| Creators | Ingawanij, M.A. |
|---|---|
| Description | Ingawanij won the British Academy Mid-career Fellowship to study Southeast Asian artists’ moving image within a dewesternised framework attentive to regional genealogies of medial and ritual forms. At BFMAF, Ingawanij and collaborators enacted the exhibition form as provocation: What if contemporary film exhibitions were reimagined as if they were rituals offered and addressed to nonhuman beings? The exhibition presented works by Davis, Weerasethakul, Diaz, Chong, and Tanatchai Bandasak as site-based installations and film projection ritual, staged as an encounter between the artists’ works and the open-air sites and spaces of historical sedimentation of Berwick-upon-Tweed. |
| Portfolio items | Animistic Apparatus @ Berwick Film and Media Arts Festival |
| Comedy of Entanglement: The Karrabing Film Collective | |
| Animistic Apparatus: Screening | |
| Animistic Apparatus screening programmes: Mud, Drones and Spirits; Between the Living and the Dead | |
| Animistic Apparatus screening programme: Landscape of Spirits | |
| Stories of Animistic Cinema | |
| Ghost Cinema for a Damaged World | |
| Year | 2019 |
| Publisher | University of Westminster |
| Web address (URL) | https://mayadadol.info/ |
| Keywords | Southeast Asian contemporary art, artists' moving image, animism |
| CREAM Portfolio | |
| Funder | BA (British Academy) |
| Asia-Europe Foundation (ASEF) | |
| Purin Pictures | |
| Japan Foundation | |
| Digital Object Identifier (DOI) | https://doi.org/10.34737/qy152 |