‘Stories of animistic cinema’ in Antennae: The Journal of Nature in Visual Culture, special issue Uncontainable Nature: Southeast Asian Visual Cultures, Summer (1), (2021). pp. 84-103. Original publication date Autumn 2020, covid-19-delayed to summer 2021.
Exhibition catalogue article connected to the output: ‘Ghost cinema for a damaged world’ in English and Portuguese. No History in a Room Filled with People with Funny Names 5, Korakrit Arunanondchai and Alex Gvojic, Serralves Foundation Museum of Contemporary Art, Porto, November 2020 – April 2021; catalogue publication date 2020.
Catalogue of the 15th Berwick Film & Media Arts Festival
NANG magazine, issue 8, Loud Mess
Ingawanij won the British Academy Mid-career Fellowship to study Southeast Asian artists’ moving image within a dewesternised framework attentive to regional genealogies of medial and ritual forms. At BFMAF, Ingawanij and collaborators enacted the exhibition form as provocation: What if contemporary film exhibitions were reimagined as if they were rituals offered and addressed to nonhuman beings? The exhibition presented works by Davis, Weerasethakul, Diaz, Chong, and Tanatchai Bandasak as site-based installations and film projection ritual, staged as an encounter between the artists’ works and the open-air sites and spaces of historical sedimentation of Berwick-upon-Tweed.
|Portfolio items||Animistic Apparatus @ Berwick Film and Media Arts Festival|
|Comedy of Entanglement: The Karrabing Film Collective|
|Animistic Apparatus: Screening|
|Animistic Apparatus screening programmes: Mud, Drones and Spirits; Between the Living and the Dead|
|Animistic Apparatus screening programme: Landscape of Spirits|
|Stories of Animistic Cinema|
|Ghost Cinema for a Damaged World|
|Publisher||University of Westminster|
|Web address (URL)||https://mayadadol.info/|
|Keywords||Southeast Asian contemporary art, artists' moving image, animism|
|Funder||BA (British Academy)|
|Asia-Europe Foundation (ASEF)|
|Digital Object Identifier (DOI)||https://doi.org/10.34737/qy152|