucill, S. 2016. Confessions to the Mirror (16mm, col, 68min, 2016). University of Westminster. https://doi.org/10.34737/qvq82

Maziere, M. 2016. AFTER CHANTAL: An International Conference. After Chantal: An International Conference. University of Westminster 04 - 06 Nov 2016

Wright, A. and Carnie, Andrew 2016. Art/Sci Nexus, 9 Evenings Revisited. 9 Evenings Revisited, in Theory as in Practice. KKW, Leipzig, Germany

Wright, A. 2016. Visual Narratives of Embodied Experience at RPsych Conference. Royal College of Psychiatrists Annual Conference. Cardiff 25 - 27 Apr 2016

Soutter, L. 2016. Showing and Telling: Narrative Photography from Pictures to Parafictions. in: Telling Tales: Contemporary Narrative Photography Seattle, Washington McNay Museum (San Antonio, Texas).

Marsh, J. 2016. Assembly: performing the materiality of Muslim prayer spaces. University of Westminster.

Fusari, M. 2016. Representing the Bektashis - Exploring Epistemologies in Visual Anthropology. in: Guidetti , M. and Mondini , S. (ed.) A mari usque ad mare Venice, Italy Edizioni Ca’ Foscari - Digital Publishing. pp. 399-409

Fusari, M. 2016. The Tentmakers of Islamic Cairo.

Dawood, S. 2016. Dances with Cryptids. in: Palestra, C. (ed.) Kalimpong London Sternberg Press. pp. 54-62

Dawood, S. 2016. Kalimpong. Timothy Taylor, London 16 Sep 2016 - 22 Oct 2017

Triscott, N. 2016. Critical Art and Outer Space: a curatorial inquiry into space as a global commons. Association of American Geographers Annual Meeting 2016. San Francisco 29 Mar - 02 Apr 2016

Triscott, N., Harwood, G., Kurtz, S. and Lastra, C. 2016. Graveyard of Lost Species - Critical Art Ensemble / YoHa. Site specific, Leigh-on-Sea marshes, Southend, Essex. Ordinance survey grid ref: TQ 82738 85478 07 Jul 2016 - 31 Dec 2018

Triscott, N. 2016. Transmissions from the Noosphere: Contemporary art and outer space. in: The Palgrave Handbook of Society, Culture & Outer Space Palgrave Macmillan.

Sprio, Margherita 2016. Performing history: girlhood and the apple (Samira Makhmalbaf, 1998). in: Handyside, F. and Taylor-Jones, K. (ed.) International Cinema and the Girl: Local Issues, Transnational Contexts Houndmills, Basingstoke Palgrave Macmillan. pp. 165-177

Tabrizian, M. 2016. ‘You don’t know what nights are like?’ – public art project.

Soutter, L. 2016. Expanded Photography: Persistence of the Photographic. PhotoResearcher. 26, pp. 36-43.

Soutter, L. 2016. Expanding Photography circa 1970: Photographic Objects and Conceptual Art. in: Statzer, Mary (ed.) The Photographic Object 1970 University of California Press. pp. 70-78

Koksal, O. 2016. Aesthetics of Displacement: Turkey and its Minorities on Screen. Bloomsbury Academic.

Stehlikova, T. 2016. TRIESTE: In-between states.

Oppenheimer, J. 2016. Joshua Oppenheimer Early Works.

Corby, T. and Baily, G. 2016. Northern Polar Studies. 9656w.

Wyver, J. 2016. An Intimate and Intermedial Form: Early Television Shakespeare from the BBC, 1937-39. in: Shakespeare Survey 69: Shakespeare and Rome Cambridge Cambridge University Press. pp. 347-360

Wyver, J. 2016. ‘A profound commentary on kingship’: the monarchy and Shakespeare’s Histories on television 1957-65 . in: Morra, I. and Gossedge, R. (ed.) The New Elizabethan Age: Culture, Society and National Identity after World War II London I.B. Tauris. pp. 267-288

Brown, C., Stair, J. and Twomey, C. (ed.) 2016. Contemporary Clay and Museum Culture. Abingdon, Oxon Routledge.

Matheson, N. 2016. Anatomical Fragments: Magritte, trauma and 'La Gâcheuse' [Fragments anatomiques : Magritte, le traumatisme et la gâcheuse]. Mélusine. XXXVI, pp. 97-112.

Maziere, M. 2016. Cinema of the Body. National Film Theatre 02 - 02 Nov 2016

Cummings, P. 2016. Antediluvean Swag. Roche Court , Salisbury

Cummings, P. 2016. Collected Activity: Making in the Museum. in: Twomey, C., Brown, C. and Stair, J. (ed.) Contemporary Clay and Museum Culture Routledge.

Matheson, N. 2016. Desert Islands: Magic and Modernity in the work of Ithell Colquhoun. in: Allmer, P. (ed.) Intersections: Women Artists / Surrealism / Modernism Manchester, UK Manchester University Press. pp. 255-278

Peters, T. 2016. Text for Christie Brown: Rara Avis exhibition leaflet.

Peters, T. 2016. Guest curator of Anthony Shaw Collection. York Art Gallery 18 Nov 2016 - 31 Oct 2017

Craighead, A. and Thomson, J. 2016. Monsters Of the Machine. LaBoral, Gijion, Spain 18 Nov 2016 - 31 Aug 2017

Wright, A. 2016. Phantom Limb. Victoria Museum and Gallery, Liverpool 09 Jul 2016 - 11 Feb 2017